Hey everyone, Kernook here. I’m back again, with another artist recommendation.
As for the usual disclaimer, nobody solicited my opinion.Nobody offered me any sort of perk for writing about this musical artist. I have not met this artists personally. I have not seen her live, in concert. I just like her music, and the covers she does of popular songs. That was the only qualifier I deemed necessary for writing this post.
That said, if you’re interested in listening to her musical talents, you should check her YouTube channel down below.
Have you ever heard a female singer with a smokey voice, and instantly, your ears perk up? That is what happens when I listen to this artist. My ears perk, I zone in, and I just listen. Her music is good. I can’t say why exactly. I can’t even put my finger on it.
It’s just that good.
That indescribable draw is notable, and that’s why I wanted to suggest her music. The thing is, I’d like to say that I’m a decisive person. That things need to be able to tick certain boxes for me. For whatever reason, her music doesn’t need to. It’s not something I can shove into a mold. Strangely, I don’t really want to try, either.
I just want to enjoy her music for what it is. Her vocal quality is a rarity. I wouldn’t say her lyrics are too catchy, or too edgy. They’re not ear-worms and they don’t linger around long after the song is over. Instead, they’re impact in the moment.
Her lyrics have a subtext that really draws me in. That’s why, I think, I keep going back to her music. When I think of what I would like to suggest, it would have to be “My Funeral” It’s smokey, soft, slightly sensual, and something I always come back to.
Another great song with the same qualities happens to be “Silence and the Clock“. It’s a song I often zone out to as I let the sound sweep me away. The song was actually assisted by Robin Ghosh who ghost recorded all of the guitars used in the song.
Krysta Youngs is just a prolific singer and songwriter, there’s no two ways about it.
All in all, that’s the only reason I need to keep listening. I think there’s something to be said for music that doesn’t just speak to the listener. Songs that are self-serving speak about the artist. It reflects their deepest thoughts and desires, and there will always be value in that.
Like I said, give her music a try, and you might find out you like it.
This has been Kernook of The Demented Ferrets, where stupidity is at its finest and level grinds are par for the course. I’ll see you next time.
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Hey everyone, it’s Kern here. In the future I’m going to review a lot of anime, and plenty of Kon’s works. However, it simply didn’t feel right to do that without first talking about his many accomplishments, so I’m going to do that first.
There is a lot to talk about, but I’m only going to give a brief overview here. If you want to know more beyond this blog post, you should begin by watching the anime mentioned here, and then branching off from there.
I doubt I have to say this, but Satoshi Kon was a huge influence in the anime industry. If you’ve been an anime fan for any length of time, there’s a good chance you’ve heard of him. At the very least, you’ve probably heard of at least one of the animated titles he directed.
His aspiration in life was to become an animator, but thankfully he blossomed well beyond that. In his career he was credited for being an animator, screenwriter, manga artist, and a director.
His ability as a director is what I truly want to highlight here. Though keep in mind, he had other talents too. Each of them just as prolific and noteworthy in their own way.
In the 90’s animation was striving to do new things, and reach a larger audience. Kon fit the needs of the industry well in regards to that. He was able to utilize the anime medium to its fullest potential as an art form.
In 1997, Satoshi Kon had built quite a name for himself. his reputation almost preceded him in the anime industry. His visionary skill would land him a directing role. In collaboration with studio Madhouse, Satoshi Kon was able to direct his first feature length film; Perfect Blue.
Now, let’s make no mistake about this. Kon was an absolute master in directorial design. Love or hate his works, it doesn’t much matter. The man was an influence either way. He took to his craft with a keen eye for detail. Each of the films he directed are unique. None are without depth. In my personal opinion, his productions are incredible.
I’ve done a review of Perfect Blue, and you should check that out if you want more information on that film in particular. To summarize my thoughts though, Perfect Blue is by far one of the most compelling anime movies that I have ever had the pleasure to watch.
It is both hauntingly beautiful and unsettling at the same time. The themes are wrapped up nicely between reality and surrealism. Paranoia and mental unease are cornerstones to be explored here. Although the series is a bit dated by today’s standards, this is a true masterpiece in storytelling. It shouldn’t be overlooked, dispute the dated feel. There is so much to unpack about the world, Mima, and the concept of idol culture in Japan.
Even if his works aren’t exactly mainstream media, his influence impacted the anime industry unquestionably. Satoshi Kon’s films are way ahead of their time thematically. They challenge viewers, and often they require more than a single viewing.
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In order to completely catch every minor detail Kon skillfully embeds into films like Millennium Actress, it’s best to watch them at least twice.
They’re darker by their nature, and tend to require a more mature viewer. One that is able to critically think about the themes that are so prevalent in his media. His works are often saturated with several layers of metaphor to drive the stories forward.
Kon was diagnosed with terminal pancreatic cancer. 2010, leaving behind a legacy in anime that shouldn’t be forgotten. With the flood of new anime every season, there is no shortage of things to watch. In fact there’s not enough time in a day to watch them all, but to cast aside those older gems would be a disservice to anime as an art form.
I have memories of watching his works with my friends. I spent way too many nights huddled under blankets and starting popcorn fights over his anime, and I’d never be able to thank him, or the medium of anime enough for that.
So, that’s it then. I’ll leave it here for now.
This has been Kernook of The Demented Ferrets, where stupidity is at its finest and level grinds are par for the course. I’ll see you next time.
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As you can likely guess from the disclaimer, this is an old post. That being said, when the initial hype for the game was in full swing, I was one of the many fans excited for the game.
I’m sad to say I wasn’t a huge fan of the game, but I’ll talk about why when I review the game in it’s entirety. That’s a separate post though. For now, the content below is merely a time in fandom when I was far too excited for my own good.
The official trailer for the Resident Evil 3: Remake has me so excited to see what’s in store for the survival horror genre.
Old fans of the series will easily recall the dynamic game-play of the original game, released for PlayStation back in September of 1999. I’d like to take a few moments to share my fondness of Resident Evil, and Resident Evil 3: Nemesis particularly.
Playing as Jill Valentine was one of my favorite things to do in the early days of Resident Evil. Back in the first game, I played her story over Chris’s. Getting to return to her character after the events of Resident Evil 2 was what made me beg my mom for the game. She agreed to get it as a late birthday gift. I counted the days until it hit store shelves. Unfortunately the game dropped on a Wednesday, and I had to wait until Friday after school to get it.
The wait seemed like forever. Finally the day came, and I immediately started playing as soon as we arrived home with the game disc in hand. Playing Resident Evil three was a very memorable moment in my life. While many fans call Resident Evil 2 the best game in the franchise, I have always loved Resident Evil 3: Nemesis even more.
Despite the many flaws that Resident Evil 3: Nemesis had, I fondly recall that it was the first survival horror game I was able to beat on my own. My birthday is in the middle of September. I was a child, and survival horror was something that I just couldn’t help but be enamored with. The problem was that I was very young for a mature rated game. My older brother, 7 years my senior, usually had to help me with other games in the genre.
At the time, I was too young to understand some of the puzzles. I had trouble overcoming the problems that came with having a limited supply of ammo. Other survival horror games had me stumped, or were simply too difficult at the time. Without help, I didn’t get a chance to beat the games at all.
At least, not until Resident Evil 3: Nemesis released for the PlayStation. It was the game that allowed me to fully experience survival horror, without help from anyone. Looking back as an adult, the easy mode was probably too easy.
In hindsight offering such a huge capacity of weapons and ammo allowed me to blast my way through the entire game. I didn’t need assistance, but I also didn’t learn the skills required of other survival horror games. That said, while easy mode was too easy, the normal mode and beyond provided a sufficient challenge. After playing Resident Evil 3: Nemesis on easy, I returned to it invigorated. Feeling empowered and encouraged, I beat it two more times. Once on normal and once on hard. After that, I was able to return back to the other releases in the franchise. Finally, I could play them entirely on my own.
As you can see, I owe a lot of my love for survival horror genre to Resident Evil 3. Seeing this remake come out is a dream come true for me.
The release date for Resident Evil 3: Remake is April 3, 2020, and there seems to be plenty to look forward to.
I’m honestly at the edge of my seat waiting for this game to come out. I haven’t felt this much child-like glee for a game release in years. With a burst of healthy nostalgia, and an overwhelming excitement to see what changes have been made, I sit here with a smile on my face. For me, this heartfelt elation is what it means to be a gamer.
Seeing this franchise come back to life the way that it has in recent years does my soul good. There are few things in this world as simple as sitting down to play a game. Only a handful are more rewarding than sharing that passion with others like myself. Watching the hype slowly build as the fan base grows. I can’t put a price on it. It’s too valuable to me.
In some ways, I feel like a child again. I’m eagerly waiting to have the game in my hands. I can’t help counting away the moments until I can experience Jill’s story and Raccoon City anew.
When the game comes out, I’ll be playing, will you?
This has been Kernook of The Demented Ferrets, where stupidity is at its finest and level grinds are par for the course. I’ll see you next time.
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Artwork made by Rukangel, this piece is called “Asylum” and features Rei and Minako from Sailor Moon. Find more of her artwork on Deviant Art.
Hey everyone, it’s Kernook here with another post. Today I want to talk about the One True Pairing concept, and why it’s a fallacy.
When fans of a series gather to form large social groups over a specific type of media, we call this a fandom. In general, fandom tends to be a positive space, but there can be occasions when it isn’t. Discussions can get heated and when fandom takes a a nosedive into negativity people tend to slip off and form smaller cliques.
One of the ways this can happen is when a fandom is overrun with the “one true pairing” fallacy. This occurs when fans collectively agree that two characters belong together romantically, no matter the circumstances, or the outlying opinions of others. I’ve seen this problem occur mostly within anime and gaming, but I’m sure it happens elsewhere too. It’s a rare problem, but it is nearly toxic to a fandom when it does occur.
Now, many people have personal “OTP’s” or a “one true pairing” that they love to sail as a ship. On its own, that’s completely fine. There is nothing wrong with that. As long as the “one true pairing” isn’t forced on others as the only ship to sail, there is no problem at all with having them.
This problem of the “one true pairing fallacy” comes along when a large contingent of the fan base adopts the “one true paring” mindset viciously. This usually happens in less popular media and welled established, fan communities.
A lack of widespread diversity can hinder a fan base. Eventually, that will cause these echo chambers to exist. Particularly in older fandom, where die-hard fans have lingered around for years after the initial hype ended.
A fan simply has to love and enjoy the medium. Weather or not they sail any ship should be up to them. The “one true pairing” ideology shouldn’t need to apply.
I personally never wanted to sail an “OTP”, primarily because I don’t consume media that would require me to have one. I don’t believe having an “OTP” does me any good. I don’t gain anything from the media I care about by having one. In fact, I often think it does a media like anime a huge disservice by having an “OTP”.
Anime has a tenancy to leave an open ending. Several of them are just long running advertisements for its manga counter part. To see the full story you’d have to consume both pieces of media, and some fans like myself don’t have the desire to do both.
At the end of the day, “one true pairings” can be very powerful things inside of a fandom, and its our job as fans to recognize that. We need to be respectful of the ships we sail, and she ships of others. It’s the only way to keep a fan base growing, and all fans should want that. The stronger and more diverse a fan base is, the more fan based content will thrive.
Do you sail an “OTP”? Let me know in the comments below.
This has been Kernook of The Demented Ferrets, where stupidity is at its finest and level grinds are par for the course. I’ll see you next time.
You can help support us through PayPal or Patreon.
With your contributions, you make our efforts possible. Thank you for supporting our content. Patreon supporters receive access into our official Discord server, and a few other perks depending on the tier. If you don’t care for Patreon, and don’t care about perks, you can always support us through PayPal too… links below.
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Hey everyone, it’s Kern here. This past decade was one of the best we’ve had in anime. No matter what your personal tastes were, there were plenty of anime to choose from. Many anime reviewers took the time to do a top ten anime of the decade list, paying special attention to the most noteworthy titles that came out in the past ten years.
I honestly wanted to try doing that as well. The reason I ultimately chose not to write a list of my own, comes down to the fact there are too many great anime to choose from. Some of them are downright genre defining for a new generation of anime fans, and that alone has merit.
The number of worthy anime that I’ve seen this decade is staggering to say the least. For example, when crafting my list I ended up with around thirty of them. There was no good way to narrow the titles down. I realized just how impossible that task was going to be, and I decided better of it.
Picking a top ten list is hard enough for any given year, let alone a decade. What makes it even harder is that 2010-2019 saw a resurgence of remakes, re-dubs, and blue ray releases of classic anime. This opened the door for new fans to find old favorites. Older fans, like myself, were given the opportunity to revisit those nostalgic anime experiences in a new way.
So that said, instead of making a top ten list, I’d simply like to say that this decade was a great decade for anime. Sure, we’ve had our fair share of bumps and bruises, too. There were shows the missed the mark, and tragedies in the industry that will take years to heal. In spite of the negatives, anime thrives, and the communities who support it thrive too.
Below is a long list, in no particular order, of note worthy anime from the decade. I don’t want to number them, or give them a ranking. I just want to look at the splendor of all of the titles. Each of them have their own reasons for being landmark series. Keep in mind, these are only the anime I’ve seen and recall off the top of my head. If your favorite anime of the decade isn’t in the wall of text below, don’t take it personally.
Some of the best anime from 2010-2019 include the following: Ancient Magus Bride, Space Brothers, Erased, Attack on Titian, Demon Slayer, Vinland Saga, A Place Further Than the Universe, Showa Genroku Rakugo Shinjuu, The Promised Neverland, Ano-hana, Mob Psycho 100, Golden Kamuy, Psycho Pass, Bloom Into You, One Punch Man, Beastars, Terror in Resonance, Assassination Classroom, Noragami, Hunter x Hunter, Ascendance of a Bookworm, Yuri On Ice, Zombieland Saga, New Game, Hibike Euphonium, A Silent Voice, Your Lie in April, Snow White with the Red Hair, The World Is Still Beautiful, Fruit’s Basket Remake, Your Name, My Hero Academia, Boruto: Naruto Next Generations, Maquia: When the Promised Flower Blooms, Miss Kobayashi’s Dragon Maid, Hyouka, Death Parade, Maho Shoujo Madoka Magica, Violet Evergarden, Wolf Children, Made in Abyss, Angel Beats, Mushishi, March Comes in Like a Lion, Megalo Box, K-on!, Durarara!!, Dororo, Aggreatsuko, Ping Pong the Animation, and probably so many others too…
That is one big wall of text. All of them are just names in a vast sea, but each anime listed above is memorable to me in one way or another. I know there are anime that I’ve missed, haven’t watched, or I’ve forgotten about entirely. That just goes to show just how many awesome shows we had to choose from every year, and how impossible it was to enjoy them all at once.
I hope that the next decade continues to provide amazing content. I know for a fact that this winter season of 2020 will be packed full of interesting choices, and I’ve already got my watch-list ready. Honestly, I just can’t wait to dive in and enjoy each new anime experience I come across in 2020 and the future.
This has been Kernook of The Demented Ferrets, where stupidity is at its finest and level grinds are par for the course. I’ll see you next time.
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With your contributions, you make our efforts possible. Thank you for supporting our content. Patreon supporters receive access into our official Discord server, and a few other perks depending on the tier. If you don’t care for Patreon, and don’t care about perks, you can always support us through PayPal too… links below.
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Hey everyone, it’s Kern here. Today it’s time we ask ourselves a question, or two. Is there such a thing as being blinded by nostalgia? Even if there is, is that necessarily a bad thing?
Those are two questions I often ask myself as I re-visit older series that I take such great joy in. I have to wonder, is the creative medium that I’m consuming actually good? Or is it simply my fond memories that bring me back to older media time and time again?
The film relies heavily on its psychological drama to carry the story forward. Many scenes are purposefully unsettling, and Mima is an enigma by nature.…
I’m honestly not sure if I have the answer to any of those questions. I also don’t think there’s a clear-cut answer to any of them. When I re-visit a series or play a game, I try to reflect on my past experiences. Sometimes they’re good, and other times they’re not. Either way, I believe that nostalgia is part of the reason I’m always drawn back to older media.
Does that mean I’m blinded by my nostalgia?
No, I don’t think so. I don’t actually think there is such a thing as “nostalgia blindness”. I think the phrase is a knee-jerk reaction to a greater problem. Times change, and so does media along with it.
I think all media should be viewed through two equally important lenses. There are two factors at play, and they both deserve a discussion.
The First Lens: Time
The first lens is that media is a product of its time. As times change, so does everything around us. Media that was at one point the cultural norm, may one day be seen as obsolete or problematic. Therefore, the questions we should ask are actually quite simple.
Why was that piece of media made in the first place? What were the social, cultural, and economic norms at the time? Does the media hold up to those norms, or, does it subvert them? Lastly, does that media uphold any value at all in the current day and age?
If we look at media through that lens, we get to experience it on a very fundamental level.
These questions give a looking glass into history. The most imperfect and morally grey pieces of media might still hold that value under that context.
Even if it is just to say that we have grown, evolved, and learned better from our past mistakes, that has some real value. Also, older media serves as a teaching aid of just how we’ve moved forward, and in what ways we still need to do so. We shouldn’t overlook that, failing to be aware of those details will only perpetuate old mistakes anew once more.
The Second Lens: Personal Experience
The second lens is something far more personal. Each piece of media can raise more nuanced questions. Ones that don’t hold simple answers beneath all of the subtext.
Whether we consume media, or reject it, it’s important that we don’t to it mindlessly. Instead, we should be asking ourselves why we enjoy the media we consume.
What does that media mean to the viewer? What value does it hold for the people who consume it? Why does that particular piece of media speak to them, when another similar piece might not? These are questions of introspection and discovery.
Through this second lens, viewers become empowered. Even the most trite piece of commentary, slap-stick humor, or questionable message might breed a greater discussion.
An Example
Let’s dive down the rabbit hole, shall we?
Books like “The Catcher in the Rye” from the author J. D. Salinger come to mind. It contains elements that I would certainly deem problematic, but to cast aside the work would cast aside greater history.
Anime like “Ghost in the Shell: Stand Alone Complex” for example, comes to mind specifically because it draws so heavily from “The Catcher in the Rye“. As an anime fan, I can only respect that it draws so much inspiration and introspection from the classic book.
What about “The Matrix” movie franchise? Did you know that universe was inspired by “Ghost in the Shell” and the anime medium?
There are examples of this in almost every ounce of media you come across. Media being the touch-stone that it is, will always have problematic content. It is only through careful discourse and consideration that media can evolve and change with the times.
In Conclusion
Respectful commentary, and a healthy dose of nostalgia will always play a role in changing the future. Media will always be made by people who are inspired by the past to make a better future. Choosing to forget our past simply because it becomes dated will only bury our previous failings along with it.
We should never risk burying our collective history. Once that happens, we are doomed to repeat lessons that should have already been learned.
In my opinion, there is no such thing as being blinded by nostalgia. However, there is such a thing as denial. Either casting aside the many failings in old media itself, or the greater implications that such media had on society.
We should acknowledge all media for what it is; a looking glass. Once we do that, we escape the confines that bind media down to society and we can use it as a tool. Media is powerful, it is influential, and it does have the power to change the world for a greater good. Media’s problematic history becomes part of that. It reject old media entirely risks a repeat our mistakes.
This has been Kernook of The Demented Ferrets, where stupidity is at its finest and level grinds are par for the course. I’ll see you next time.
You can help support us through PayPal or Patreon.
With your contributions, you make our efforts possible. Thank you for supporting our content. Patreon supporters receive access into our official Discord server, and a few other perks depending on the tier. If you don’t care for Patreon, and don’t care about perks, you can always support us through PayPal too… links below.
Those who join via Patreon get special perks, such as extra content, quicker updates, and more.
Hey everyone, it’s Kern here. Beastars is a great anime, and no, it isn’t just for furries. In fact, it’s far from it. No, really, I’m serious.
Beastars is a great anime, and no, it isn’t just for furries. In fact, it’s far from it. No, really, I’m serious. Beastars offers fans of the series a meticulously crafted world and compelling characters. Both qualities are the bare minimum for a halfway decent anime, but Beastars goes the extra mile. The anime is beautifully animated, there’s no question about that.
So why did the show garner such a strong stigma when it first released?
Upon first glance, this is actually a pretty difficult question to answer. The simple answer is that it just looks like a furry show. For those of us who don’t identify as furries, that can be a little off-putting. However I’d say the issue goes a little deeper.
In general, furries get a bad reputation across all kinds of mainstream media. For example, the widely popularized NCIStelevision series has a bad habit of throwing shade at the anime and gaming fandom. There have been episodes where a few off-handed remarks painted furries in a bad light. Now this problem has gotten way better in recent years on NCIS but doesn’t erase the history of the show, or the fact that those old episodes still air on television.
I can’t imagine how the furry community feels when it comes to mainstream media, and I wouldn’t care to speculate. Frankly, I don’t identify as a furry, and I don’t speak on behalf of the community, nor would I ever want to.
What I can say is that some of the backhanded comments made on the crime drama, particularly in the earliest parts of the series still prick at my sensibilities in a wholly unsatisfying way, and I’m just an anime fan and a gamer.
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If mainstream media perpetuates those stigmas too, then what about the anime community? Surely we would have been more enlightened, right?
Well, I don’t have the answer to that one.
Beastars didn’t do itself any favors with it’s promotional material for those of us that didn’t originally follow the manga. Moreover, Beastars has a barrier to entry that’s a little steep.
That being said, when the anime started airing, I couldn’t help but wonder where the series was going to go. From a narrative perspective, the anime just seems odd. It revolves around anthropomorphic animals. The anime isn’t just about bunny and cat girls. Every character, both male and female are animals with human characteristics.
They walk on two legs and speak normally, but the characters are still animals. While animal instincts tend to crop up from time-to-time in each episode, it isn’t exactly the core theme of the show. At least, not in the way you’d entirely expect.
So, given the murmurs about Beastars, and the initial knee-jerk reaction that came along with it from non-furry anime fans, I knew I had to see the series for myself.
My conclusion is this: Beastars, while somewhat strange, it is not just a furry anime. In fact, it is far from it. I wouldn’t say that it’s a “must see” show, or that it’s a pinnacle anime that everyone should watch.
Instead, I would say that it is a rare show, and a diamond in the rough. Yearly anime line-ups usually hosts a slog of repetitive, formulaic shows. If that’s you’re thing, awesome.
But, it isn’t my thing.
I don’t like watching rehashes of the same types of shows over, and over, and over again. Beastars is the breath of fresh air that I sorely needed.
Now, as I said before Beastars has a barrier of entry. I believe that for some people, it might be a steep one. It isn’t say… Sweetness and Lightning, for example.
Beastars will demand that you leave your preconceived notions at the door. The reason I’m speaking so generically about this series is because it is extremely easy to give off the wrong impression of this show.
The core themes are deep, vast, and very nuanced. Not to go into spoilers, but some of the themes revolve around psychological impulse, trafficking, oppression, addiction, and the confines of society. That is what I mean by a barrier to entry. It never quite goes too far, but it is just dark enough.
I certainly came away from Beastars with several personal qualms. I won’t get into what I think is truly problematic, purely because that’s a very subjective concept. Also, what I dislike toes a fine line. I’m not quite sure how to articulate or even categorize those thoughts cleanly and concisely. I don’t think I’ll ever be able to.
Beastars demands its viewers to challenge their own perceptions. Anime as a creative medium, has a power to really challenge a viewers personal outlook. This anime could do that, if you give it a chance. Or, it could simply just annoy you. There are times this anime did both for me.
Now, there’s an interesting discussion to be made about how the series portrays racial tensions using species as a metaphor. It questions social divides, and the inevitable problems that come along with that. It even manages to do it in a very pragmatic way. It’s approachable, but it’s also unnerving.
This anime balances on a very slippery slope in a lot of different ways, and this is one of them. As an American, that particular part of the anime is one of the areas that I take extreme issue with.
I’m not sure how I feel about how the anime handles racial tension in its metaphors. Mind you, I realize that this comes from my American sensibilities, and my personal upbringing. In America, comparing someone to an animal tends to come off as racism, and this anime toes a strange line.
To give an example, there are two different species of rabbits in this series that don’t get along. Some of things that are said in dialogue exchanges are just flat out uncomfortable for me to watch. That being said, I am not the one qualified to lead any sort of discussion on this particular sort of topic.
I just wanted to point out that the metaphor is there, and that it can be questionable.
So, with everything I’ve just said in mind, I think every anime fan who wants a unique experience should watch Beastars at least once in their lives. This is not a mindless show. It is not furry pandering.
Beastars is literally a narrative beast all of it’s own, and it cannot be aptly compared to anything else that I’ve ever seen in anime.
If you do choose to watch Beastars, be aware of the core themes. Understand that it can get dark pretty quickly. A lot of concepts in the anime are very morally grey. If you do watch the series, keep that in mind.
This has been Kernook of The Demented Ferrets, where stupidity is at its finest and level grinds are par for the course. I’ll see you next time.
You can help support us through PayPal or Patreon.
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I’m keeping it simple today as I sit here listening to music. I enjoy a lot of creators, and their music. I’d like to highlight that so. So here’s a blog post about one creator I enjoy listening to often.
As a standard disclaimer; I’m not being paid by Boyinaband for this post. Nobody solicited my opinion. I have not met this artist personally. I have not seen Boyinaband livein concert.
This is merely a fan related post. I highly encourage you check out his channel. In general you can find his music on YouTube and Spotify. I often frequent his channel to listen to his lyrical poetry. However, if that isn’t to your tastes he also produces other content too.
Dave From “BoyInABand”.
I tend to find his music to be pure artistry. That was the only qualifier that I found necessary to recommend his channel. If you would like to see his content for yourself, you should follow the link to his channel below.
His actual name is Dave. As a creator he loves music as a medium, and it shows. Dave often collaborates with other YouTube creators. Unlike his YouTube name implies, however, he is not currently in a band.
Not anymore, anyway.
Some of his collaborations include video game inspired raps from popular games at the time. Along with other YouTube creators, those catchy beats are notable all on their own. However, I want to highlight one of his songs that isn’t inspired by the gaming medium.
If I were to suggest a song from him, it would be “I’m not dead”. The weighted words in the song resonate with me. It speaks a great deal about the daily struggles a person might face, and the logic we use to contradict ourselves constantly.
It’s a song that underlines the reality that people are not infallible. That even if we hate aspects of our personality, we can choose to change ourselves. The message shows that even if that’s a difficult thing to do, it’s not impossible.
His lyrical rhymes dance a fine balancing act of negativity and hope.
This song is a critical look at the creator’s own human condition, imperfect as it is. At the end of the day, I relate well with music like his. If you’re interested, you should check out his channel.
This has been Kernook of The Demented Ferrets, where stupidity is at its finest and level grinds are par for the course. I’ll see you next time.
You can help support us through PayPal or Patreon.
With your contributions, you make our efforts possible. Thank you for supporting our content. Patreon supporters receive access into our official Discord server, and a few other perks depending on the tier. If you don’t care for Patreon, and don’t care about perks, you can always support us through PayPal too… links below.
Those who join via Patreon get special perks, such as extra content, quicker updates, and more.
Sweetness and Lightning is a slice of life series that aired in 2016. At its core there’s a story about family, grief, and finding a place to belong.
These themes are wrapped up nicely in a show that centers around the heart of every home, the kitchen. On the surface, this is a cooking series. Beneath that, each dish that the characters make provide catharsis for their struggles.
The anime isn’t dark by any stretch of the imagination. In spite of the themes surrounding it, the series is very upbeat. The writing is masterful, but it’s not deep. Each emotional issue is handled maturely, but, the series itself can easily appeal to almost all ages. At the end of the day, the story is about familial love, and finding comfort in places that the characters would least expect them.
The anime is an adaptation of a manga with the same name. The adaptation is true to its source material, diverting only slightly when the narrative demands it. Those occasions are rare, minor, and actually make the anime a better viewing experience. The subtle changes aren’t always easy to notice, and that’s the way it should be.
The twelve episode series follows two very different family dynamics. It focuses on both equally, but, one family stands out more.
The Inuzuka Family
The first family is a father and daughter. Kōhei Inuzuka is left a widower after his wife’s passing. His daughter, Tsumugi Inuzuka is still quite young. She’s only in kindergarten, and therefore she’s solely dependent on her dad for almost every need. Kōhei struggles with the demands of being a single parent.
Working a full time job as a teacher and seeing after his youngster are large emotional commitments. He is not a homemaker, and he has no idea how to fill the void his wife left behind.
The Iida Family
The second family follows the Iida family. Kotori is a student in his class. She spends a lot of her time alone, both at home and at school. She’s a loner by choice and routine. Her mother is often away, having a very small role in the anime. The absence of Kotori’s mother is a driving force for her loneliness in the series.
Kotori has a passion for food. Since her mother is an acclaimed celebrity chef, she knows her way around the kitchen. However, her incredible fear of knives keeps her from enjoying that passion to the fullest.
Mundane Life
This is not an action filled series. It is not full of suspense or plot twists. There are not a lot of over the top “anime style” gags, and you won’t find many standard tropes clogging up the anime either.
Even among the slice-of-life anime often provided to fans, this show is something that might appeal to a “non-anime” fan due to its down to earth nature.
The series asks its viewers to sit down and enjoy a relaxing story. Sweetness and Lightning is episodic, and mundanity is literally everywhere.
This is a series that finds its excitement by characters interacting within the confines of every day life. Each struggle begins and ends with one key component; the family dynamic.
The story opens with the the facts of life at the Inuzuka home in plain view. Six months before the series begins, the love of Kōhei’s life passed away. He’s still grieving, and trying to make ends meet. As a single father, this is no small task.
Kōhei has no idea how to cook, and so he lives off of ready made meals, serving his daughter the same. These foods aren’t healthy. Often times, they aren’t even tasty. His wife had been the one to make the family meals, but with her passing it now falls onto him.
Kōhei fails to keep a largely stocked kitchen, and can’t prepared the dishes his daughter loves to eat most. Worst of all for him, his daughter often comments on this.
While still grieving himself, he feels incredibly guilty that he can’t live up the memory of her mother.
Tsumugi obviously misses her mom, but the concept of death is a foreign concept to the little girl. She can’t quite grasp it, and the way she mourns reflects this. Everything is in the little details for her. She complains that meals have become different now. She gets upset with the changes in her routine.
The things her mom used to do are now in her father’s hands, and Tsumugi has to cope with those changes. It’s all very age appropriate, and fits the narrative well. It never comes off as “too much”, and it isn’t overbearing either. There are plenty of scenes that follow her day-to-day life too, and the conflicts that she runs into. Both at school and at home.
To that point, I want to reiterate that Sweetness and Lightning is a very down to earth series. Tsumugi is a little girl, and she acts like one. She can be very bright and cheerful. However, like all small children Tsumugi throws her fair share of tantrums too.
She’ll pick at her food, or reject it entirely. She’ll babble nonsense, or fight back a little when she’s scolded by her dad.
She is a very accurate depiction of a child. If you don’t like children, this aspect could easily get on your nerves. Tsumugi is such a major character in the anime that you can’t avoid her. She has way too much screen time to be ignored.
Unlike other family style anime that may have a child in it, this series focuses on those complexities. Kōhei’s personal story is about the difficulties of being a parent. Tsumugi is her own unique character, and she does challenge her father.
Meanwhile, Kotori is an average teenage girl. Her passion for cooking aside, she can be a bit of a wallflower. She does have one close friend her own age named Shinobu. The character makes occasional appearances every now and then.
Other than that, Kotori mostly spends time on her own. As an only child of divorced parents, she’s used to being independent.
The only interesting character quirk she has is a terrible fear of knives. She managed to cut herself pretty badly as a child, and the fear of knives persists because of it. Other than that, Kotori isn’t very interesting on her own.
What truly uplifts Kotori as a character is the way she interacts with Tsumugi and Kōhei.
The student and teacher dynamic between them slowly shifts into one of friendship. At the high school, Kōhei maintains his position of authority. After school hours, he begins to treat Kotori as an equal.
The way that Kotori proves herself capable of assisting with Tsumugi helps to lessen the divide between them. As the series goes on, the way these two families merge help to fill the respective voids between them.
The Kitchen: The Heart of Every Home
Obviously, if you don’t like anime centered around cooking, you won’t like this. A vast majority of the scenes take place in the kitchen. It focuses on how meals are prepared, and the steps it takes to make a home cooked meal. Learning these basic steps remain the foundation of the series as a whole.
Kotori’s mother owns a restaurant, although it usually remains closed. Through a series of events, Tsumugi acts as the balm to eventually tie this odd trio together. The three of them end up gathering regularly at the restaurant, learning to make home cooked meals. They eat together and treat each other as a family.
As the characters spend more time together, old pains begin to lessen significantly. The two broken families start to redefine what it means to be a family in the first place.
The teacher becomes the student, perhaps the only actual plot twist in the show. Still, it’s no surprise to the viewer. Kōhei learns his way around a kitchen with Kotori’s help. She knows more than he does, and it’s good that the dynamic shifts here. It shows that the characters mutually respect each other.
With all of her mother’s recipes at her disposal, they work together to make each dish. Kotori finds comfort in spending time with Kōhei as well. She also gets along well with Tsumugi, eventually treating her like a younger sibling.
There is a saying that families are made around the dinner table, and this anime examines that. As time goes on, more friends join in on the nightly gatherings, forming strong bonds.
Although nothing inappropriate ever goes on between Kōhei and Kotori, the connection they build runs deep. You could choose to see something beyond a platonic friendship if you wanted. However, the anime only provides minor subtext for that. You’d honestly have to be looking for romance in places that it just isn’t.
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Kotori’s emotional state shifts as the series progresses. Shinobu, her best friend even takes notice. She states that Kotori seems to be at her happiest whenever she’s cooking food and eating with the Inuzuka family.
Kotori’s mother eventually meets Kōhei and Tsumugi. She finds herself grateful that her daughter found such good people to have in her life and encourages their time together to continue.
The changes over time for Kōhei and Tsumugi are also noteworthy. Kōhei becomes more capable as a father. When he finds himself lacking, Kotori helps to influence the way he deals with his daughter’s outbursts. Tsumugi becomes happier in general, and truly enjoys her time spent with Kotori.
Final Thoughts
If you don’t like anime with kids actually acting according to their age, skip it. Tsumugi is unavoidable as a character. She is a child, and she unequivocally acts like it.
On the other side of the coin, if you’re looking for a romantic series with a significant age gap between the characters, this is not it. You’re going to have to look hard for that subtext and frankly there are just better anime out there for that sort of romantic entanglement.
Sweetness and Lightning is about family, the cultivation of strong familial bonds, coping with loss, and overcoming grief. These are the themes that make the cooking aspect of the anime so powerful. They are the absolute core of everything, without fail.
Trying to take any of that out of context, for any reason, probably won’t serve you well.
The animation in the series is good, and holds up adequately enough. Like all anime that revolve around food, the animation sees a spike in quality when meals are displayed.
Some of them look good enough to eat, and appear more appealing than their real world counterparts.
The musical design is spot on, and enjoyable. Like the series itself, it doesn’t try to be over the top. It won’t stand out over the scenes, and I don’t find it memorable outside of that. The music only serves to be complimentary towards the series. The opening and ending songs are enjoyable for what they offer, but, they won’t make any of my top ten lists any time soon.
The anime leaves these two families as fast friends. There is subtext that the two might become one later down the line. However, that isn’t written in stone. The subject of romance itself is not something that is heavily addressed, and that’s fine. It shouldn’t be.
The anime never pulls a “Usagi Drop” moment either, and Kōhei’s friendship with Kotori is respectful at all times. It never crosses into questionable territory or inappropriate power dynamics.
Sweetness and Lightning is everything the title says. It is a very sweet series. The darkness that comes with it doesn’t overtake the series as a whole. Instead, the sadness is brief, but carefully included. The anime strives to tell a simple story, with a simple conclusion.
In the end, it provides strictly what it promises, and very little more.
It doesn’t necessarily fall into the “cute girls doing cute things” trope, and I wouldn’t call it a “healing” anime either. I didn’t feel refreshed or renewed after watching it.
The fact is that slice-of-life is its nearest comparison, but that’s a lackluster description of the series too. None of these categories do the show the justice it deserves.
Although I enjoyed it, and I would watch it again, for me it’s just a popcorn anime. The series is addictive in the moment, and its very easy to consume. The episodic nature makes it a joy to binge watch. This, coupled with the fact that it’s only twelve episodes long makes it an ideal choice during a lazy Saturday afternoon.
It’s a tame viewing experience. Those qualities make Sweetness and Lightning a top contender for family style anime of this nature.
If you’d like to see a few other reviews on the topic I’d say Them Animeand Lumihas you covered for more opinions on this wonderful series.
In the end, I would say that Sweetness and Lightning is merely a story about life. It doesn’t go anywhere particular, and it doesn’t need to. There are very few anime that can put so much heart and soul into such a mundane story. That alone makes it worth a watch if you like shows that center around family dynamics.
This has been Kernook of The Demented Ferrets, where stupidity is at its finest and level grinds are par for the course. I’ll see you next time.
You can help support us through PayPal or Patreon.
With your contributions, you make our efforts possible. Thank you for supporting our content. Patreon supporters receive access into our official Discord server, and a few other perks depending on the tier. If you don’t care for Patreon, and don’t care about perks, you can always support us through PayPal too… links below.
Those who join via Patreon get special perks, such as extra content, quicker updates, early fiction chapters and more.
Hideo Kojima is a master at making objectively good games. It’s not a question, it’s fact. He’s a risk taker, making games with mechanics that don’t have a “one size fits all” approach. From the early Metal Gear series, to the P.T. Demo, Kojima has proven time and time again that he knows what it takes to make a good game. His greatest games push incredibly deep narratives, multifaceted, and compelling.
Then Death Stranding came out and made waves among the gaming community. Although it sold well, the game just wasn’t as well-received as it could have been. Strong positive reviews aside, hard-core gaming critics and casuals alike raised eyebrows at this odd title. While most of the reviews seemed to be positive, of them slammed the game for having uninteresting point A-to-B slog with questionable story telling. Others complained about the fiddly controls in the game. Even I have to admit a few of the mechanics were pretty annoying.
At the time, the occasional annoyed rants from the larger review sites only fueled my desire to play it. I didn’t really know what I was in for. My expectations weren’t incredibly high. Personally, I feel that the higher my expectations are for something, the more I let myself down when those desires aren’t reached.
After all, game developers don’t owe me anything just because their artistic vision didn’t meet my own criteria for what a good game should be. That said, I have three basic criteria for any game I play.
If a game can meet these standards and I still don’t like it, then it’s my fault. If I ended up buying a game I don’t like, and that’s not something I can blame a developer for.
My three rules are the following:
The game must ultimately be playable. No game breaking bugs, visual eye-sores, or glitches that will severely hinder and impede my game-play experience.
The game must be reasonably priced for what it has to offer. If I shell out money for a game, I want to know that I’m getting a quality experience that at least reflects that price. I don’t mind paying large amounts of money for a shorter game-play experience, but, that experience must be worth something.
The game must be accessible for me play on some basic level. I have a fine motor-skill disorder. That often means games like Dark Souls kill me repeatedly on hard mode. That said, I can still play, beat, and enjoy the game. I don’t ask for an easy game. However, I expect the controls to be fluid. The subtitles must be easy to see and to read. The mechanics of the game must choreograph properly what’s happening on screen.
For example, if something’s about to shoot at me, I want an obvious sign of that someplace. I don’t want to be sniped and have no obvious way to tell. If I’m about to get a “game over”, I want a clear and consist metric that’s about to happen.
I think that those three criteria are essential for any good game. With the building blocks in place, any game has a chance to be a fun, interactive piece of media.
Having completed Death Stranding, I’ll say this: For adults, Death Stranding is worth playing at least once.
This is not a children’s game, and it doesn’t try to be. This game was crafted for an adult gamer, with a firm sense of self, and a firm grasp of morally grey ideology. Parents should use caution when buying it for their mature teenagers. Do your research first, and don’t just pluck this game off of the first shelf you see.
The controls are a little clunky, yes. There is absolutely no disputing that. However, if I can figure them out and navigate the game with Dyspraxia, then the controls must not be a complete failure. They are repetitive, but that serves a narrative purpose. It’s not complete and total garbage. They’re just not the greatest, either.
Multiple layers of subtext in the game will always be important, and Death Stranding uses mechanics as a metaphor. Yes, perhaps it is a bit overdone. Yet, everything in this game seems to have been placed there intentionally, and the story is captivating in its own strange way. I adore the opening quote at the start of the game, and the somber opening song.
The themes are dark and heavy, the game reflects that masterfully. The world is beautifully crafted, and the design is completely immersive. The mechanics aren’t always easy. There are times when the game falls a little short, but it isn’t a bad game.
If you start to look at the game as a complete narrative experience, it’s actually quite good. If you haven’t played it yet, pick the game up when it’s on sale. Give it a try. You may end up liking it too.
This has been Kernook of The Demented Ferrets, where stupidity is at its finest and level grinds are par for the course. I’ll see you next time.
With your contributions, you make our efforts possible. Thank you for supporting our content. Patreon supporters receive access into our official Discord server, and a few other perks depending on the tier. If you don’t care for Patreon, and don’t care about perks, you can always support us through PayPal too… links below.
Those who join via Patreon get special perks, such as extra content, quicker updates, early fiction chapters and more.