Hey everyone, it’s Kernook here. I’m back with a particularly quick post and a few little tips. This is just a write-and-toss, but I promise it’ll be of help to you.
So, you need eyes on your reviews, right? If you write reviews for the media that is already listed on IMDb, you’ve got to post it up in the critics section. I’ll show you how to do it.
First, let’s talk about why you should.
The Value of Trusted Databases
If you don’t know, IMDb stands for Internet Movie Database. A database means links and searchers. These are two critical things any blogger wants. You will find all kinds of shows, movies, and streaming media there. You can leave a linked review that takes a reader directly to your review.
The best part is, the approval process doesn’t take too long and the barrier to entry is particularly low. The big pros use IMDb to leave critic reviews, but you can too. This is important, you want to have your name up there with the bigger names. You want to be noticed and taken seriously.
When you share your links over on IMDb you give yourself a tiny edge in the analytics game too. People will search for things on Google and IMDb. Even if you can’t top the google charts just yet, this gives you another way to get your name out there.
Beyond that, you can use the database to find other bloggers like yourself. You can try to form friendships and network with them. Go read a few other critic reviews, leave a constructive comment on their post. Put yourself out there, get known.
All in all, IMDb does two things for even the most novice blogger…
Firstly: You to find people who’ve written content directly in your own niche. If you’ve both reviewed the same piece of content, you don’t get more direct than that. It hands you fellow reviewers on a silver platter, this makes it easier to find people working with similar genres.
Secondly: More links help you. IMDb is a trusted website by the masses.
With a little bit of research, we can see that IMDb has a global ranking of #58 at the time of this post. That means it is a very highly used website, and that makes it perfect for all of us. Pros and novices alike should be leaving our reviews in the critics section.
After you’ve written your review and shared it around, post it up there.
How To Do It:
This is super easy, anyone can do it. For this guide, I’ll be doing it with an anime. You can do it with all kinds of shows. If the media is on the site, you can leave a review.
Step 1: Go to IMDb. Make sure the media you’ve reviewed is on the website to begin with.
Step 2: Scroll all the way down until you see “edit page” button, and then click on it.
Step Three: It may ask you to make a “contributor account”. Go ahead and do that. It doesn’t cost you anything, totally free. I’ve already got a one, so I’m good to go.
Step 4: If you’ve got a contributor account, you’ll see a page like the one below with a lot of categories. Go all the way down to “Links to Other Sites”. There you’ll see “External Reviews”. Click on the drop down in that section. You’ll want to switch it from “no change” to “add 1 item”.
Then confirm the changes.
Step 4: Then you’ll be taken to the that you can leave your review. Put the link in the URL spot. For the description use your pen name, or the name of your website. Then click “Check these updates”.
It will take you to another screen asking you to confirm the updates you’ve made. If you’re good to go, then submit them. On their end, there will be a quick overview process. I don’t know what that is exactly, but as long as you’re not being completely disingenuous, you’re in the clear.
It should put your review through fairly quickly. On average it never takes me more than an hour to see my review posted up.
After it’s been posted, you’ll see your critic review added in that section along with all the others. Sometimes, you might review a series that doesn’t have any critic reviews at all. You can be the first one, just like I am here in this image.
See? It really is that easy.
Hip Shot: Don’t know what to write about? Here’s a prompt for you. Find a series with no citric reviews. Watch that series and then write your own. Share it on IMDb like I did with my review of A Little Snow Fairy Sugar. Yes, I know that was a completely shameless plug. No, I don’t care. My point still stands.
Following Trends: If you click on the search menu for IMDb, you can find “Most popular movies” and “Most popular TV shows”. You can also see the top 250 movies and top 250 television shows. If you’ve suffered writers block, you’ve probably seen at least one of these. Find a short series or a movie, watch it and write your review on it.
Many of you can benefit from writing reviews. Even if they aren’t your main form of content, don’t overlook them. A review can provide a tangentially tied experience for your readers.
More importantly, a review can bank upon your larger backlog of content and bring in new readers. Reviews provide entry level content and simple accessibility, we need to remember that.
A few key demographics can really benefit from this.
Gamers:
Plenty of games are actually tied loosely to anime or live action movies. Sometimes you can get both. You can diversify your content by writing reviews about those series. This is particularly true for horror and the RPG/MMORPG/ARPG genres. Brawlers, you guys are in the clear too.
RWBY, Halo, World of Warcraft, Resident Evil, Walking Dead, Final Fantasy, Dragon Ball Z, Inuyasha, Naruto and even Mortal Combat has a movie.
Take advantage of these titles. There’s even more too, like Prince of Persia: The Sands of Time. It released just this year. I promise you there’s plenty more where that came from.
Use them…
Newbies in Celebrities/Politics/Sports/Hobbies:
When we love a hobby, we are likely to watch content based around that hobby. This is a no brainier. There are movies, shows and documentaries based around these things. Use them to gain early attention. If you’re new and unknown, grasp onto this kind of media with a vengeance.
This is a key aspect of diversifying your content. When you’re new this can be difficult.
Nero-divergent/Otherwise Able:
If you are a lifestyle blogger with a disability, see if there might be media based on that. You can review that series and provide a personal perspective as well. There’s something to be said about providing insight to these important topics.
Final Thoughts:
At first, blogging can be hard. Getting your name out there requires thinking outside of the box. Many people don’t realize how easy it is to get onto websites such as IMDb. They see the word “critic” and quickly become intimidated. It’s okay though, you don’t have to be.
Use all of your tools to get your name out there. Use every advantage. This is a free one, and it’s easy to do. Go ahead, give it a try and let passive views slowly flow in over time. In the meantime, keep putting your best foot forward. Work to get better and continue your endeavors as a content creator. In time, you will succeed.
That’s it for today. Was I of any help to you? If so, drop me a follow. You’ll be getting more tips and tricks for bloggers soon enough.
This has been Kernook of The Demented Ferrets, where stupidity is at its finest and level grinds are par for the course. I’ll see you next time!
Hello everyone! It’s Demented Ferrets resident artist, Ruka. Welcome back to another “Universal Language of Art”
Today I will be talking a little about the history and the story behind this picture and why it’s so captivating to me.
Fort by Rukangle
This picture was taken at Fort Zachary Taylor located in Florida’s Key West Historic State Park. The fort was completed in 1866, taking 21 years to complete. The fort’s foundation consists of oolitic limestone and New England granite. Its five-foot-thick walls rose 50 feet above mean low water, and included two tiers of casemates plus a terreplein or barbette at the top.
There are three seaward curtains, 495 feet between bastions, each containing 42 guns on three levels. Each of them were augmented by a land-facing gorge. The troop barracks were built into this gorge with a capacity for up to 800 men. At either end of the barracks was a large gunpowder magazine while a Sallyport was located in the center, connected to land by a 1200-foot causeway. Rainwater was collected in underground cisterns along the perimeter of the fort.
It served as a deterrent for confederacy ships during the Civil War of the United States and was a stronghold in the Spanish-American War in 1898. Today, the forts hold a large variety of preserved weapons and have the largest collection of Civil War cannons in the United States.
Now, I am currently trying to get my B.A in History. When I think about what makes me want to study something that for many would-be considered boring, it comes down to my love for people, art, and architecture that really brings it all together.
Learning the stories behind places and the reasons why they still stand is a psychological part of its people. What it was and how it has evolved through the years, is also part of that wider culture.
This fort also brought back memories of my childhood, and they have nothing to do with this particular fort. Rather, they have to do with the one on a small island in the Caribbean. That one is called San Felipe del Morro Castle, located in San Juan, Puerto Rico.
Now I’m not here to give you all a history lesson or anything like that but places like these really make me want to just let go and explore its wonders with childlike eyes and a need to understand what happened there and how it still stands. (Of course, they would give yearly maintenance and all that. )
Yet with this fort, there was an interesting play of lights and shadows. Every corner was a play of what could be behind this archway, would it be more beams of lights or would it be more shadows? This play created some confusion but for an artist, it was a great source of contrasting lights. If you look closely we can distinguish each path and this includes the ceiling. It shows you how the support columns and ceiling round themself to make a tunnel-like structure to be able to support the artillery and all the men that were responsible for its defense. In a way, it can get a bit creepy and I do have another photograph that shows a darker side of the fort where it’s colder and there was almost no light coming thru.
It was a good time and we had fun exploring, learning, taking pictures, and having a piece of the ceiling fall on me while taking a picture, witnessed by multiple people, to me was a testament to how old the place was really is. And could you imagine, that dressing up as a pirate and running around the fort while being chased by confederate soldiers would be amusing, would it not? So, if you guys have any questions comments, or concerns, please don’t hesitate to leave me a comment below.
Until then, if you like this content, please consider supporting us on Patreon, and follow us over on our Twitchchannel for gaming-related content, where I make an appearance via chat.
Well like always, this has been Ruka of The Demented Ferrets, where stupidity is at its finest, and level grinds are par for the course. I’ll see you around! Until then please be sure to check out our other content below.
Hey everyone, it’s Kernook here. When I think of influential television shows, TheSimpsons comes to my mind instantaneously. I wanted to discuss the first season, so that’s what I’m going to do.
You can help support us through PayPal or Patreon.
Honestly, I doubt that The Simpsons even needs an introduction at this point. It’s hard not to know of this series. With fifteen separate dubs and nearly thirty subs, The Simpsons stands right up there with some of the most prolific shows of our modern age. When it comes to worldwide appeal in the animation space, this series is something of an enigma.
Plenty of cartoons are, sure enough, but The Simpsons wasn’t exactly intended for children and it sits within an odd middle ground. It isn’t a Japanese anime, it’s not your average American cartoon, either.
Rather I should say that it didn’t used to be an average one. Back in the day, the series wasn’t directed at family friendly viewing. It just wasn’t so egregious that you need to slam the television off the moment a small child walked into the room. It’s no Family Guy or South Park in that way. It just wasn’t intended for children and appeared on a network and time slot that children wouldn’t gravitate towards.
The Simpsons got a start on the Tracy Ullman Show back in 1989, when the Fox Network wanted to appeal to young adults in the late teens and early twenties. My memories don’t actually include that, it’s just hard to be a Simpsons fan and not know that crucial little detail. I was also born in 1989. As you can probably guess my earliest memories of the show happened during my early childhood in the 90’s.
I remember The Simpsons as its own separate series. I grew up with it because my family watched it, thus I did too. I’d suspect many of you out there are the same as me.
In 1990, it began airing regularly as its own separate television show. The first season is about as messy as you can get. It was a new thing back then. Animation of the era, particularly american cartoons were sometimes questionable at best in terms of art style and quality. The Simpsons as a show wasn’t really any different.
Matt Groening, the cartoonist and creator of The Simpsons deserves his own separate blog post, but the key thing to note is that he wanted to put a lampshade on what a real american family was at the time. With his finger on the pulse he managed to do just that.
I don’t think any Simpsons fan would disagree that season one has a strange feel to it. It’s both a classic to television history, just as it is a complete and total mess by today’s standards. As a series in its infancy though, it was very well-liked and highly regarded. The distinctive feel of the early concepts we know and love today were just beginning.
These days if you were to look at the first season without context, it would be like walking into a bizarre world.
Waylon Smithers doesn’t look like this anymore. He’s yellow, like a large majority of The Simpson cast. I think it just goes to show how much the series was still in its infancy.
It’s funny, because when a lot of fans are “purists” about something, they’re usually referencing the earliest seasons. However, when it comes to fan of The Simpsons the idea of a “purist” usually refers to slightly later seasons, when characters began to feel fleshed out and the animation quality became stable.
Generally speaking, you either love or hate The Simpsons in the first season, or you just don’t remember the first season at all. Really though, I just can’t fault anyone for that. This animated series had a lot of bumps and bruises along the way to being the cultural icon as we know it today.
High Concept, Low Execution
The Simpsons was closer to a sitcom rather than it was a children’s cartoon, and that was by design. The colors were chosen to be bright and catch the attention of channel surfers, but despite the brightly colored characters, this was never meant to be for kids.
The characters themselves were generally down to earth when they needed to be, however the animation was experimental and occasionally that resulted in a total mess. While real character focused stories often took center stage, the scenes with a lot of characters on screen at once made for something of an eyesore.
If you look closely at almost every crowd shot within season one, you’re going to find a goofy little thing or two. It’s good for a small chuckle, I’ll give it that. This particular moment of unintentional hilarity comes from the episode Homer’s Odyssey. If you look carefully, you’ll see that it looks like two guys are either joined at the skull or they’ve freakishly snapped their necks.
I’m not sure if the creators intended it that way, or if it was just an accident. Either way, the first season of the Simpsons is absolutely bursting with moments like this. This is honestly one of my favorite ones to point to because it’s just so goofy that I easily remember it.
However, it wasn’t the animation that kept us viewers glued to our seats. The show almost always had something interesting to say. You see the thing is, The Simpsons portrayed a typical American family. At the time shows didn’t like to display families that were dysfunctional at best and absolutely downright awful at worst. The Simpsons refused to shy away from dysfunction. In fact, nine times out of ten, real and direct family dysfunction was the centerpiece.
The usual concentric focus of family related sitcoms get put under a looking glass where temptation and personal character failings demand attention too. While Homer and Marge do have a loving relationship, and arguably a more stable one, the failings of the romance still shows through plainly.
They can discuss marital issues, such as Homer going to a stag party and make notes of objectifying women with an earnest bent. The theme of the episode aside, in Homer’s Night Out the series still maintains the close family bonds that the family struggles to keep close at hand. The party itself is one thing. However the deeper theme is about how this impacts Bart’s view of women and Homer’s ability as a father to correct that.
Every episode is handled with similar attention paid to family drama and muddling their way through life. The same holds true for all the characters, although here in the first season we get more Homer or Bart related stories than anything else. They monopolize half of the episodes to stories centered around at least one of them.
Since the first season is only 13 episodes long, that’s a pretty large monopoly of screen time for these two characters. Although, I have to admit, that was probably a solid decision. These two characters certainly add a larger measure of flair to the family dysfunction.
We shouldn’t overlook the fact that the other family characters still get a large portion of screen time too within these focused stories. There’s a lot to be said about Lisa and Marge getting great early character development because of the stories that were told.
There’s a real sort of emotional focus upon the actions these characters take, and what impact it has on the family unit. We can have moments of Bart and Lisa arguing about who loves their father more, only to then have the joke subverting our expectations.
That’s not to say every episode hits it out of the park, or even manages to flawlessly get its point across. Many times, The Simpsons isn’t able to do that. What it can and does do flawlessly is leave the viewer with a loose ethos of what the series tried to represent. It asks you to either take it or leave it, and it doesn’t particularly care what you do with it.
The show is full of parody and satire culture, along with hot button issues of the era. You didn’t have to like the show back then, you just had to take notice of it. The series wasn’t trying to be a mindless popcorn viewing for the masses. Even though you could do that and enjoy the show just fine as it was, The Simpsons refused to be ignored either.
It gracelessly showcased the often questionable cultural identity of the white American family when “proper” sitcoms of the day hesitated to do strictly that. Homer was not the perfect father figure or husband, Marge while supportive was often short sighted, and the children were merely that; children. Bart was the wayward hell-raiser, and Lisa was the intelligent, if mischievous little artist. Maggie was the baby back then, clearly a very smart one, but she hadn’t come into her own as a character just yet.
There was a lot to unpack if you cared to, and many people did. The series was relatable, and that meant a lot.
Does The Simpsons Season 1 Hold Up?
Yes… surprisingly so, actually.
The Simpsons still continues on today, even though many fans often think the series has been milked for all it can be worth at this point. It lives on anyway. Perhaps it is a bit geriatric these days, lacking the more pin-point accurate depiction of what a microcosm of America should look like. However, you can look back on the first season of The Simpsons and find a relevancy there that hasn’t quite gone away.
Yeah, it looks dated, sure it does. The animation is a bit goofy looking sometimes. The series is over thirty years old, give it a little bit of slack there. It might not be perfect, in fact I’d say the show is very flawed. In a way though, that was the point.
The Simpsons should feel flawed. It should feel off kilter and askew while still feeling entirely relatable, and that’s exactly how season one feels even to this very day. Be it school yard woes and the topic of bullying, or martial problems and the struggles of faithfulness, there’s downright honesty to be found here.
It is satire, meaning it’s never too dark, or too gritty. There’s a humor and a light to be had at the end of the darkest moments. However that darkness pervades a little too. At the end of the day, the series has a lot of heart and soul embedded deep within every episode of this first season.
It can be funny and it can be dumb on occasion. No matter what though, it will always be astoundingly honest with you, the viewer. The Simpsons has a first season that doesn’t quite know what it is, and its beginnings are as humble as they are unsteady… but, well… we wouldn’t have so many seasons of the show, if it hadn’t started someplace.
If the series is a cash cow still to this day, then we only have these early seasons to thank for it, this first one most of all. That start really isn’t half bad even nowadays, either.
It truly is worth the watch. Even if you’ve already seen it, go back to the very start and get yourself a good dose of nostalgia. Enjoying the good old days every now and then really isn’t as much of a sin as we all make it out to be.
This has been Kernook of The Demented Ferrets, where stupidity is at its finest and level grinds are par for the course. I’ll see you next time.
You can help support us through PayPal or Patreon.
With your contributions, you make our efforts possible. Thank you for supporting our content. Patreon supporters receive access into our official Discord server, and a few other perks depending on the tier. If you don’t care for Patreon, and don’t care about perks, you can always support us through PayPal too… links below.
Those who join via Patreon get special perks, such as extra content, quicker updates, and more.
Hello everyone, it’s Kernook here, and it’s time for my RWBY White Trailer analysis. This is not to be confused with my review of the trailer. That is a separate video.
To our patrons; thank you for supporting this content. For those of you who aren’t, and enjoy content like this, videos like these take time to produce, so if you like this content, please help to support it.
Before I begin, I just want to make it clear that this is not the first video production of my analysis series, and there is other content available. There was a lull in making these videos as they take time to make, and I was super slow with them for a larger number of reasons. That being said, the RWBY Red Trailer Analysis and the RWBY Red Trailer Review were completed some time ago, and these two blog posts each come with video content as well.
At the time though, admittedly, I was still figuring out my personal style at the time. Due to that, you’ll notice a lack in the quality of those older videos compared to the video that I have for you today.
In any case, after those two posts were complete, I slowly moved onto Weiss Schnee and the RWBY White Trailer Review. From this point on, I’m going to assume you have some insight into the RWBY series, and that you’ve watched at least the first volume.
If you haven’t done that, go watch the series. It is free on the Rooster Teeth website. As always, please support the official release.
You can either read the blog post or watch the video. I hope you enjoy this trailer analysis.
RWBY White Trailer Analysis
The video production of this particular blog post.
Previously, in my RWBY Red Trailer analysis, which can be found on this blog here, I stated that the RWBY series has a lot of themes embedded deeply into the subtext of the narrative. That despite the many flaws within the show, there rests a much deeper and compelling story than you’d find on the surface. Fan theories take on a life of their own, and perspectives on the show are as vast and deep as you can imagine.
Therefore this is only my take on the series. I don’t expect you to agree with everything I say, and I don’t consider my viewpoint to be the end-all, be-all interpretation of the show. This is only how I’ve interpreted the series, so please bear that in mind.
With the mindset that hindsight in the RWBY series really is of utmost importance, let’s go back and study all that the RWBY White Trailer has to offer when it comes to understanding Weiss Schnee. Before we do that, though, we must reflect upon a few lyrics found in the RWBY Red Trailer. It is absolutely paramount to do so, because all of the trailers build upon one-another for the greater narrative.
I’ve stated before that Ruby’s trailer is a simple view of the world. A nutshell, if you will. The lyrics that reference Weiss in the song Red Like Roses state this:
This is the first real interpretation we have of Weiss. Furthermore, this is a very apt description of the RWBY White Trailer and the themes of the RWBY series in regards to Weiss Schnee. Moreover, it allows us a lens upon which to view the RWBY White Trailer. You couldn’t get more obvious about that unless the creators beat you over the head with with the concept using Nora’s hammer, but I digress.
So, here we are then, in the RWBY White Trailer, and one such royal test is playing out in plain view. Weiss is on stage, and she’s about to sing a song, all while facing up against a rather formidable opponent in her memories. Her introductory character song is named “Mirror Mirror” which is more than a little fitting.
In my RWBY WhiteTrailer review, I mentioned the fact that the song almost breaks the fourth wall. That Weiss seems to be speaking to us, the viewers as if we were the mirror in question. When I said this, I was using the lyrics as a basis for this assessment. At the time of this trailer, we have no voice acting. The song composition and battle mechanics were all that we had to go on.
Using the ethos that the trailers help to train the viewer to really enjoy the RWBY series to the fullest, subtext is the foremost tool that a viewer can use to dig into Weiss this early on.
So, let’s dive into the lyrics of Mirror Mirror, and how they apply to the greater narrative properly. The song begins with a soft and gentle melody along with these lyrics.
Mirror, tell me something, Tell me who’s the loneliest of all?
The question is melancholic and gentle. At first, we can assume from this that Weiss is talking down to her reflection that stands upon the stage, her mirrored image. However, the lyrics then repeat and extrapolate further.
Mirror, tell me something, Tell me who’s the loneliest of all? Fear of what’s inside of me; Tell me can a heart be turned to stone?
By this point, the song has reached a sense of urgency both in musical composition, and lyrical narrative. It is now almost bombastic compared to how the song started. At this point Weiss is reflecting on a battle she once had to face down, likely in recent memory.
It is at this point that we can begin to dig deeper into the content. We can begin to think outside of the box. I’ve always taken this to mean that perhaps Weiss isn’t speaking to her reflection at all, but rather the audience that she sings to. We viewers can be seen as part of that audience she performs for. These questions are abstract, but she’s asking for an answer.
This is a constant theme all through Volume 1 for Weiss Schnee. She is a teenage girl, standing in a place between her dreams and expectations. Aspirations melting under the weight of what she knows to be cold hard reality. The two cannot stand as equals. She often demands answers from others to find out what the truth really is.
A few key examples would be in Volume 1. Firstly, when she asks Professor Port why she shouldn’t be the leader of her team. Secondly, when Weiss and Blake fight in sections of the show such as “The Stray” or the “Black and White” finale in Volume 1. Weiss prefaces all of her moral questions with opinions, but really validation is a secondary goal in most of these cases. She’s looking to find a deeper truth hidden beneath what she finds to be mere conjecture.
Weiss isn’t always successful in her search for answers, but the context here gives us good reason for why she so easily comes to accept both Blake’s existence as a Faunus, and Professor Port’s rebuttal about leadership. People often say that having Weiss so readily accepting Blake at the end of Volume 1 was poorly handled, but as we can see, the subtext was here from the start.
If we look at this song from the viewpoint that Weiss is singing to us directly, and that we are the metaphorical mirror in question, then we are seeing the real person buried deep beneath the Schnee family mask. What we expect of her as a Schnee cannot live up to the reality, because she has no desire to act and think in such a way to begin with.
The next part of the song contains haunting operatic vocals, and while this is wonderful for atmosphere, it adds a context for Weiss as a person. We can see the true struggle that Weiss has within herself. The singing here is as delicate as it is strong. A tone that fights with its own duality. This could be seen as a window into the moral questions that Weiss wants answers for. She’s an inquiring mind, she demands these answers, they’ve just never been given in a way she can truly accept. There has always been something missing for her.
Continuing on, we have even further proof of her unanswered questions. The next set of lyrics give us insight to this, and once again there is an urgency here. The lyrics go like this:
Mirror, mirror, what’s behind you? Save me from the things I see! I can keep it from the world, Why won’t you let me hide from me?
This, once again certainly reflects the struggles Weiss will face in Volume 1 surrounding her teammates, her academics, and her goals as a huntress. Her teammates and Professor Port will challenge her birthright given authority. Blake’s heritage as a Faunus will challenge the conjecture of the victim-hood Weiss carries around like a shield.
She sees the world in a way that terrifies her, it isn’t a safe place. She can’t trust it. She wants to, desperately so, but in these lyrics we see a terrified little girl screaming out at the world. A little girl that likely grew into what she became when Weiss decided to become a huntress. In this way, Weiss and Ruby are very similar.
While Ruby’s lyrics in Red Like Roses seems to compare herself with the world on a surface level, Weiss seems to use the lyrics in “Mirrior Mirrior” to pull that world inward. A reflection of it within herself that she cannot break free of. She is a product of her upbringing and she knows this. With an incredibly high intellect at her disposal, she can see the true nature of her own cruelty. She isn’t blind to it, and she even hates it. To a point, you may even say she hates herself.
However, to get rid of the qualities she dislikes about herself, would put her at risk too. She is more at peace with the things she doesn’t like about herself, than she is with the idea of letting them go.
She asks can a heart to to stone, after all? Can she hide from the darkest parts of herself?
That is the larger question, but for her narrative, the answer is no. She cannot be an unfeeling person, and despite herself, she isn’t a hateful person either.
She isn’t a bigot, even if it would be easier to simply hate Faunus. She distrusts them, but she doesn’t hate them. For her past and her upbringing it would be easier to see herself as superior because she is a Schnee. She knows there is no joy in that for her. There is no solace for a person who cannot find the greater good beyond the darkness of the world.
Weiss knows that, and it scares her.
Finally, we go back to the core question that Weiss has in the next set of lyrics. The selfsame question that began the whole song to begin with. We get one last repeat of the lyrics:
Mirror, mirror, tell me something, Who’s the loneliest of all?
Weiss can only wonder this, because loneliness itself is a burden that cannot be understated. The trials and tribulations of Remnant are not things that characters should face alone. Be it the Faunus plight, grief, homelessness, the Grimm themselves, or so many other factors, it really doesn’t matter. Those struggles are not solitary fights, and in solitude they tend to end badly.
Even in the real world, the mindset Weiss keeps before the events of Volume 1 is impossible to uphold. You cannot discover yourself as a person without discovering the ideologies that best suit your personal ethos. To expect someone to forge their own path alone, with very little help at all, forges an echo chamber of negative thoughts. This cultivates dangerous biases that have to way to be challenged.
Weiss is isolated due to the way she sees the world, and those circumstances are not simple or easy to navigate. Doing so alone, as she feel she has, only complicates the issue. Letting go of her stringent upbringing and narrow views would bring Weiss validation, and a sense of belonging.
We know this to be true, and see the reality of this come to fruition in her later volumes and character songs. However, for now that fruition has yet to happen, and the song ends on these final lyrics:
I‘m the loneliest of all.
This is a statement, not a question, not this time. This means that she is telling us what she knows to be fact. She is lonely, she doesn’t like the person she is becoming. She doesn’t want to be this way, and if there were a way to change herself, she would. This is evidenced by all of her key character progression in Volume 1.
These are hard won battles for Weiss, no different than her hard won battle with the knight that leaves a scar on her face. It never comes easily for her. She had to relinquish blood, sweat, and tears to reach that victory, and in volume 1, she will go through that turmoil again.
In order to shape herself into a better person once more, she has to. That is the path Weiss really wants to take. In the depth of these questions, she knows continuing on as she is won’t make her happy.
We have one final clue to all of this insight, and it is found within the quote at the beginning of the trailer. It says this:
It is here that we find that direct line of sorrowful ideology. Weiss stands her ground in every emotional and physical fight she gets into during volume 1, but here we see how she really feels. In this quote, we see that she never thought Blake’s ideologies regarding Faunus to be something pointless. She never really though Ruby to be a lesser person. Instead, it comes down to one simple concept.
To Weiss those fights are worth having. Anything that matters at all, is a thing that matters enough to fight for, and to fight hard enough to win. This is why she continues pressing Blake about Faunus. To Weiss, fighting the matter out helps her to understand. That she eventually stands down in these arguments proves that she begins to understand the heart and soul beneath the battles.
To both Ruby’s leadership and Blake’s heritage, Weiss accepts these outcomes because they fought so hard for it. That they too, sought validation they way she does. That they too, while emotionally wounded, needed someone to listen.
Like Anime, Gaming, and RWBY Analysis content? Check out our other platforms and support our content:
Weiss chose to listen, and in turn she finds a place to belong.
She finds her implied commonalities, because her teammates are not so different from herself. In the early volumes of the RWBY series, it all really comes down to the heart of the matter. For Weiss her strongest content and progression really comes down to teammates most of all. When it comes to fighting for ideologies in Volume 1, they are her strongest allies and adversaries. In later volumes, Yang plays a much larger role her progression particularly in volumes 2 and 3, when Weiss begins to act more carefree, and starts to take every day as it comes, an ideology that Yang seems to teach her. All of this is buried within everything the RWBY White Trailer has to offer.
This is why I say that Weiss’s choice at the end of Volume 1 didn’t come out of left field. It wasn’t abrupt. It wasn’t mishandled. It had no need to be extrapolated upon, because it was all here from the start. The subtext speaks loudly, nothing has gone to waste when it comes to outlining Weiss and her future among her team.
At the end of her trailer, she sees a glimpse of her mirrored image, and what she is capable of. For us, the image is blurry, but Weiss probably sees it clearly. She will ask the world her questions, she will demand answers. She will forge a new path because of them, that isn’t a spoiler, that’s simply her determination as a person at play.
It isn’t that Weiss wants the answers to her questions to be satisfying, it’s that she wants to know the truth. She can handle the truth, if it’s honest. We see this in all of the volumes. This is a character trait that never leaves Weiss, not even as late as Volume 8. Once she knows enough to get by, she leaves the inconsequential details by the wayside.
In volume 1, this culminates in her two largest arguments. Blake is no longer in the White Fang, and does not support their violence. Ruby is doing her best as a leader. Those facts are the ones that matter. When Weiss states that she doesn’t care to get into the finer details, that is honesty too. In truth, she doesn’t need to know them right then and there.
The fight was worth having, the insight she gained was enough.
Weiss is many unflattering things in Volume 1, but she is also honest. Even if it is sometimes to the point of cruelty. That she expects this same sort of honesty offered in return is something I will dive into when I dig into the meat of Volumes properly.
For now, this is where I leave the trailer. There is more to speak upon regarding Weiss. Her contradictions and flaws linger deep in the subtext, but I need to dive deep into the volumes to explain that, and those are other videos. In my next analysis, I’ll be covering Blake’s trailer analysis, so I hope to see you there.
This has been Kernook of The Demented Ferrets, where stupidity is at its finest and level grinds are par for the course. I’ll see you next time.
You can help support us through PayPal or Patreon.
With your contributions, you make our efforts possible. Thank you for supporting our content. Patreon supporters receive access into our official Discord server, and a few other perks depending on the tier. If you don’t care for Patreon, and don’t care about perks, you can always support us through PayPal too… links below.
Those who join via Patreon get special perks, such as extra content, quicker updates, and more.
Looking back, the year of 2018 was a very strong year for anime. We had amazing contenders in the anime line-up every season, with plenty of content to choose from. From series like Sword Art Online Alternative: Gun Gale Online to Cells at Work!and My Hero Academia Season 3, it was difficult to pick and choose what anime to watch that year. There were just so many solid choices to pick from that it was hard to go wrong.
One of the most notable anime of that year isA Place Further than the Universe. It’s also known in Japan as Sora yori mo Tōi Basho. The series was released in January of 2018 and finished around March of that same year. Written byJukki Hanada the series started off on a strong foot for that alone.
For those of you who may not know, Jukki Hanada also did the writing for such anime as Kashimashi: Girl Meets Girl and the 2011 Steins;Gate series.
A Place Further than the Universe was directed by Atsuko Ishizuka, who is also known for his work on the design production and storyboard for Monster. That’s another anime I’ve reviewed on this blog, and find it to be one of the best classics that anime has to offer. As far as his directing skill is concerned, you may also know him from such anime as The Pet Girl of Sakurasouand No Game No Life.
I’m hesitant to say that A Place Further than the Universe ticked all the boxes for me. I deeply enjoyed it, but it would never make a top ten list for me. I’ll explain why near the end of the post. For now what you need to know is that the series is certainly noteworthy and you shouldn’t bypass it. If you like cute girls and slice-of-life series and you haven’t seen this anime, go watch it.
To me, this anime is required viewing, because it sets the baseline of what a serviceable anime really needs to be across the board. I think I just don’t hold the series to quite the same level of prestige because 2018 was such a strong year to begin with. It was an amazing year of anime, hands down.
If you doubt that, you were either under a rock that year, or you missed out on some really solid series someplace. Alright then, with that out of the way, onto the meat of this review.
The plot is simple enough, I suppose. Four girls, one big journey with a slice-of-life feel and a coat of cut girl paint. You have a character named Mari Tamaki. She’s a second-year high school student who wants to make the most out of her youth. The thing is, she’s a bit of a coward and she’s usually too afraid to step out of her shell.
One day, she meets Shirase Kobuchizawa, someone much more brave and with big ambitions. She’s been saving up to travel to Antarctica. It isn’t just a pipe dream. It’s a goal with emotions attached, since mother disappeared three years ago. These two characters are eventually joined by two other girls, Hinata Miyake and Yuzuki Shiraishi. These four eventually make their way to the Antarctic.
It’s a simple series, with simple elements. The plot itself isn’t contrived, thankfully. It isn’t bombastic and it isn’t flat out stupid. What is very nice about the show is that it has 13 episodes. That’s just long enough to tell this story in a fulfilling way. The series doesn’t overstay its welcome and it doesn’t draw out nonsense plot elements to the extreme.
Honestly, I’d say the series could have used a few more episodes, even if just one or two. It is a packed series from start to finish. That’s a good thing, a very good thing. You’ll probably be left wanting for more after the series concludes and I think another episode or two would have given it just a little more room to breathe. Honestly, even without extra content, this series stands as a hallmark of a great anime.
When you get the benefits of a fulfilling ending and you still crave more, that’s when you know the series goes on a top ten list someplace.It might not be in my top ten list for anything particularly, but to say this anime is anything less than steadfast is a direct injustice. I’ve watched a lot of series across many genres, and every single thing this series does, it does very well.
The pacing is where it should be for a series like this. It’s the sort that slowly builds, but it is also tightly packed with key character moments. That’s the main draw of this show after all. It isn’t about the adventure itself, but rather our four main protagonists and what it means to them. They need to work hard to get to the Antarctic.
This isn’t an adventure where they sit around on their hands doing nothing but giggling their way through the show. Although I would say it is about cute girls, they’re not always doing cute things. Sometimes they’re put to real work, and the trip is occasionally far from glamorous. There are scenes where they even acknowledge that the cramped spaces they’re shoved into could be problematic for them.
These girls are multi-layered and very compatible on screen together, but they know they can sometimes clash in ideology too. It isn’t heavy handed, but there’s a real down-to-earth mentality used in this show. Unlike a lot of the other slice-of-life series you may come across, there’s not a lot of mindless or useless fluff. The character moments always feel as though it has been planned to enrich the story. These girls are all very likable and that helps too.
As a general rule, the series wants the girls to be fun-loving and adventurous. We see this most of all. They’re not dimwitted, and they’re not trying to do something entirely idiotic. Honestly, I just can’t praise A place Further than the Universe enough for this aspect alone. The series really hit it out of the park with these characters.
We get the same compelling banter between them that you’d expect from high school girls, but you also get some real heart and soul out of them too. The series hones in upon their dreams, fears, aspirations and insecurities. Frankly it does a phenomenal job of letting viewers get to know each of the four girls. At the same time, the series isn’t interested in cramming contrived emotional stupidity in front of our faces… when there is an emotional outburst, it means something valuable and important to the wider story.
We never lose out on that wider narrative either, nor the unpredictability of the adventure they’ve embarked upon. There are obviously a few small layers of drama, but it’s perfectly fitted for the story at hand. The series focuses deeply upon forged friendship, and facing tragedy.
As I said above, Shirase’s mother went missing three years prior to when the series actually starts. That’s a plot point that adds a layer of emotional gravity and uneasy tension to the journey. Also, the fact that they’ve got some measure of adult oversight and supervision means that the story is believable for these four high school students.
They travel with the Civilian Antarctic Observation Team, so as an adult watching this series, you’re not going to be raising an eyebrow. There’s no need to sit there wondering how in the hell these four girls are going to pull this trip off without suspending disbelief. It is a very believable story with a very steadfast component of grounded and logical plot elements.
You’re going to get an ending to this short series that’s about as complete as you could hope to expect for a 13 episode runtime. The plot ties up nicely, what isn’t addressed doesn’t need to be, and there’s a satisfaction to the ending. That entire final episode leaves you feeling justified for having enjoyed the show. There’s no need to point at the manga and say “finish the story there” although, there is a manga too and it is worth the read as well.
I’ve not said one single bad thing about this series, because there’s nothing bad to say about it. The visuals are solid, the soundtrack works well, the story leaves you fulfilled. So, you may be wondering if I’ve lost my mind. You may be wondering why, in spite of the fact I praise so highly, that it wouldn’t sit on my own personal top lists for anime?
It’s not groundbreaking, that’s why. I wouldn’t have it on my list, because it didn’t knock me out of my seat the way others in the genre have. I was thoroughly entertained, but I can’t say that I was surprised or taken aback by this anime in any meaningful way. I’ve seen a lot of shows like this, or similar to it. I’ve seen the basic idea of a journey like this one a billion times over.
While the characters are a home run out of the park, you’ve still seen these archetypes before a billion times over too. Honestly, I expect anime like this one to have strong characters, because if it didn’t, it would be a failure of a series. The characters are what matter, they’re what make the story being told amazing. If you watch animated series like this enough of the time, you come to hold a baseline expectation of what that sort of anime should be.
Let me be absolutely clear; A place Further than the Universe is everything an anime like this should be. It ticks all of the boxes in a way that any anime fan should demand of a high quality slice-of-life series. That’s exactly what this series promises.
It promises high quality animation and sound design. It promises to be exactly what it advertises its story to be. It upholds that standard throughout its runtime, and never once do you feel stolen from as far as a quality experience is concerned. However, although it holds the high quality standard, I personally don’t feel it surpasses the standard.
Maybe I’m just a jerk, but I expect a high standard of grounded, down to earth slice-of-life series. This one touches upon and continues to uphold that high standard baseline of quality anime. You’re just not going to find anything new here or something that challenges your notions of what a series like this one should be like. To me, it’s not a revolutionary series, if you’d think of it that way… and my top ten lists, those ones have to rip me right out of my seat and knock me down.
To me a top ten list is the best of the best. A Place Further than the Universe doesn’t quite match that. However, it would likely sit someplace on a top twenty which is far from an insult. Trust me, watch as many anime as I have, and so long as the anime makes the top fifty it’s a damn good show… two decades of anime watching does that to a person, honestly speaking.
So, there you have it. Watch this show if you haven’t already. A Place Further than the Universe sets the baseline of what we should all be expecting from our slice-of-life anime series. Quality characters, interesting visuals, a great story and one that wraps up nicely at that.
If you want to see another review of this series, from someone other than myself, perhaps check this one out written by NEFARIOUS REVIEWS. I thought it was a good review of the anime, maybe you will too.
This has been Kernook of The Demented Ferrets, where stupidity is at its finest and level grinds are par for the course. I’ll see you next time.
You can help support us through PayPal or Patreon.
With your contributions, you make our efforts possible. Thank you for supporting our content. Patreon supporters receive access into our official Discord server, and a few other perks depending on the tier. If you don’t care for Patreon, and don’t care about perks, you can always support us through PayPal too… links below.
Those who join via Patreon get special perks, such as extra content, quicker updates, and more.
Hey all, it’s Kern here. Kresh and I have been playing Final Fantasy XIV on our live streams. This is part 2 of our level grinds, joined by our friends for havoc and good time. Lots of laughter in this live stream.
In this particular stream we continue where we last left off. Before the stream, Kresh picked up a tank job and got it to the same level we ended off at. We want to be sure to stay around the same basic exp and level range if we can. From now on Kresh is playing a tank and I’m still playing a healer.
We finally escaped the low level zone of Gridania and the shrouds of forests that surround it… for now at least. We do 3 of the story related dungeons this time around and amass a few levels while we’re at it.
You should subscribe to our twitch so you can watch our streaming content live, but you can find the playlists on our Twitch and our YouTubechannels as well.
Kresh and Kern’s brand new disaster through Eorzea: Final Fantasy XIV part 2: A Misadventure Reborn
You’ll want to follow our twitch if you want to see things live when they happen.
After a few story line related missions we entered Sastasha, a level 15 dungeon that keeps the training wheels on more or less. It’s pirate themed. I was massively under geared at the time, since due to the streamlined leveling process I thought I’d hit 20 before we entered and I’d be allowed to equip the gear I’d purchased to prepare for that.
Almost immediately after that, it was time for The Tam-Tara Deepcroft a level 16 dungeon all about a subterranean crypt used as a resting place for rulers and nobles of Eorzea. Outside of a few rusty pulls, it goes fairly well enough.
Once we escaped that, we did more story missions. Before we knew it, were ready for the aptly named quest “Copper Hell” and therefore entered the next instance, Copperbell Mines. This is a level 17 dungeon that has been made much easier since the enemies have been weakened and the developers made the area easier. I still personally hate it though.
All in all, it was a good live stream and we put a nice dent into the three hours we played. We didn’t get to do more gaming over the weekend because Kresh went away on holiday, but once she returns we’ll be back with more misadventures for sure. See you next time.
This has been Kernook of The Demented Ferrets, where stupidity is at its finest and level grinds are par for the course. I’ll see you next time.
You can help support us through PayPal or Patreon.
Thank you to our patrons for supporting our content. If you’d like to support us too, just click the button below and it will take you directly to our page. Patrons also get access to our official Discord server. Come check us out.
A Centaur’s Life, is also known as Centaur’s Worries or Sentōru no Nayami. The manga came out for this series back in 2011 and it is still ongoing in 2022. The twelve episode anime was released back in July of 2017 and finished in September of that same year.
Now, to be quite honest with you, this anime is a bit strange. The manga it’s based on is a bit strange too. During the time it was all the rage, releasing with other series of its type; monster/animal girls became a somewhat common trope. The series acted as a curiosity of sorts, earning viewers because of it’s rather odd nature.
That being said, the series is primarily focused upon slice-of-life elements. Set in a world where all people are hybrids of various sorts of fictional creatures such as centaurs, it follows the everyday life of Hime, a… well you guessed it, a centaur. She’s a high school student and the series follows her and the lives of her classmates. In general the general themes of the show covers problems and challenges that Hime and people of other hybrid races like her might face day-to-day.
A Centaur’s Life also contains mildly placed hints at a possible romance between the main character and one of her female friends. Personally, I could take or leave that aspect, it’s cute I guess… but it’s not something I was invested in.
Like Anime, Gaming, and RWBY Analysis content? Check out our other platforms and support our content:
The other major component of the plot revolves around the political reality of this world, and I’m not sure how I feel about it. Now, you might think that the political intrigue will heavily influence the main character’s life in some sort of darker way, but from what we get in the anime that just isn’t the case.
The series boasts a few rather totalitarian themes about forced equality between various mythical races. There’s a tone of extremely harsh penalties of for any discrimination… and while the series isn’t too heavily focused upon it, it does come up enough to be jarring. Even what seems to be children’s books have a weird political bent to them. As though something like democracy is little more than a fairy-tale.
Add onto this that in the twelve episodes, the pacing continues to be slow and unhurried, and the tone feels off somehow. In a way, it’s almost as if the series forgot that it was supposed to be a slice-of-life… but I digress.
In general, the show pieces together a school life story that jumps the shark. A Centaur’s Life is riddled with cases of extreme propaganda, hard pressed security details, and a world that almost seems dystopian despite the slice-of-life tone the series works so hard to convey. It truly gives viewers an unsettling feeling that something very nasty is going on under the surface that the show refuses to truly address deeply.
That being said, A Centaur’s Lifeisn’t awful… it just don’t know what it seems to want to be as a series. Perhaps the manga is better, but I haven’t read it and I really don’t plan to. The show itself has a few elements I wish had been explored further, and I’m not entirely sure that it would ever make a top ten list of mine, or anyone that I know. It’s not among the worst I’ve seen, but certainly cannot stand as one of the best.
The last episode especially fell flat upon its face, containing absolutely no substance to speak of. To say it was unsatisfying is an understatement, but let’s be honest a lot of anime have that problem. This is certainly one where they want you to go and read the manga, and anime like that become a pet peeve of mine.
A Centaur’s Life had a lot of original and bold ideas, but I’d say that’s the largest problem it had. There were just too many to focus on one aspect, and therefore it all became wasted potential.
Is it worth a watch? Yeah, actually it’s worth streaming it at least once. The experience is worthwhile, because the series does display a few interesting qualities. Does it belong on your prized anime shelf? Probably not, and truth be told if it hasn’t been forgotten about by the masses already it will be in a few more years. It just can’t live up to the test of time.
This has been Kernook of The Demented Ferrets, where stupidity is at its finest and level grinds are par for the course. I’ll see you next time.
You can help support us through PayPal or Patreon.
With your contributions, you make our efforts possible. Thank you for supporting our content. Patreon supporters receive access into our official Discord server, and a few other perks depending on the tier. If you don’t care for Patreon, and don’t care about perks, you can always support us through PayPal too… links below.
Those who join via Patreon get special perks, such as extra content, quicker updates, and more.
Hey everyone, it’s Kernook here, back with another character spotlight. Today I’ll be talking about Taiyang Xiao Long. This analysis content was voted on by our small Patreon community.
Thank you to our Patrons for supporting our content, if you would like to join as well, simply click the button to go right to our page. Patron members also have access to our official discord server.
For the first two volumes Taiyang Xiao Long is a non-character. We don’t know anything about the man. Then volume three hits and we get our first glimpse of him through Ruby’s monologue. This monologue is as deprecating as it is full of love. Ruby stands over her mother’s grave, Taiyang has wandered off someplace. Ruby mentions Yang has learned a lot of her combat style from their father, and finally he returns. We get a glimpse of him in the distance.
This is the first and last time that Taiyang will be referenced heavily as a man that is both deeply loving and terribly flawed to the point of no return. The next time we see him, he will display these traits, and you’ll either have to take him or leave him.
Honestly, I’ve always been rather conflicted in my views of Taiyang. The series paints him in a very distinct, often unflattering view. Honestly, it’s all very intentional when taken into view with the wider contexts of the show. To be honest though, I find it difficult not to take a separate set of issues with him as a character. My personal problems with him aren’t the ones that the series likes to wag a finger at.
The man has problems that aren’t addressed, but damn-well should be. This isn’t bad writing, the characters pointedly ignore or avoid his failings, and this leads to even larger problems.
Frankly, his bad habits have passed onto his daughters. To get into why, we need to look at what Taiyang is to Yang and Ruby. Namely he’s their father. He’s not a huntsman in their eyes, he’s just their dad.
We can see that’s how he wants to be viewed, and really, that’s all he’s got going for him these days. He may be a teacher at Signal, but we never see him teach or even mention his own abilities as an instructor.
The RWBY series has a very odd way of dealing with parents and parenting styles. This holds doubly true for the wider ethos of the hunting profession. Among parents and parental figures who take up the trade themselves, it can be a mixed bag. There is no stranger character as a huntsman than Taiyang Xiao Long himself. He is an enigma at best, a contradiction to everything a huntsman is at worst.
When it comes to the themes showcased within the wider narrative, Taiyang is the one of the most inconsistent characters when it comes to word and deed. Honestly that’s a very hard thing to do considering that he’s also internally consistent as a character.
Yeah, you read that correctly…
It isn’t that he’s a poorly written character, but rather that he’s just a guy that’s a hypocrite. He isn’t cut out to be a father and he knows it. I’m hesitant to call him a bad father, because I do think he does try to be a good one. However, I do think he has a toxic parenting style that lends itself to doing more harm than good, more often than not.
The key takeaway is that he knows he’s failed he daughters, you can see it in the way he acts. So, who is Taiyang Xiao Long, really? What do we know indisputably?
We know he’s the father of both Yang Xiao Long and Ruby Rose. We also know he’s a teammate (or perhaps more aptly put former teammate of the now defunct team STRQ). We know he has a somewhat messy relationship past, and we know that he allows his daughters to find trouble more often than not. That’s about it with this guy, right?
Or is it?
I say it isn’t… I know it isn’t… and I can prove it.
Fandom Perspective
Generally there’s a few ways to look at Taiyang, and it largely depends on how you see him as a character. I’ve said this before in my blog post about how I handle RWBY analysis content, which can be found here, but to paraphrase, many things impact the way we view something within a given show. RWBY as a series is no different.
Before I begin, do keep in mind that Taiyang can be viewed differently based on your own personal moral values, and what you personally deem important. You may see Taiyang in a different light than I do, and that’s perfectly okay.
Due to this detail, in fandom some depictions of Taiyang are much more flattering than others.
Like Anime, Gaming, and RWBY Analysis content? Check out our other platforms and support our content:
Some people think he’s entirely useless both as a man and a father. Others believe he’s done the best with what he’s been given, and they feel bad for him. Another demographic tends to blame the writing in RWBY for his lack of strong and positive paternal role. No matter how you view him though, there’s no question Taiyang is a troubled man, just like Qrow.
He’s just harder to point the finger at, because generally Taiyang can be pretty likable when compared to other fathers in the show. Then again, there’s not a lot of strong competition in the fatherly line-up. Jacques is an unquestionable asshole any way you slice it, and Ghira is hit-and-miss depending on what angle you’re using to analyze him.
However, given the way Yang and Ruby were put into danger as children and that none of their key memories seem to include him, the harsher views placed upon Taiyang might not be a completely unfair assessment.
More importantly though, unlike other characters, we can’t look at the world through Taiyang’s lens. The guy doesn’t have one, or rather what he does have just isn’t logical or even realistic. He’s a man trapped in his own bubble, and that’s probably why Ruby and Yang act the way they do in the early parts of the show.
Don’t believe me?
Well, we just don’t see him interacting with a world outside of his home. Where other characters can display a core ethos regarding the world around them, Taiyang can’t do that. He’s stuck at home, and the scenes in which he is talking with others have an uncomfortable feel to them. To be honest, it just shows just how out of touch he is with characters and the world in which he lives. In the context of the wider series, he’s a nonsensical hermit at best..
Sadly, that nonsense becomes his ethos.
This is the scene that truly showcases how much of a hypercritical jerk Taiyang really is capable of turning into. When it least suits the situation, he acts out of turn. Yang and Taiyang end up having a petty fight similar to what we see back in volume 1 content. If you watch this scene and it feels like the same sort of bickering you’d hear from Yang and Ruby in volume 1, it should… that’s exactly the sort of stupidity it really is.
Within the scene, Bartholomew Oobleck and Peter Port are visiting him. They’re laughing it up, having a good time, and then Yang comes down the stairs. They talk about the Branwen twins in a less than favorable light, but up until that point Taiyang was acting up just as much as the other two… then the scene takes a sharp turn.
Word for word, Oobleck says this: “The Branwen twins have always been interesting to say the least.”
Then Professor Peter Port says this: “That sure didn’t seem to stop young Tai.”
From there Taiyang scolds them for saying that in front of his daughter. Peter rebuttals by saying that if Yang can fight monsters and train to be a huntress, she can handle the conversation going on around her. The truth is she can. She was handling the conversation just fine. I wouldn’t take an issue with Taiyang scolding them, but then Taiyang’s next comments are so damn insensitive and flat out idiotic that I wondered if volume 1 Weiss just manifested into his body out of the ass end of nowhere.
Read these lines and you’ll see what I mean.
Word for word, Taiyang say this: “Adult or not, you’ve still got a long way to go before you’re ready for the real world.”
That’s what Taiyang says when Yang says that she can be directly spoken to, like… funny that, an adult. Yang is university age, she’s not a child. She’s lost an arm to combat, and nearly lost her life once before that. If Raven hadn’t saved her in Volume 2, Yang would be dead. She’s lost friends, she’s seen hell at this point, and Ruby has gone off with the surviving members of JNPR.
Yet, Taiyang thinks that Yang is unready to live in the real world? The real world cut off her arm. The real world and the ramifications of being a huntress has been in front of her, and it has been for her entire life. Qrow’s drinking, her mother leaving her, Summer Rose is no longer with them, and Yang has faced near death experiences left and right since childhood.
Let’s be honest here guys, if she’s not ready for the harsh lessons of the real world by the time she goes off to Beacon Academy, what were the last seventeen years of her life really for? Moreover, why let a child go to Beacon Academy to face those dangers if she’s not ready for the adult realities that will inevitably bring?
Yang rightfully calls him out saying this: “Oh my god, does every father figure have the same three condescending phrases?”
Then Taiyang makes a jackass of himself: “Yeah, but we only use them when we mean it! If you honestly think that you’re ready to go out there on your own… Ha, well I guess you lost some brain cells along with that arm.”
Seriously, if that doesn’t feel like the early insult laden fights from the first volume, I don’t know what else would. Let’s be honest, that’s not only the wrong reaction to have, it’s a childish one for an adult man. His words and actions are so far from “okay” that everyone else in the room is taken aback by that statement.
Now to be fair to him, Yang eventually laughs it off. Still the fact she even has to laugh it off after the look she gives him prior, it really speaks volumes. That was a bridge too far for Taiyang, and it’s not okay. You don’t talk to your kid like that, not when she’s suffering from PTSD.
The hypocrisy is so prominent here, it’s a little disgusting. Peter can’t make a small joke at Tai’s expense, but Taiyang can say something like that to his own kid?
Sorry, no… hard no from me… no dice on that one… let’s just assume Peter crossed a line for Taiyang emotionally for a second. Even if so, you just don’t take that out on your kid. That’s vitriolic at best, and it is just a little emotionally abusive to say that to someone who just lost an arm in a fight for her life and the lives of her friends.
All of the above illiterates one thing. Taiyang never learned how to grow up. When characters like Sun, Ren and Jaune can act more like grown men than the actual father in the series, you need to take a few steps back and understand that this is all very intentional.
Taiyang is a troubled soul, he’s lost a great deal, and unlike Jaune Arc’s loss of Pyrrha Nikos, Taiyang’s loss of Summer Rose didn’t forge him into a better man than he was….
It downright crippled him.
Again though, I’m not saying Taiyang is an inherently bad man. Far from it. He’s not awful, he’s just not aware of himself or the wider world. He’s out of touch with what it means to be a family man, a father, and a person respectful of his own daughter’s limitations. He doesn’t know how to be more than he is… a man that has anger management issues much like his daughter, and a man that doesn’t learn from his mistakes… unlike Yang and Ruby who continue to learn from their own.
This is also what I mean by Yang and Ruby also keep and showcase his failings. Where he hasn’t grown from his troubles and tribulations, they obviously do. In Volume 4, Yang’s come a long way from the Yellow Trailer version of herself that grabbed Junior’s crotch. She’s mellowing by the day at this point, due in large part to her teammates. Ruby’s not the sort of person that babbles inconsistent nonsense so much anymore, like she did when facing Weiss down in Volume 1.
This scene when viewed in the context of the wider show just proves his lack of responsibility, and the responsibility he hypocritically expects from his children. Particularly, since if he actually feels that Yang is still a child, he never should have allowed Yang to wander to a bandit camp on another continent all by herself. If he doesn’t actually feel that way, why say something not only entirely insensitive, but also factually untrue?
Based on the events of the series as they’ve been portrayed by everyone, including himself, the hypocrisy here shows in spades.
This is where we get into the core problem of Taiyang Xiao Long. He’s a loving father who just doesn’t know how to be a parent. Unlike the Schnee family patriarch, Jacques could have likely been a wonderful father if he just gave a rat’s ass to be one. Taiyang never really grew up and simply can’t be a wonderful father, because at the end of the day, he’s still immature himself.
That is the core takeaway of this man. Taiyang doesn’t know how to be a father, and he never really learned at all. He ended up muddling his way through life without important lessons being learned the first time… which is why so many mistakes repeat over and over for his daughters.
Taiyang Xiao Long and Questionable Parenting
While even troubled characters such as Qrow and Raven seem to keep tabs on Yang and Ruby, Taiyang simply doesn’t. At the very end of the fourth volume, he sends Yang on her way to go meet with her bandit of a mother, Raven. That is a questionable detail, given just how dangerous the world of Remnant truly is. While Qrow at least follows Ruby’s rebuilt team, Taiyang stays behind… and this is a large theme with Taiyang in general… emotionally, he’s never really there when he’s needed.
Raven at least saves Yang during the train incident in volume 2, and she doesn’t flat out lie to Yang or skirt the details in any scene with her daughter. She is always honest with Yang, though she is also sometimes cruel about that honesty. Meanwhile, Taiyang can be cruel as shown by the scene above, but his dishonesty puts Yang and Ruby in danger as small children. Lies of omission are dangerous ones in the RWBY series, and they always end with something bad happening.
Refusing to talk about Raven until he absolutely must is a key problem for Taiyang.
The central flashback scene in which Yang describes the danger, it’s Qrow that shows up to save them in the flashback. She was able to sneak out with Ruby after Taiyang left the house. She says Ruby was a toddler at the time. Qrow saved the day, thankfully, or else they’d both be dead. This sort of inaction from Taiyang continues even when Taiyang becomes a fully realized character in the show.
Taiyang doesn’t leave with Yang at the end of volume 4. In volume 8, Taiyang just stands there and looks at the television screen when it cuts off, standing there and hoping Ruby comes back online. Frankly, the series makes one firm and clear depiction of Taiyang throughout the series.
Taiyang is not an active father, he’s largely inactive until he’s forced to act at all. Raven is absentee physically, but it’s Taiyang who is absentee emotionally. He may have put a roof over their heads, but he didn’t raise his daughters…
Let me be clear: he tried to, perhaps, the glimpses are there. Yet, to be honest, his failings are also clear in the lack of regard characters keep for him in general.
Yang can blow up bars in her character trailer, Ruby can pick a fight with thugs in the first episode of volume 1, but Taiyang is nowhere to be found in those incidents. His daughters can pointedly find trouble and danger as little girls, but all we know from Taiyang is that he wouldn’t tell Yang anything about her past.
He won’t talk about Raven until volume 4, when he has no other choice. Truth be told, it’s not the conversation Yang really needs to hear. Even that falls onto Raven’s shoulders. Taiyang isn’t the one to impart crucial details about the dangers of working with Ozpin.
I *would* call it bad writing, if we didn’t have such a clear and pointed view of the other family figures being referenced in the early volumes. Ruby discusses how Qrow trained her. Yang makes mention that Summer Rose was a lot like a “Super Mom”, but where’s Taiyang in those references? While Raven and Qrow both get rescue moments to save Yang, and Summer Rose is praised for being an influential figure, Taiyang doesn’t get anything like that.
He has no clear and pointed memorable mention of which to speak of. He has no moment to really stand out as a good father to them. By the time we get one, it’s already clouded over by the way he hasn’t been mentioned, and the ass he makes of himself.
Meanwhile, a drunk Uncle Qrow is regarded in a better light than their own father. While smashing up the campus with Winter Schnee, Ruby cheers for his actions. We really do need to question why… and that’s not to say Qrow doesn’t get a wake-up call as Ruby grows up. He gets a hard one by Ruby Rose standards in volume 6, but Taiyang never faces any repercussions like that.
Like Qrow, he really should have gotten the firm wake-up call, but for him it never comes. I really cannot let Taiyang slide on that one point.
The continued danger his daughters face, aren’t things he has any firm or direct dealings with. The times he has the opportunity, he fails to live up to it. Even just seeing him make a mad dash for the door in volume 8 before the screen cuts off would have been better than the way he just sits there. At this point he continues to prove he’s entirely useless to anything and everything.
The Belladonna parents get their moment to redeem themselves along with the Faunus of Menagerie. We get mentions of Glynda Goodwitch putting the city back together. From Taiyang, we have nothing of value to the greater society or to his own family. He’s no help to Vale, and he’s no help to his children. He’s not even any help to the family dog.
As a father who already lost people he loves, he now risks once again to lose the family he cares about. This time, his own flesh and blood, his daughters. Once again, he doesn’t do anything. With all of this being said, the series gives us a very clear cut view of Taiyang.
He’s no true huntsman, and deep down, he’s not the father he wishes he could have been. All that’s left is a lonely man, in a lonely, empty house…
He doesn’t have anything to show for all of his efforts, and we have to wonder how hard he really tried in the first place. How you choose to see those efforts are in your hands, and the series intends it that way.
As for me, I find it hard to have any real empathy for Taiyang. I do think he tries his best, but even Qrow stands as a stronger paternal influence to these girls, and that holds true from the very start of volume 1.
Taiyang has been absentee in a way worse than Raven could ever be in my eyes. He’s basically the male version of Willow Schnee, but without any outside oppressor, only himself to blame. He has no gumption to even attempt to do anything when faced with the difficult realities in front of him…
I’m not saying Willow is much better, but at least she knows well enough to know where Weiss really belongs. It’s not in that damned mansion, and Willow knows it. While Taiyang clings so hard he risks to lose everything, Willow knows when to let go.
Taiyang’s daughters habitually wander off, early and often. They get into danger, also early and often. Much like Ozpin allows trouble to take place within the school, Taiyang allows it to happen within the home. Otherwise it wouldn’t keep happening every time his back is turned or his daughters win the argument.
I think that alone says a lot about Taiyang.
When the other absentee parents, either emotionally or physically get a moment of redemption, he doesn’t. Qrow learns to follow Ruby’s lead. Willow learns how to make amends. The Belladonna’s are said to be reforming the White Fang. Raven learns to put faith in her daughter, because Yang is stronger emotionally than Raven will ever be.
What does Taiyang get?
Nothing… he gets nothing except for his own solitude. A man sitting in a dark room, all by himself, with his head in his hands… little more than a showcase of his failings.
Time will tell if Taiyang will ever get a redemption arc as a father, but for now, he’s pretty bottom of the barrel as far as RWBY parents are concerned. It seems to me, that’s exactly how the series wants it.
In my opinion, Taiyang is the foil to Willow. Both of them are emotionally absent to their children. One has lost herself due to an oppressor that terrorized her home, while the other is oppressed due to the failings and misgivings he simply couldn’t find the courage to correct.
This has been Kernook of The Demented Ferrets, where stupidity is at its finest and level grinds are par for the course. I’ll see you next time.
You can help support us through PayPal or Patreon.
With your contributions, you make our efforts possible. Thank you for supporting our content. Patreon supporters receive access into our official Discord server, and a few other perks depending on the tier. If you don’t care for Patreon, and don’t care about perks, you can always support us through PayPal too… links below.
Those who join via Patreon get special perks, such as extra content, quicker updates, and more.
Hey guys, gals and others, it’s Kern here. I don’t know about you, but I’m eagerly awaiting the RWBY Ice Queendom series that’s said to be coming out in 2022. We don’t have an official release date yet, but I can honestly say that I’m excited to see how the anime compares with the core material of the RWBY show we’ve all come to know and love.
I’ve been waiting to make a blog post about this, even though I wanted to for a while now. I didn’t want to be seen as hype chasing though, as this blog is small and even though riding the hype wave is a good way to get readers, it’s also not my style to do that.
Besides that, at first, I had a lot of conflicted thoughts about the show and what it might turn out to be. Therefore, I just wanted to sit and collect my thoughts. It can be really easy to become over excited or overly critical of new content before it releases, and I wanted to be impartial in my thoughts of this new impending series.
First of all, if you haven’t seen the trailer for RWBY Ice Queendom, you should do that first so that you know what I’m talking about.
Watched it at least once? Okay cool, so by now you’ve likely figured out that this is a upcoming Japanese animated series (anime) that’s being co-created by Rooster Teeth Productions(who also serves as producers for the show) and Studio SHAFT. This new anime is set to be released in 2022. That being said, we have no firm release date yet.
I’m of two minds for this upcoming show. The first is that I’m excited. I love RWBY, and I particularly love the early volumes before the show got too big for its own narrative footing. Getting a chance to reexamine this series with a fresh coat of paint will be something spectacular, I’m sure. There’s a lot of moments that you’ll notice look very self-same, and I’m sure that they’ll want to cover some of those key plot points anew, just as many series tend to do.
This isn’t a reboot, mind you. It won’t be purely the same cannon, either. It is being called “canon adjacent”. To my understanding of what I can pick up via social media and chit-chat among the fandom, RWBY Ice Queendom will stand someplace in the middle of pure canon and an alternate universe. I think that suits the situation just fine.
I know a lot of people are a little edgy about it, I was too at first. However, in truth I think that theRWBY series is at its strongest when it isn’t crammed into tight fitting boxes, or perfectly fitting labels.
Like Anime and Gaming content? Check out our other platforms below:
Personally, I feel that allowing the RWBY universe to have some sort of fluidity, and being more open with what is and isn’t canon lends to this series and its strengths. It also mitigates some of its worst weaknesses as well.
For example, if the Faunus plight is handled with a better hand here, we gain quite a bit. If we have a chance to see it better addressed, and with more nuance offered when it comes to the opinions of Faunus have in general, then that’s a win across the entirety of all the series within RWBY as a material. There’s nothing to lose from that.
Literally, we only have the opportunity to gain here unless a garbage fire well and truly occurs, which I doubt it will. If the Faunus plight is done worse or just as sub-par in some places than the show we’ve already got, well, we’re still where we were before… the fandom will pick up the slack just as we always have.
However, if it is done better, then we have something better to contextualize the RWBY universe with. We may end up with more avenues to explore regarding this, paving the way for new fan fiction angles and fan art alike.
We’ve only go gain with this fluid mind set, and unlike written material, this show will be much more easy to access for viewers who may hate the idea of reading. Therefore the RWBY fan base who don’t read the books in the wider universe will have more material to enjoy as well. The same goes for the games. We’re not all gamers, so the canon material found there may be lost to some people. This show can serve as a deeper gateway into wider lore, and we should see that as a bonus, not a loss.
The end of the trailer though, that’s what interests me. When Weiss sees herself at the end, it brings to mind the callback of her original trailer we had from all the way back before Volume 1 aired. It really excites me to think we may have deeper extrapolations of characters and their metaphors on our hands here.
If there is little else though, this new series can and will breathe new life into the fandom. We desperately need that most of all. For those of us that have been around since the earliest days, enjoying the RWBY series for all that it has to offer, even the most die-hard fan can agree that not everything is perfect. There was always a little something lacking across the volumes here and there. At the end of the day, love it or hate it, RWBY Ice Queendom will provide fans of RWBY a new bone to chew. That alone is worth giving it a try in my opinion. As someone who likes to dive deep with the RWBY universe, this is what excites me the most.
All we have to do is wait for it to come out.
This has been Kernook of The Demented Ferrets, where stupidity is at its finest and level grinds are par for the course. I’ll see you next time.
You can help support us through PayPal or Patreon.
With your contributions, you make our efforts possible. Thank you for supporting our content. Patreon supporters receive access into our official Discord server, and a few other perks depending on the tier. If you don’t care for Patreon, and don’t care about perks, you can always support us through PayPal too… links below.
Those who join via Patreon get special perks, such as extra content, quicker updates, and more.
Okay everyone, this is one weird anime, but it merits a discussion because it is your standard harem anime, but it’s not standard in the way it will subvert a few expectations.
A Bridge to the Starry Skies began as an adult visual novel in October of 2010. In April of 2011 an anime based on the series started releasing. Written media for the series came out in June of 2011, and ran until February 2012, with two manga volumes released during that time.
I say all of that so that you know where this anime hailed from, because it’s important to know where it all started; harem related material. Now, this is about the anime, not the visual novel or the written media it’s based upon.
That being said, this anime follows one distinct rationale; don’t judge any anime at first glance. Upon the first impression, viewers will get the implication that this is going to be an incestuous romance between two brothers. That’s the way it feels early on, and knee-jerk reactions being what they are, it’s easy to fall into the mindset that a sibling romance is what you’ll find here… news flash though, you won’t.
In truth though, A Bridge to the Starry Skies isn’t about that at all. Actually, subverting my expectations is one of the reasons that I watched this series back when it came out in 2011. I was told it wasn’t about incestuous romance, and I wanted to find out for myself. I was dubious of course, but my friend turned out to be right. Actually this anime isn’t half bad, not even for a harem.
The main plot is this; Kazuma Hoshino is a high school student. His younger brother, Ayumu is very ill. They both move move to Yamabiko to seek a better living due to Ayumu’s asthma (more on this later). While settling into their new surroundings the brothers become acquainted with several locals, many of them female. Romance, slice-of-life, and hilarity ensues.
A little light on the plot there, right? Well, that’s because it is.
Like Anime, Gaming, and RWBY Analysis content? Check out our other platforms and support our content:
Hoshizora e Kakaru Hashi or also known as A Bridge to the Starry Skies feels like your general run-of-the-mill harem anime. If you’re a fan of that trope, you know the drill. A bunch of cute girls clutter the screen, and generally speaking one male lead attracts all of the attention. Also, generally speaking, harem anime don’t tend to have any firm or clear romantic ending. There can be multiple reasons for this, but notably it’s because you want the audience to be able to pick the relationship they want to root for.
A bridge to Starry Skies is an interesting type of harem anime. It follows a lot of the same tropes, such as the male lead falling all over the place, which leads him to kiss a girl in the first episode. Yet, it’s also strangely unique as well, but for those reasons you’d actually have to watch the show. All in all, it has a lot of heart, but it’s also messy as hell.
Is it more focused on romance, or the family related plot lines having to do with a very ill little brother? I can’t say really, because the show doesn’t quite seem sure what it wants to be about. All the way onto the last episode, the series doesn’t have a tight narrative, and it lacks a lot of focus on its themes… that said that last episode, holy merciful crap. Seriously, talk about a shocker ending, worth the watch for that alone, I’d say.
Now, I know what you’re thinking if you’ve visited this blog for any length of time. I’m an anime fan that demands a decently driven plot, and I generally hate harem, so why in the hell would I be talking about this show? It doesn’t tend to tick any of the boxes I like in anime. Well, yeah, you’d be right. Typically I’d absolutely hate a show like this… but I like this particular one.
Sure, it doesn’t have a strong plot to praise. The illness the little brother has is vague at best. The romance is about what you’d generally expect. The main character’s stupidity and contrived notion of what a harem is stands firmly at the forefront of the show… that’s true too.
So, why did I like it?
Frankly, this series took my expectations for what a harem anime was and it cast it aside. This series reaches beyond what a huge number of non-harem fans (and likely a huge number of those that are) and kicks those expectations right out of the way… because as I said, there’s a lot of heart here. There are moments that will hit you, draw you in and make you care.
While the plot is weak as hell and I’d never defend it, the characters themselves aren’t half bad. Between that and the decent art style, it isn’t an awful anime to look at. It’s crisp, it’s clean, and you notice that right from the first episode we can see a great care was taken to its production value. The series doesn’t ever hit an all-time-low.
if you’re looking for an unusual harem anime, you might like this one.
This has been Kernook of The Demented Ferrets, where stupidity is at its finest and level grinds are par for the course. I’ll see you next time.
You can help support us through PayPal or Patreon.
With your contributions, you make our efforts possible. Thank you for supporting our content. Patreon supporters receive access into our official Discord server, and a few other perks depending on the tier. If you don’t care for Patreon, and don’t care about perks, you can always support us through PayPal too… links below.
Those who join via Patreon get special perks, such as extra content, quicker updates, and more.