Category Archives: Uncategorized

Reblog of interest: Duality of a Critic (A Personal Post About Iridium Eye and Myself)

Hey guys, it’s Kernook here, and I really think there’s a lot to be said here, particularly in terms of fandom and of course the morals and ethics that reviews hold themselves to. Honestly, it’s worth a read, and if you got the time, maybe you should… just saying…

ospreyshire's avatarIridium Eye Reviews

I usually don’t post on Thursdays or post anything outside of Top 7 lists or reviews (which I haven’t done since late April), but I need to get something off my chest. I was recently confronted about some facts and opinions I shared on my blog. After dwelling on it for a few days, I started to think about myself as a critic and how I use my blog. I wanted to do some positive things with these various anime and film reviews when started this thing back in 2017, but there are some morose undertones I tried to keep hidden. There’s a saying that goes something like “Your greatest strengths can be your greatest curses.”, and I do believe there’s truth to it. Relax, I’m not going to brag about myself especially since I rarely say positive things about myself anyway.

I won’t be making this post too long…

View original post 829 more words

Anime Review: March Comes in Like a Lion

Like Anime, Gaming, and RWBY Analysis content? Check out our other platforms and support our content. Please don’t forget to follow our blog for more content like this.

Click to Donate

You can help support us through PayPal or Patreon.

Follow my blog with Bloglovin

Hey everyone it’s Kernook here. It’s time to talk about March Comes in Like a Lion, a 2016 anime that is both heartfelt and wonderfully animated. The series lands hard with serious undertones and a main character that suffers from extreme anxiety.

It seems like I’m reviewing a lot of series from Studio Shaft recently. That is the same studio responsible for RWBY Ice Queendom as well. However, where that anime doesn’t start off strongly at all, the studio certainly pulled out all the stops on this one.

Honestly, March Comes in Like a Lion is likely one of the few anime that ever really gets to me. That’s because the series is both subtle and incredibly evocative of other shows and series you may have seen before. Yet, where those anime may fall short, this one doesn’t. This anime stands its ground quite well, despite what it has to offer.

Other anime that might come close in terms of impact might be Your Lie in April, but that anime has nothing on this story, at least in my eyes. Sure, March Comes in Like a Lion lacks several of the same sort of punches to the gut that other melancholic anime offer. What we receive in return, remains an introspective piece of fiction worth your time and attention.

That being said, while this is a beautiful anime, the core themes of anxiety, depression, and a sense of feeling lost, it makes it hard to suggest to anyone who isn’t into very thoughtful and analytical anime in the first place. It isn’t anything you need to dive into, it’s not complicated… it just isn’t mindless viewing either.

Directed by Akiyuki Shinbo and Kenjirou Okada, who also worked upon the storyboard, the series was adapted from a manga of the same name. There is also a live action film, if you care to look for wider media within this franchise.

As for me, I’m just going to focus mostly upon the anime. Right off the bat, let’s not pull any punches here. The story follows Rei Kiriyama, a boy who loses his family at a fairly young age. Now, as a wayward seventeen year hold, he has a pretty rough life. When we first meet him, he’s setting off on his own.

Prior to that, he went to live with a mentor and family friend. Due to strained relationships and a sense of failure, Rei decided it was time to live on his own. The game Shogi plays a large role in the anime, because he not only uses it to pay the bills, to him it’s a possible path for his life to take as a professional player… and that’s an important note.

To me, these tiny, but ultimately pervasive details, are what sets this particular anime above a great many others. When it comes to hobbyists and sporting anime, this one is a rarity. You hardly ever see such sad and emotional ones like this. The series has such introspective overtones, that it can seem a bit overbearing on occasion.

That’s fitting, because that’s actually how the characters in this show often feel The story is about finding a sense of belonging and forging one’s own path. Unfortunately, that’s rife with answers that aren’t clear cut for Rei.

He doesn’t know what to do. He has no idea how to come to terms with his past. He needs to find the levity in his life going forward, but that’s a difficult task. His own emotions inhibit him even more when he’s faced with coming to the right decisions about his future.

However, if Rei was the one and only protagonist, this series would fall incredibly short. Thankfully for us, there are three siblings ready to give us a deeper insight into what this series has to offer.

Overall, I think the Kawamoto siblings were a great addition to this otherwise dour anime. Akari, the eldest, Hinata the middling sibling, and Momo who is the youngest lost their parents too. As a family, they managed to get by in life much better than Rei ever did.

The bond Rei makes with them is probably the most endearing, and reasonably “happy” thing, that March Comes in Like a Lion has to offer.

Akari is the oldest, and the motherly overtones as the one to continue to raise her siblings really carries on well for most of the plot. That is a point too, these characters have their own spotlight episodes, separate from Rei entirely. That allows us to really get to know these characters in ways we otherwise wouldn’t.

From a rather sour outlook of school life from Hinata, to Akari’s need to keep the home running smoothly and raise her siblings, there’s a lot going on for these three characters. I won’t spoil too much, as I do find these women more interesting than Rei a vast majority of the time.

There is a little something I should make note of, though. Momo is quite young, and she acts her age. If that prospect annoyed you in Sweetness and Lightning, or particularly young characters aggravate you in general, it’ll likely annoy you here as well.

That being said, without her particular brand of levity, the anime might be considered too dark. The series kind of needs Momo. Without her, scenes that would be naturally infused with the joyous mind of a small child would cease to exist.

Really to me there is only one major and pointed downside to this anime, and that’s the Shogi matches themselves. If you want to learn about this game, this is the wrong anime. If you don’t know how to play Shogi, and have no concept of the rules for the game, you’re going to feel lost.

March Comes in Like a Lion won’t explain the rules to you in a way that’s meaningful, and it won’t attempt to catch even a novice player up to speed, either. You’ll be on your own, and that can make some of the matches feel boring overall.

A vast majority of rules and confines of gameplay are hand-waved away. So little is explained, glossed over at best. At worst, it makes little sense for someone who hasn’t played the game.

However, it’s not really about the game, it never was. It’s about the characters playing the game. That introspection I spoke of earlier comes from the matches in this series, and the way the characters themselves feel at that moment.

At the end of the day, that’s what the entire story of March Comes in Like a Lion comes down to. It isn’t just about their daily lives, it’s not even really what I would call a slice-of-life show. Rather, it comes down to how these characters really feel. None of the characters in this series are entirely unscathed. Everyone has some kind of trauma.

Sometimes that trauma is subdued or hidden beneath a happy facade. Other times you’ll have a character like Rei, who refuses to hide his own emotional scars, having no need to pretend he’s better off than he is. Several other characters do try to hide it, or at the very least, endure it.

From the whimsical Momo, to the completely depressed Rei, the characters run the gambit of emotions. You’ll notice I didn’t touch on Hinata’s story line here. That’s because it is one of the darkest besides Rei’s own. For me it is also one of the most infuriating and depressing, as Hinata faces bullying from her peers and those around her in a way that goes undressed by the adults around her.

With all of that said, I don’t know if you’ll enjoy this series. I don’t even know that you’ll sit there and think it to be a masterwork of narrative story telling….

To be fair to the critics of this show, there are moments that seem a little contrived, and others that feel a little more heavy handed than they needed to be. I think part of that has to do with the name itself, and the poetic narrative surrounding it.

The month of March has plenty of ways to analyze it. In Thomas Fuller’s 1732 compendium, Gnomologia: Adagies and Proverbs; Wise Sentences and Witty Sayings, Ancient and Modern, Foreign and British, we receive once such analysis. The full reference is this: “In like a lion, out like a lamb” and I’d say that’s a very good way to describe this particular anime too.

Sometimes it’s weaker for its additions, and other times it’s very bold for covering them. Either way, I can’t help but love March Comes in Like a Lion. If you like deep, heavily introspective anime, maybe you will too.

This has been Kernook of The Demented Ferrets, where stupidity is at its finest and level grinds are par for the course. I’ll see you next time. Please be sure to follow the block and check out our other platforms for more content like this.

Click to Donate

You can help support us through PayPal or Patreon.

Meanwhile, check out some of our other great content below.

Movie Review: The Dark Knight

Hey everyone it’s Kernook here, coming at you with a review of the Christopher Nolan movie The Dark Knight. Over all this 2008 film is a powerhouse in several different ways. In my opinion, it isn’t your typical “super hero” movie, and in fact tends to be far from it.

Beyond bombastic, high octane moments, we get a real struggle of ideology here. This curiously haunting film is best enjoyed when you’re willing to think about its core themes. It takes its origins all the way to the next level, and sometimes in more ways than one.

The Dark Knight is a movie worth thinking about as the credits roll.

One day, I may do a strict and firm analysis of this masterclass movie. The narrative alone is almost perfect to do strictly that, but sadly, today isn’t that day. This is just a simple review.

If you can’t tell by now, yes I do happen to like it. The film is mired in tragedy though. I’m alright with that. When a film hits so hard without being too complex there’s just a lot to like about it.

About the only thing I don’t like about it, and mind you this is just a minor pet peeve, is that some of the choices when it comes to lighting really can make Batman look kind of stupid. That’s not the fault of the actor, and really I can’t even blame the costume.

It literally is the lighting and shot composition, and nothing else, but I do feel the need to point that out. Depending on the lighting during a few very serious scenes, it can be hard to take those scenes seriously because Batman’s costume doesn’t mesh well with that particular shot composition, and it ends up making him look a little goofy… the image below is a great example.

One of the key scenes that poses a problem is the interrogation scene. There’s just a moment or two that can really snap you out of the immersive experience because the light overhead becomes a distraction instead of “mood setter”. Instead of helping to make Batman look intimidating, he looks like… well… stupid.

Aside from tiny nit-picks of that nature, where vast improvements could have been made with very little effort (say the light flickers whenever he bashes on the table, for example) this movie really is something to praise.

The acting performances, direction, writing, and wider universe has a nice beefy story to tell. It isn’t convoluted, either. This film, might be what some would call a “comic-book movie”, but it surely doesn’t feel like one.

It goes deeper, and becomes far more emotionally complex than most.

The Dark Knight is not a bog-standard tale of good against evil. It isn’t just a mindless action flick, either. Batman is the “good guy”, yeah sure he is. The Joker is “bad guy”, yeah once again, sure he is.

That’s about where the similarities stop. The film enjoys twisting inward on a grittier “soul-searching” kind of quest. The Joker is more than a villain here. He’s still a madman, but the film digs into that, and studies the reasons why.

Thematically, the movie centers around two distinct dynamics; moral ethos and the fragility of the mind itself.  Heath Ledger, plays the Joker and he does a phenomenal job. Honestly, it’s one of the last films he played a key role in.

As a quick moment of reflection, on January 22 of 2008, Heath Ledger passed away. Therefore, in my mind, The Dark Knight is probably one of the most iconic roles he ever played… you might be asking yourself why?

Well, his passing heavily impacted the promotion of the movie. I’m sure I’m not the only one who went to see the film at the time, just to see him in an acting role one last time… and really, movies like these aren’t ones I typically go and see on the big screen. I was glad I did, though.

On a slightly different note, Christian Bale plays the role of Batman. He’s alright, I’ve got no complaints. He lands a solid on screen performance and plays his role well. Would I say he knocks it out of the park? Not entirely, but he does just fine for what the story needs him to do.

That’s honestly the key to what makes this movie so amazing. It would have been all too easy to give Batman more power and leeway, because he is the “hero”. Christian Bale toned that sort of iconic ideology down in very distinct ways, adding a layer of complexity. This does two things.

First it makes our beloved Joker a much larger threat over all. Secondly, it makes Batman more compelling by pure default. When I say I’d like to do a strict and firm analysis of this movie one day, that’s because Batman and Joker have such an interesting and unique power struggle in this movie. Our titular hero doesn’t take too much of the limelight, only making a spectacle of himself when he absolutely needs to.

That’s exactly what Batman should do, and it’s exactly what he does in this movie.

Special effects, bombastic moments, super hero and villain aside, this is a story about humanity. Both dramatic and heart-felt, there’s just an emotional journey here. The story truly feels sophisticated, or at the very least, it feels earnest.

It doesn’t get too far up it’s own ass, unless of course that particular moment is meant to be viewed that way.

We’ve got the Joker here, for goodness sake, could we really expect otherwise? He’s nothing if not acerbic on a good day, never mind when he starts concocting the worst of his evil plots.

I do like that beneath all of the emotional grit, that there is a satirical bent to some of the scenes. It isn’t flashy, or “in your face”. It just happens to be there. You either take it, or you leave it…

You know, a lot of the film feels that way. Monotone moments and daily grinds clash against ciaos and unsound minds. That juxtaposition is what forces you as a viewer to pay attention to the tiny details. The movie doesn’t seem to care if we like what we see, and in this case I truly respect that kind of flippant nature.

The Dark Knight has a simple plot resting over the far more emotional complications. The Joker is attempting to humiliate Batman and expose his secret identity. That’s it… really… it is that simple. The joker strives to make a point, and Batman has to deal with it.

That’s why I’m not going to focus on the plot here, the plot isn’t the point. The characters are the point, the world building is the point, the players and pieces involved on the strategic chess board… that’s the point. The plot is just the simple overlay over the top of all that, tying these details together.

Any die-hard Batman fan can tell you, that’s always the logic used between Batman and Joker in any iteration of the series. Here that ethos is displayed in one line, both in the trailer, and in the movie. It is so keenly displayed as a core ethos of the film that it deserves mention here.

“You either die a hero, or you live long enough to see yourself become the villain.”

Over all the film is good, and it’s worth a watch. I’ve given it a lot of praise, but I should offer one last tiny thing I noticed. As enamored as I was the first time I saw it in theaters, I hadn’t picked up the movie to watch a second time until writing this review.

I have no idea why I didn’t feel the need to see it again, only that I felt satisfied seeing it the first time. I can completely recall a firm and deep contentment when I exited out of that theater in 2008.

With that in mind, I have to admit, I wasn’t quite as enamored with the film a second time around. It felt lesser, in a way, on a second viewing. I almost as though it wasn’t meant to be watched a second time. I believe that’s just a personal stance I take mind you.

I think the movie loses a fair bit of impact on a second viewing in a way others just wouldn’t. I don’t really want to watch it a third time either. That’s okay though. I think I got everything from the experience that I wanted the first time.

This second viewing all these years later didn’t have to matter so much. I wouldn’t call it a collector’s movie. It doesn’t belong on my shelf to watch over-and-over again. Frankly, I don’t want it to, and I certainly don’t need to unless I’m going to analyze it.

My point is, give it a watch on a streaming service before you just go out and buy it. One viewing may be enough for you, just like it was enough for me.

This has been Kernook of The Demented Ferrets, where stupidity is at its finest and level grinds are par for the course. I’ll see you next time.

Click to Donate

You can help support us through PayPal or Patreon.

Meanwhile, check out some of our other great content below.

RWBY Ice Queendom Episode 1 Review

Hey everyone, it’s Kernook here, finally ready to begin reviewing the RWBY Ice Queendom series properly. In all honesty, it was off to a shaky start when the first three episodes released as promotional hype.

You can read all about my RWBY Ice Queendom first impressions here. That’s just a broad look at the first three episodes, mind you. For now let’s dive into the actual and proper review, shall we?

To begin, I want to say that the first episode is as rushed as it could possibly be. I don’t think anyone should go into this anime as their first experience with RWBY. It isn’t exactly what I would call a strong start for those unfamiliar with the main series.

You see, we knew going into Ice Queendom that the first two episodes would rehash a lot of plot elements from Volume 1. My god, did it ever do that… but I’m going to be honest here. It is super fast, and it’s not for a non-fan to try to absorb.

No newbie can hope to truly understand the depth of what is actually going on without having seen Volume 1 of the original show first… so if you’re going to watch Ice Queendom, awesome!

Just… uh… watch Volume 1 first too, okay? I promise if you did feel a little lost, don’t be too concerned… even I felt a little lost, but we could have a diamond in the rough here, so let’s not be too hasty.

That said, we did get some pretty stellar moments, and we got some clunky ones. Spoilers ahead, be warned

If they were going to re-hash volume one, they should have done it from scratch. Enough is changed in this iteration to argue a complete and total overhaul. Here’s the thing, the first volume of RWBY is only two hours long. That means they could have rehashed all of what they needed to do in six episodes (no I’m not joking). They should have done that.

Take for example the Weiss battle from the RWBY White Trailer and compare that fight to this one. The battle is cleaner in Ice Queendom for sure, but it lacks some of the emotional character development we get from the Weiss Trailer and her introduction song. Also, the battle feels just a little rushed and choppy. Thanks to the break-away scenes with Blake and Adam running around doing a separate fight entirely, the combat feels very segmented.

Winter’s inclusion so early in Ice Queendom is a welcome addition, but it is just a little jarring without context… Winter wasn’t in the RWBY White Trailer and didn’t make an appearance until a later volume. The same is true for all the Schnee family.

It is very nice that some of these plot points were touched on in the first episode, but why not slow down and really contextualize it? I don’t understand the need to rush, and that is a bit annoying.

I do like this fight, though, and I think Studio Shaft had the best of intentions. It was merely that those intentions fell a little flat. The same is effectively true for a great deal of the first episode during the re-hash scenes. They’re a bit cobbled together, demanding you have some concept of the show to start with, and not particularly caring to slow down if you don’t.

That said, there is a highlight moment every now and then when Ice Queendom extrapolates where the original RWBY series never does. For example, at least Taiyang isn’t strangely absentee this time around, which is something I’ve brought up in my character analysis of him. His lack of development in the original series really paints him in a really bad light.

It’s nice to see him as the father we knew he could be, and not the complete jerk-ass father that the original series implies him to be. Again, super nice gem here. Whoever had the mind to add this in and push it through should get a standing ovation.

Taiyang’s scenes with Yang, and later Ozpin, really help to flesh out what Volume 1 failed to really cover earnestly.

However, a few good narrative calls doesn’t help the show when the rest of it can be somewhat crammed together at such a break-neck pace. There’s little room to breathe.

This may sound harsh, but I’m not trying to rip on the show here.

I’m just pointing out that there are some really good choices when the creators choose to take the time to flesh things out. When they do, it’s amazing. When they choose not to take that time, it’s obvious. In some ways that’s very annoying to me as a fan.

Ice Queendom is “canon adjacent” or so they call it. That means some canon remains the same, and some become different… when you do this, you need to be clear about what changes and how it changes.

You can’t be vague about this. Many of us aren’t coming into the series with fresh eyes. We’re coming in as fans from the original show. We have preconceived notions and biases that needed to be challenged under these new ideologies.

In any case when the fights are this clean, they’re pretty good. If you just want action with no combat choreography or subtext, this will do you just fine. It feels fun and it’s entertaining, that’s for sure.

Once again though, welcome to my biases at play here. I’m a huge fan of the original show, there is a lot to live up to here in terms of combat. This show has big shoes to fill and I’m not entirely sure that it could have hoped to live up to the original fight scenes.

If you want actual choreography that sticks with you and hits home, this just won’t hold a candle to a lot of the battles in Volume 1. Sorry, but for me it holds true. If you don’t mind losing some of the charm of choreography and just want a good brawl, this will do just fine as it is though… it’s serviceable.

In losing some of the charm in the fights, we do lose a little something in the characters too. That is the main issue here.

All of the characters feel watered down and distilled in ways that just pull me out of the experience. Yang especially feels so watered down I don’t even recognize her as Yang anymore. We just don’t have the time with her to really get a sense of who she is, what she wants, or how she feels as an aspiring huntress.

There is no combat at the bar scene to really amp up her temperament, or showcase some of her poor decision making. To highlight my point look at these two comparison photos.

Let’s be real honest here guys, which one best represents the Yang that’s adventuresome, ready to throw down in a fight? Yang is a complicated, deep character. She spends all of volume one trying to get Ruby to go out and make friends, find her own way, get on her own team, and become a huntress. That’s not the Yang I see portrayed in Ice Queendom even slightly… she doesn’t get enough screen time to get that portrayal.

Now, that’s not to say I expect Yang to be the same… or any character for that matter. At this point in time, I just don’t know who she even is as a character. I’m a huge RWBY fan. I should have a very firm idea of who Yang is, but she’s not really anything at the moment.

I want to know who these girls are in this iteration of the show, and the show itself doesn’t seem to want us to know.

It’s like that with all of the characters to one degree or another, even Weiss… considering Weiss is supposed to be the focal point, that’s a problem here. I’m only using Yang as just the most notable problem with this in the first episode… and I know it will be a problem with JNPR in episodes two and three because I’ve already seen those episodes.

You can’t scream canon adjacent in one breath, and fail to really take the time to flesh out these characters in the earliest episodes. I just don’t think that’s the best way to endear fans to a series that we’re not coming in completely blind on.

So my final thoughts on RWBY Ice Queendom are simple. Let’s wait and see. It might be a trash fire, it might get really good. As of right now, there’s just no way to tell. There are enough tidbits to make me feel like we’re going to get something good, and enough red flags to have me concerned. Either way, I guess we’ll have to wait and see.

Another take on episode 1 can be found here, reviewed by DoubleSama. I’m not entirely sure that they have seen the original RWBY series, but I do think their take adequately describes some of the confusion a person might feel if they are going into RWBY Ice Queendom entirely blind, or rusty on the wider show. That’s why it might be worth it to give it a look.

This has been Kernook of The Demented Ferrets, where stupidity is at its finest and level grinds are par for the course. I’ll see you next time.

With your contributions, you make our efforts possible. Thank you for supporting our content. Patreon supporters receive access into our official Discord server, and a few other perks depending on the tier. If you don’t care for Patreon, and don’t care about perks, you can always support us through PayPal too… links below.

Those who join via Patreon get special perks, such as extra content, quicker updates, and more.

Click to Donate

To Our Supporters

Thank you for helping us to enrich our content.

Patreon Supporters:
($3) Little Ferrets: None
($5) Demented Minions: Andrew Wheal.
($7) Fandom Ferret: None
($14) True Blue Ferret: Francis Murphy and Bryan BSB.
($25) Premium Ferret: None.
($50) Round Table Ferret/Fluffy Ferret: Josh Sayer

Top 10 Naruto Characters

Hey everyone, it’s Kernook here… I’ve always loved the Naruto universe with its compelling cast and complex ninja world. However the cast is so large that narrowing down a top ten list isn’t easy. I love so many of the characters for an assortment of reasons, so this is my list. It might not be yours. There’s also a caveat that should be kept in mind.

None of the core cast of the rookie nine were included in this list. That would be unfair, because so many of them are beloved fan favorites for myself included. I had to prune this list massively, as I doubt a gigantic list of top 50 or top 70 Naruto characters would go over very well… plus it would be very long to write.

With that out of the way, let’s dive into the list.

#10. Jiraiya

The resident pervert sage ranks number ten in my list because he’s honestly one of the characters that really sticks out to me. All of the Naruto characters have some sort of fatal flaw, none of them are perfect. That’s the hallmark of good writing. The man is a pervert though, make no mistakes about it. His love for writing erotic books aside, he’s earnest and he’s kind.

Jiraiya is a complex man with simple pleasures in life, and he’s old enough to carry the perspective needed in a good mentor. As a sage, he’s probably not the best example of the discipline or demeanor. However, there’s no question that he is a wonderful mentor and friend to those that need his support.

He ranks number 10 because his death is literally one of the saddest in the series for me. It’s secondary only to Asuma Sarutobi. Quite frankly even after Jiraiya is gone, he plays such a paramount role in Naruto’s development that he just needs a spot on this list.

#9. Iruka Umino

I honestly believe that Iruka is one of the most earnest characters in the entire series. He’s devoted to his village, and to his place in the ninja world in a way few others are. He’s a middling villager in almost every way, and he’s just fine with his lot in life. Given his own sad past and how it reflects Naruto’s own, there’s something to be said for a guy like him.

We can only really appreciate the tragic stories of others by looking back on where they came from. A lot of prominent youths in the series come from broken homes, left as orphans to fend for themselves. Iruka is one such character who grew into a well-adjusted adult.

For all of the characters achieving greatness, showing off insane feats at every turn, it’s nice to see a regular guy. He’s just living out the average ninja lifestyle the best way he can, and really I’ve got to give him a lot of credit for that.

#8. Asuma Sarutobi

This guy has a story for the record books. A man does his job valiantly, only to leave behind a woman he loves, and his unborn child. His students surround him in his final moments, rain falling from the sky as he doles out his last words. Asuma has one of the most memorable deaths in the Naruto series…

Here’s the thing, when it comes to the wider universe, this series heavily focuses on legacy and the passing of the torch from one person onto another. Youth grow up, inheriting the responsibilities of their successors. Passing on those lessons becomes intrinsic to the “ninja way”, and there’s just a lot of heart and soul you can’t fit into a few simple paragraphs hoping to do it justice.

There is no greater example of this than Asuma’s bond with Shikamaru. To me, that is the absolute pinnacle of what the core themes of the series attempt to convey. Found family and honor clings heavily upon the young upstarts aging into their positions in the village…

Facing down the difficulties of childish dreams slowly taken away, and replaced by adult ambition. Asuma to me is one of the most tragic characters. Outcomes like his are what lead to so much suffering among the hidden villages. It’s also what breeds the war and continued suffering of countless others.

If Iruka is one of my favorites due to his earnest average-joe lifestyle, then Asuma is one of my favorites because he represents the average casualty among villages and just how deeply it impacts those closest to them. We see on screen exactly what that does to the people he inadvertently leaves behind.

#7. Karui (Later, Karui Akimichi) 

This was a difficult choice, because when it comes to Karui and Temari, it’s a toss up of what style of bad-assery you like better. Both of these women refuse to take crap from anyone, and both are self-assured. Ultimately, I settled on Karui because she’s not as charismatic, and she doesn’t even care what we think of her.

Beating Naruto bloody might have been a bridge too far, but that just goes to show how tenacious and ruthless she is. When she feels she has to act, she does. Temari is just a bit softer, and a tiny bit more timid, which is what made her lose the spot in the running.

You have to take Karui as she is. She won’t tolerate anyone doing otherwise. She won’t conform, she doesn’t want to. Her loyalty can’t be bought, and her ability to see the value in others comes from a very personal place. What I absolutely love about her character is that she eventually finds romance with Choji, and the romance is a mature thing from the get-go… neither of them act like profound idiots… beyond that, it gives all the proof we need that Karui has a gentle side.

So many stereotypes flip on their head when Karui is on screen. In a series like Naruto, that can be pretty hard to come by. So many of the core members within the series are taken up by women who can’t seem to figure themselves out… or when they do, it isn’t on firm ground.

Karui knows who she is and what she wants out of her future. She’s also one of the few women who shows romantic interest because it empowers her own personal sense of pride and self-worth. In a series where young, emotionally independent women can be somewhat hard to find, Karui is a breath of fresh air…

But, like I said, Temari isn’t too far removed from that, either. In that way, she’s certainly an honorable mention not soon to be left out or forgotten.

#6. Might Guy and Kakashi Hatake

Call this a cop-out if you want, but in my opinion you just can’t have one without the other on any character list. You also can’t place one of them above the other in my opinion. That diminishes the bond these two share. They’re rivals, but they’re also sincerely good friends. The connection of their male bond is so incredibly important for so many characters in the series. It gives us viewers context for so many key themes in the show.

Male bonds are a driving factor for so many things the young men in the series do. Separating these two is just impossible to me. It would be like having a Naruto anime without Sasuke… you just can’t freakin’ do it… and that’s why these two need to be on the list.

It’s the entire point of the show… the forged bonds that last the test of time. That’s what the series is about. That’s the core ethos.

These two characters showcase this bond when it’s in synergy. There’s a brotherhood here. When both of them are on the same wavelength, the two of them harbor the same sort of profound loyalty and companionship that Naruto has for Sasuke.

I just can’t overlook that, not for anything…

However, that’s why they’re not in the top five, that wouldn’t be fair either. As important to the series as these characters are, and as deeply compelling the friendship they keep is, it’s only fair I place them in the number 6 spot.

#5. Killer Bee

It’s funny to me that when it comes to Naruto’s long list of mentors Killer Bee stands out on top for me, but it’s true. I really do like Jiraiya, but there’s just something so unassuming about Killer Bee. He’s fun to watch, charismatic and goofy at times, but he knows when to get serious too.

Honestly, I love this character because what you see is what you get with this guy. Much like Karui, you’ve got to take him as he is, and if you don’t that’s not his problem… he doesn’t care.

He’s been through the ringer, there’s some real grit and trauma attached to him. He doesn’t let that history get the better of him. As a Jinchūriki, he’s the most emotionally well-rounded when we first see him on screen. He has such a fundamental role in the series, and also the one so easy to overlook. Yeah, it’s true, he’s always spouting off nonsense and driving everyone crazy… still, if he weren’t so well respected, he wouldn’t be where he is when he enters into the show.

Common sense does not always equate to wisdom, but Killer Bee has both. He knows what it takes to earn the respect of those around him, and exactly how to keep it. For a Jinchūriki that’s not an easy road. We’ve seen what happens to Naruto and Gaara when communities turn their back on one.

Killer Bee walked that path too, but he did it with a smile on his face and he continues to do so even when the chips are down. Killer Bee is just an uplifting guy all around.

What isn’t to like about that?

#4. Nagato (Pain)

Once again, we turn to the deeper ties that bind these characters together. Pain’s character accomplishes 2 things. Firstly, he brings the full ramification of the Akatsuki’s story to a boiling point. Secondly he forces viewers to ask themselves deeper questions about the series as a whole. There is, in a way a “circle-of-life” vibe from this true and iconic villain… even if it is the darker, grittier sort.

In a world where war tarnishes what characters love most, and rips innocence away from them, Nagato provides a rather insidious bone to chew. He’s as tragic a character as he is completely dangerous. Seeing his true form, a withered husk of a person really hits home in ways so few of Naruto’s villains do.

He trained under Jiraiya in his younger days, but sadly, that peaceful philosophy became warped and sent askew. Although Jiraiya had spent the time to teach many things, all of those lessons became corrupted entirely by years of atrocities… death, war, emotional hardship and the continued loss of community and innocence.

In a way, you might say this man became Jiraiya’s greatest failing, and in another way turned into what I believe to be Naruto’s greatest foil…

#3. Itachi Uchiha

You know what they say. Assumptions make asses out of people, and it made an ass out of Sasuke. First assumed as a villain, Itachi Uchiha was a guy that completely massacred the Uchiha clan, aside from his younger brother. However, that’s a slanted view… a child’s view of something much larger and far more complicated.

If growing up is part of the core ethos in this series, so is learning to see the truth for yourself. To gain a clearer insight, and forge one’s own opinions based on the facts presented. Sasuke later finds out that his brother is no sick and twisted murderer.

He did kill the rest of the clan, but that was only to protect the Hidden Leaf village, and it was something he did in service to it. Even the Hokage knew what had to be done, and Itachi did exactly that.

What makes these bonds of bloodline and vengeance so entirely heartbreaking is that Itachi had no intention to truly harm his little brother with his actions. Morally bankrupt or not, someone had to do it, and Itachi took up the task… in a way it ruined his spirit and forged him anew in ways he least wished for.

I will never forget Itachi’s last apology as he’s bleeding from the mouth and facing his own death. For countless episodes there are flashbacks, and promises of later. Sadly, later never comes for these two brothers. Instead, it’s only a final apology and a goodbye… a death and loss that holds no comfort or even vindication. All that Sasuke has left is an understanding that he didn’t know a single thing, blinded by his own grief and anger as he was, there was nothing he could have done.

Itachi is without question one of my most favorite characters that as a fan, I never had the chance to understand. Having viewed the entire event through Sasuke’s eyes, I never had the chance to really get to know Itachi until it was too late and he was gone…

The series played this one close to the chest right up until the end, and they did a damn good job of it. Itachi sits at number 3 because there is so much more to this character than I ever gave him credit for. That sticks with me to this day…

As long as i continue to be an anime fan, it probably always will.

#2. Zabuza Momochi and Haku

Yes, we’ve got another two-for-one deal here. Sorry, it just needs to happen, because you just can’t have one without the other. It just cannot work for me. What makes these two so interesting is the bond they have for each other and the true and imminent threat these two pose to the rookie members of Team Seven.

These two characters are the first real time that we’re shown what kind of actual danger these kids are in, and just what happens when adults cannot keep them safe or protected. There’s a cruelty and hardship laced down deep among many of these characters, Zabuza is one of them, Haku is another…

However, for many of us, these were some of the first characters to value their lives not based upon their own self-worth, but rather the worth of another found within them instead… and there was nothing heroic about the way either of these two characters chose to think.

Yet, in his dying breaths, Zabuza makes his way bodily over to Haku and spends his final moments reflecting upon everything that he ever was, and everything he tossed away. For the rookies, it’s their first real taste of this dark and gritty world that they live in. For us viewers, it’s the first time we’ve got to contend with the truth.

This moment did one thing. It promised that we were going to have to swallow down some pretty uncomfortable realities. We had to accept that no, this really wasn’t a kid’s show, and it wasn’t all fun and games.

In these moments nothing could be sanctimonious anymore. We were going to lose characters we enjoyed, and not all of them would be hard and grizzled adults going out in a bad-ass blaze of glory… no, sometimes it would be a death that could have damn-well been prevented, and in all honesty damn-well should have been.

After this battle, there’s a burial. Although it isn’t the hardest hitting one that we run into across this series, it is one of the first that really made us think about what the show was going to send at us next.

Mark my words; if Zabuza and Haku were not so wonderfully written and conceptualized as characters, the early establishment of so many themes would have entirely suffered for it.

This line-up is a start-studed one to be sure, but how do you beat these guys in my book and take the number one spot on this list? Good question…

#1. You Don’t! The Hidden Villages Take the Top Spot!

Hidden villages are their own character within the show, translucent and on the back-burner but no less dynamic. There’s an intuitive understanding among those that live within them, and that understanding forces so much of the good and the bad within this wider ninja world that we fans enjoy.

Hear me out here, the series wouldn’t be so good if we didn’t get to have a taste of the complex and diverse ideology found within these villages. Some of the best and beloved moments come from a cast of characters that come from far away places. Be it the battle Gaara has with Rock Lee during the Chunin Exams early on, or some of the saddest battles in the series later on, we get a taste of it all.

What makes these characters so prolific are the communities and cultures they hail from. These identities can’t only come down to the characters we follow on the screen, but the masses that we don’t see. Naruto and Gaara want to be Kage simply because of their villages and the ambitions they have… to belong among them.

I am always taken aback by the scenes that truly highlight the wider world, the changes it’s made for the better, the faults it still has… the world building in this series is absolutely a master craft in and of itself.

The countless peoples inhabiting this world are what breathes real life into the fights. When villages are on the verge of ruin and war takes so much away, the villages still persist and persevere.

So much about this series comes down to protecting what is valuable, and mourning what is lost. To fight for the things that matter, and to let go of the things that don’t. To love despite pain, and to trust despite war. These themes are only made so incredibly powerful, because we get to experience the realities of a village attacked so brutally.

We are forced to see the cold and hard realities for those that call themselves ninja. Neji says it best, when he says that Hinata is prepared to die for Naruto. That he holds more than his own life in his hands.

This, I believe is true of all ninja to a point. To choose to kill and cultivate more war is the end result. Years of bloodshed continue to harbor old grudges. So much if that could be avoided, and is shown to be mitigated once this new enlightened generation matures to take center stage.

From characters like Nagato and Jiraiya, to those like Neji and Itchai, those who are raised to become a ninja are at the mercy of the world they’re thrown into… and there is really little mercy to be found.

This scene would not be so powerful if it was only Neji that died. Many nameless characters lay dead and each one meant something to someone out there. That is implied, but Naruto knows it to be true. He is horrified to see these things around him, and these atrocities continue to occur in ways he just cannot abide.

The villages, the peoples, and the journeys all of the characters take really rely on where they came from, who impacted them the most. What lessons were passed down during their formative years are the ones that will forge either peace, or more bloodshed.

That is something only the villages do, for better and for worse, and that is why they take the top spot on this list.

From the little ramen shop that Naruto frequents, to the barbecue Choji enjoys, and the shogi matches Shikmaru spent his childhood playing, all of the characters we come to care for learn one thing.

You always protect the “king”, and that metaphor will never die, nor will it ever become weak or overstated.

Then again, this is my list. you may disagree. You’re free to do so. No matter what your opinion might be, the hidden villages, with their diverse cultures and complex mindsets take the number one spot for me.

This has been Kernook of The Demented Ferrets, where stupidity is at its finest and level grinds are par for the course. I’ll see you next time.

With your contributions, you make our efforts possible. Thank you for supporting our content. Patreon supporters receive access into our official Discord server, and a few other perks depending on the tier. If you don’t care for Patreon, and don’t care about perks, you can always support us through PayPal too… links below.

Those who join via Patreon get special perks, such as extra content, quicker updates, and more.

Click to Donate

To Our Supporters

Thank you for helping us to enrich our content.

Patreon Supporters:
($3) Little Ferrets: None
($5) Demented Minions: Andrew Wheal.
($7) Fandom Ferret: None
($14) True Blue Ferret: Francis Murphy and Bryan BSB.
($25) Premium Ferret: None.
($50) Round Table Ferret/Fluffy Ferret: Josh Sayer

Complete Content List

Welcome to a complete compilation of all the posts you’ll find here on The Demented Ferrets blog. This page will be constantly updated with all of the content you can find here.

Some of the content is directly requested by our Patreon community. Other content is chosen by those of us that run this blog. The posts are separated by the type of content that it is, and it will be placed in alphabetical order for your convenience.

Review Content

Our complete collection of reviews. This includes anime, television, movies and video games, all labeled accordingly.

(A)sexual – [Movie]
009 Re: Cyborg – [Anime]
10-Yard Fight – [Game]
A Certain Magical Index – [Anime]
A Little Snow Fairy Sugar – [Anime]
A Place Further than the Universe – [Anime]
Assassination Classroom – [Anime]
Bartender – [Anime]
Claymore – [Anime]
Death Note – [Anime]
Desk Set – [Movie]
Emma: A Victorian Romance – [Anime]
Fraser – [Television Sitcom]
Fruits Basket (2001) – [Anime]
Haibane Renmei – [Anime]
Loot River – [Game]
Monster – [Anime]
My Hero Academia (Season 1) – [Anime]
Perfect Blue – [Anime]
Resident Evil 1 (1996) – [Game]
Resident Evil 1.5 Prototype– [ Game]
Resident Evil 2 (1998) – [Game]
Resident Evil 3: Nemesis (1999) – [Game]
Road to Perdition – [Movie]
Silent Hill – [Game]
Space Brothers – [Anime]
Subway Surfers – [Game]
Sweetness and Lightning – [Anime]
The Godfather – [Movie]
The Promised Neverland – [Anime]
The Shawshank Redemption – [Movie]
The Static Speaks My Name – [Game]
Uniracers: Bombastic Fun [Game]
Void Bastards – [Game]
Your Lie in April – [Anime]
Zombie Land Saga (Season 1) – [Anime]

Gameplay Content:

Our full collection of Gameplay content that’s been brought over to the blog. Each Gameplay post contains information about the game, and the footage of the gameplay itself.

Call of Cthulhu
Crash Bandicoot (N.Sane Trilogy)
Crash Bandicoot 2: Cortex Strikes Back
Crash Bandicoot 4: It’s About Time
Dear Esther (Landmark Edition)
Dinner with an Owl
Jazz Jackrabbit
Man of Medan
Myst
Resident Evil – Long Play (Jill)
Resident Evil 2 (1998) – Long Play
Spyro the Dragon (Reignited) – Long Play
Spyro 2: Ripto’s Rage (Reignited) – Long Play
Spyro 3: Year of the Dragon (Reignited) – Long Play
Stranger of Paradise Final Fantasy Origin
Tomb Raider

RWBY & RWBY Ice Queendom

This section includes both RWBY the animation done by Rooster Teeth, and the official anime RWBY Ice Queendom.

RWBY Analysis: How Mine Works [Animation]
RWBY Red Trailer Retrospective [Animation]
RWBY Red Trailer Analysis [Animation]
RWBY White Trailer Retrospective [Animation]
RWBY White Trailer Analysis [Animation]

Subjecting Kresh to RWBY:

RWBY Red Trailer
RWBY White Trailer
RWBY Black Trailer
RWBY Yellow Trailer

Other RWBY Posts:

Character Spotlight: Kali Belladonna

Romance in RWBY: Jaune & Pyrrha
Thoughts about RWBY Vol. 8

I’m Excited for RWBY Ice Queendom
Ice Queendom First Impressions

RWBY Ice Queendom Episode 1 Review – [Anime]

Writing and Blogging

Guides, thoughts and opinions for writers and bloggers.

3 Tips to Combat Writer’s Block – [Writing]
3 More Tips to Combat Writers Block – [Writing]
Fan Fiction – A Love Letter Made by Fans – [Fandom]
Fan Fiction: Considering Characters – [Writing]
Fan Fiction Is Different – [Fandom]
I Prefer Fan Fiction – Here’s Why. – [Fandom]
The “Bad Writing” of SoP: Final Fantasy Origin – [Game]

Notable Figures

Notable and interesting people that have either impacted fandom, contributed to it, or are part of it in some sort of distinct way.

Betty White
Boyinaband
Howard Phillips Lovecraft
Krysta Youngs
Satoshi Kon
xCatilx
Yaphet Kotto

Art and History:

Art and history related blog posts, because a few of our members find that interesting.

Alabaster – [Artwork]
Eclipse – [Photography]
Fan Art: Uncharted – [Artwork]
Human Robot – [Artwork]
Universal Language of Art – [Artwork]

Other Content:

This section contains much more casual content regarding wider media. This list includes anime, television, movies, and video games.

3 Reasons to Watch All Out – [Anime]
5 Great 90’s Anime – [Anime]
5 Ways to Build a Watch-list – [Anime]
10 Great 70’s Anime – [Anime]
Anime History: Vampire Hunter D – [Anime]
Anime Translations – [Anime]
Claire Redfield – A Remake Letdown – [Game]
Gateway Anime for Older Viewers – [Anime]

FFXIV Did it Wrong: Starting Cities – [Game]
Is Beastars Really Just for Furries? – [Anime]
Is Death Stranding Worth Playing? – [Game]
Let’s Talk: A Bridge to Starry Skies – [Anime]
Let’s Talk: A Centaur’s Life – [Anime]
Let’s Talk: A Lull in the Sea – [Anime]
Let’s Talk: Apple Seed – [Anime]
Little Moments Matter Most – [Fandom]
Mushoku Tensei – A Grandfather of Isekai – [Anime]
MHA: Personal Belief is Half the Battle – [Anime]
Nostalgia in Fandom – [Fandom]
One True Pairing Fallacy – [Fandom]
Resident Evil 3 Remake Trailer – [Fandom]
Retrospect in Media is Important – [Fandom]
The Problem With NCIS Season 18 – [Fandom]
Top 10 Naruto Characters – [Anime]
Value Of Good Idle Games


Fandom: Twitch Streamer – xCatilx

Hey everyone, it’s Kernook here, coming at you with another fandom related blog post. As a Twitch streamer myself, it should be no surprise that I watch other streamers as well. That’s the nature of today’s post.

Picture it, you’re stumbling around on Twitch trying to find some content to watch. What streamer do you pick? I think we’ve all been there. In truth, finding good gameplay content has never been easier, but, it has also never been more flooded as a market.

With so many wonderful choices to pick from, it can be hard to pick and choose. Wonder no further, I’ve got a suggestion for you.

xCatilx is a twitch streamer that I’ve been following for a little while now. In an attempt to help support her content, I suggested that I should write a post on our platform to try and uplift her own.

To be absolutely clear: I approached her about this endeavor. That talk of ours inspired this post because… well… that’s what communities do, we support each other.

In any case, if you frequent the The Demented Ferrets Twitch Channel, you may have seen her own twitch channel hosted from time to time. That will continue to be true. Some of you might not have noticed though, and if so, this incredibly casual blog post is for you.

If you’re looking to find new and interesting content, stop by and say hello when xCatilx goes live. if you enjoy the content you see, click the follow button (and a few Twitch Bits for a song).

You’ll be sure to see me hanging around in the chat from time-to-time so don’t be shy. Typically, I hang around in the Sims 4 and WoW streams, but I’ve been known to jump into chat during other times too.

xCatilx takes a moment to read the chat and talk to the viewers.

Twitch Streamer – xCatilx

A word from xCatilx: “Hello, I’m Catil. I’m a stay at home mom who loves to play video games, watch documentaries, and listen to music in my spare time. I try my best to be a good person; someone that hopefully one day my kids can be proud of having as a parent. My favorite games include Animal Crossing, Pokemon, Legend of Zelda and Sims 4. I love comedy movies, especially if they involve Adam Sandler. Feel free to stop in if you’d like and say hi! If talking in chat is stressful for you, don’t worry about it. I don’t want anyone to ever feel pressured to chat in my streams. Just hang out for awhile and enjoy the humor.”


xCatilx prides herself upon cultivating a friendly community of viewers from many walks of life. As a follower of hers, I can say with steadfast resolve that the calm and relaxed environment isn’t one you’ll want to pass up. The atmosphere is always welcoming. The community has a decent number of active regulars, and they’re all friendly folks.

With a robust weekly schedule that runs from Monday – Thursday from 10:00 AM – 12:00 PM EST, if you like to see consistency out of the streamers you watch, then you’ll find it here. Content spans the gambit from casual sandbox games to MMORPG’s.

There’s a little something for everyone, and if you enjoy Fallout 76, then this twitch clip should brighten your day. Juggling a body or two has never been so downright amusing.

Rag-doll mechanics ahoy!

As you can see from her Twitch channel, and the chat, she’s motivated to support good causes such as helping to support veterans or service members in crisis. That’s actually one of the reasons I was so motivated to do this blog post.

Every time I’ve watched one of her streams, without fail, there’s always been some sort of good cause or important event that she feels the need to support in some small way.

Streamers who use their platforms for good things like that, are streamers that speak to me as a viewer. She spreads awareness of these events in welcome and reasonable ways. She leaves it in your hands, basically. The information is there if you want to know more, but if you don’t that’s perfectly okay too.

Personally, I cannot compliment her style of streaming enough.

As a streamer, she interacts with her viewers. We’ve all spoken about a wide range of topics to pass the time during gameplay, and we’ve had quite a few good laughs too. You can redeem channel points to have xCatilx take her glasses off for a short time. You can also have her flip game controls around, adding to the fun. Honestly, there’s all kinds of things you can do.

I’d suggest that you follow xCatilx on social media to see when she goes live for a stream. You’ll see a few other interesting pieces of content there too. By the way, that’s where I first found out about that Fallout 76 clip.

As a wife, mother, and pet owner, she’s about as down-to-earth as you can get. Fun times mix with the benefit of life’s perspective. She’s relatable, and more than that she’s kind.

As an Twitch Affiliate level streamer, she keeps her advertisement breaks minimal. She also tends to warn us ahead of time if she sees that one is about to play. That’s a nice courtesy, and I wish more streamers would do that.

Alright guys, gals, and others. That’s about it from me today. Seriously though, if you’re in need of a chill place to relax with entertaining gameplay content, go say hello and check out her social media and live streams.

In the meantime, this has been Kernook from The Demented Ferrets, where stupidity is at its finest and level grinds are par for the course. I’ll see you next time.

Movie Review: The Godfather

Hey guys, it’s Kernook here, coming at you with another movie review. This time we’re diving into crime syndicates and mob bosses with 1972’s The Godfather. If you aren’t expecting integral violence, drug use, dark dramatic overtones that come along with turf wars, and honor among the underbelly, then this probably isn’t the movie for you.

At that point, the review won’t be either. If you do like this content, be sure to subscribe or follow the blog for more content like this. You can support these reviews and help to choose the content over on Patreon as well. Your contributions keep this blog free from advertising.

Don Corleone is no Fat Tony, and this movie is not even close to being a satire. That being said, it’s not about a bunch of young hooligans either, as is the case with West Side Story… it’s not about twisted moral high-ground, as is the case with Road to Perdition, either.

No, this is a film about true honor among thieves and the criminal world that seeks to exploit the virtues of these deeply embroiled families. Being a professional mobster isn’t for the faint of heart, and The Godfather operates on this less than idealized pretense.

At the heart and soul of this franchise, there’s a sad truth to tell. It isn’t all unicorns and rainbows when you’re leading the mob. Rather, oftentimes Don Corleone finds it to be a merciless position to be in. He understands that position, acting with gravitas where it suits him to do so. When it offers him no value, he eases up. That’s the rarity, though.

The mundane grind of pompous gatherings and a plethora of poor diets demarcate a rather sour view of what “good business” is, at least for families like these. For every cigar lit, and a beer taken among the mutterings of those that sit at the table, choices need to be made.

This is all punctuated by orders doled out with a deep consideration to the ramifications. Tragic bursts of violence leave a soul-rending loss in its wake. The ethos of The Godfather spits upon the romanticized glamour of the traditional gangsters of its time… there is no glamour here. Only smoke, sin, and the reflections of those lost amidst countless failings.

Then as if all of that wasn’t enough, the movie unceremoniously plops fierce loyalties and deadly ambition in front of us as the reason why these characters can become so thirsty for their power. In Brooklyn, vengeance takes upon its own soured appeal. Mercy is too expensive to purchase, and Don Corleone understands that all too well.

The pomp and circumstance of the gangster lifestyle permeates even casual encounters. Even simple justifications become twisted around and contorted to no end, at least when it comes to this movie.

Based upon the foundations of Mario Puzo’s novel written in 1969, the film sticks true to the visions and themes presented in original work. He also wrote the screenplay, so you’d never be able to argue that his artistic vision was hampered in the slightest.

One might even say that the book is required reading. Honestly, that’s about the only way to fully enjoy this complex universe. The book is such a landmark novel in its own right. I needed to mention it here for that reason alone.

In spite of the name, The Godfather is not the central character in the movie. That honor falls to Michael, the youngest son. He’s something of an upstart that challenges traditional views of how things should be run. If you have read the novel, you might be surprised to find Michael at the front and center of the movie’s narrative.

If you were expecting Don Corleone to take center stage, I wouldn’t fault you. That being said, it was a smart idea to use the youngest son. This separate looking glass gives us a very different way to see things. Michael provides a far more distinguished viewpoint than Don Corleone ever could. It all comes down to a less slanted, more earnest outlook.

The trials and tribulations of the characters is what makes this movie stand out. Don Corleone’s family are far from perfect, but they’re also down-to-earth characters. Family scuffles at the dinner table, and the bonds they keep at least make them relatable…. but is that enough?

Well, that’s an interesting question, really. The whole aim of The Godfather was to re-contextualize the typical mobsters that people typically saw in the media at the time. Rather than glorify them, The Godfather lambastes them. As a result, family dysfunction and dynastic problems stand at the core of this movie.

Interestingly enough, these concepts were new and interesting at the time. However, these days those selfsame tropes are now become commonplace. They’re the expected staple. That’s the reason why you should watch The Godfather.

It didn’t just re-contextualize the baseline of the mobster in popular media, nowadays it is the baseline of the mobster. What was once subversive became the norm… it isn’t hard to see why.

There’s something earnest in the layers of deceit found openly on display. This is a family of criminals and they make no bones about that. So little of the movie glorifies the concept of the gangster lifestyle. The masses simply loved it so much that it became a glorified concept.

Don Corleone is now the rubric to a successful mobster, if you want to think of it that way.

Although the movie is about three hours long, it’s not a slog. Far from it. There is something heartfelt in dynasty and legacy. As that time passes by and Don Corleone slowly relinquishes his authority over the family, there’s a sentimentality buried beneath it all.

I would say that this movie and its corresponding book are pieces of media that shouldn’t be passed up. If you like crime, drama, fifthly underbellies and morbid justifications for immoral acts, look no further than The Godfather.

Failing that, you should watch it because the film is such a pervasive touchstone for all kinds of media these days. Its influence spans far and wide, from satire to comedy, and drama and to thrillers.

The film is an important part of movie history, and one that shouldn’t be overlooked. The Godfather is just too important to ignore.

This has been Kernook of The Demented Ferrets, where stupidity is at its finest and level grinds are par for the course. I’ll see you next time.

Click to Donate

You can help support us through PayPal or Patreon.

Meanwhile, check out some of our other great content below.

Movie Review: Road to Perdition

This particular review was requested by one of our members over on Patreon. If you’d like to help decide what content gets reviewed, consider becoming a member.

Hey everyone, it’s Kernook here. When I was asked to review this movie, I found myself rather surprised. The “Road to Perdition” is a strange film all things considered. I’d hesitate to call it a masterpiece, and yet I’d also say that it’s above average in quality.

This is a sad fact once you realize this is one of the last great roles that Paul Newman ever had. I’m torn with how to deal with this film, because if you just want a dark movie about crime, it’ll be good for that… trust me, there’s plenty of drama and violence to go around.

What it isn’t good for is trying to tell a thoughtful and compelling narrative. The film lacks restraint or remorse, hammering out tragic fates for all the characters with an intent that has no grace. It doesn’t care for grace, only hard and fast cruelty under the guise of loyalty.

If that’s something that interests you, then this neo-noir drama might be up your alley. That being said, it isn’t up my alley at all these days.

Like a vast many films of this nature, it likes to pretend to be intelligent. Even the name is absolutely pompous, like an art-house film without the art. Right off the bat, just by looking at the name religious symbology smacks us in the face.

In Christian theology perdition references a state of being in which there is no redemption. Think doom and gloom, eternal punishment and damnation here. “Road to Perdition” when correctly defined then, actually reads “Road to Eternal Damnation”.

I’ll let you decide which title correctly reflects the mood of the film.

With a name like that, I was expecting a little bit more class and a lot less convoluted nonsense. The film is a tragedy, but there-in rests the issue. I knew that going into the film. That means I had a baseline expectation, simply because of the title and the trailer.

With quotes in the movie like “None of us will see heaven”, and all of the Christian symbology, it pretends to be much more philosophical than it really is. There’s little in the way of mindful foreshadowing. The film would rather beat you over the head with its symbolism like a rock to the forehead… the movie might be aimed at adults, but there’s little in the way of emotional maturity here.

Of course, what good is heavy-handed religious symbolism without a firm disregard for it? Yes, that was a question asked in sarcasm…

These religious undertones are mixed with a healthily dose of brutality, extortion and murder. Several of the people in the film attempt to live a much more pious life. They simply fail so terribly that it’s entirely laughable in the first place.

the whole sordid situation is played under the context of a double life for Michael Sullivan, as if that somehow excuses him for his scummy ways.

Several characters are self-sacrificing in a way. The film seems to impart that for a great number of these men, the family unit is much more important than his own livelihood. On the surface, that might be true.

Yet these two themes clash in a way that offers very little virtue at all.

The film takes place during the Great Depression. Embroiled in a crime syndicate, the families are torn between hard crime and familial devotion. Three sets of fathers and sons struggle upon this precipice. 

Tom Hanks plays the enforcer Michael Sullivan, a member of the mob. Tyler Hoechlin plays his son Michael Jr., a mere 12-year-old boy. The curious child tries to discover what his father does for a living. One night, the wayward youth hides in his father’s car. Then, he watches a man be killed by mob boss John Rooney, played by Paul Newman.

This would be devastating enough for a good plot-line, but as I said, this movie knows nothing about being subtle. To avoid confusion, I’ll now be calling Michael Sullivan, the father, Sullivan… and the son Michael simply to avoid confusion…

John Rooney’s son Connor, played by Daniel Craig, is a member of the mob as well. Connor has been stealing from his father, and that’s the heart of this supposedly tragic drama. Sullivan holds John in high regard, treating him as his own father figure. This bond goes both ways. John treats Sullivan as a son… so needless to say, Sullivan takes issue with Connor in more ways than one.

A rather notable quote stands out to highlight this. Passed down from Sullivan to Michael: “Your mother knows I love Mr. Rooney. When we had nothing, he gave us a home.”

I won’t attempt to distill the rest of the plot into a few paragraphs. It would be rife with contradiction, none of it succulent or even engaging to ponder about. The movie just isn’t built for that kind of complex analysis.

The movie is directed by Sam Mendes, and it’s based upon a graphic novel by Max Allan Collins and Richard Piers Rayner… the damn thing is heavily revised by screenwriter David Self. Take that as you will.

When I watched “Road to Perdition,” as a teenager, I liked it a lot. These days, as an adult, I find it to be absolute crap… it tries to debate complicated moral ethos with the brute force of a jackhammer. Sadly, that’s the point that really sticks out to me. Nostalgia can’t even save this movie for me under direct scrutiny.

It would be disingenuous of me to say otherwise.

This film has been compared to “The Godfather,” but you can’t compare these two works. It really grinds my gears when people even try to do that. They’re entirely separate films. While both of them deal with the pomp and circumstance about the criminal underbelly, one does so without false pretense…

I’ll let you guess which one that is.

Let me be clear here, The Godfather makes no bones about who and what the characters are… mobsters… criminals… bad guys! There is no guise of heroism.

However in “Road to Perdition“, that narrative gets muddied… all the way down to the move and the trailer itself. No, I’m not joking. The movie does want us to buy into that kind of misguided tripe from the onset. It’s even in the advertising.

All of the characters, good and bad, are neck deep in the mobster lifestyle… and none of them even try to choose a better path. It doesn’t matter that Sullivan wants better for his own son Michele, he has no valuable concept of what “better” even is.

Sure enough, Sullivan paved a road to hell, but under no circumstance could anyone say it was done with the best of intentions.

While “The Godfather” offers critical questions about loyalty and the option to choose one’s own path upon a silver platter, “Road to Perdition‘ spits on the concept. It refuses to take its own pious themes, religious undertones and family bonds seriously.

The class and integrity provided to the Corleone family in one film, is abhorrently denied to the Sullivan and Rooney families of the other film. That is why you could never hope to compare these films at all.

One is a true film about mobsters and the confines of that lifestyle. The other is a film about glorified street thugs with more firepower and gumption than common sense.

The only saving grace Road to Perdition has as a film is that if you don’t think about it, then it is an okay film to watch. If you just want to see a simple crime movie play out tragically with no forbearance at all…. well, this is the film for you. It’ll give you a decent movie night sufficiently as an entertaining criminal romp.

There’s nothing wrong with a standard popcorn flick, but this is not the popcorn flick for me. If I’m going to watch criminals take the spotlight, I expect a much better baseline respect for themes involved.

This has been Kernook of The Demented Ferrets, where stupidity is at its finest and level grinds are par for the course. I’ll see you next time.

Click to Donate

You can help support us through PayPal or Patreon.

Meanwhile, check out some of our other great content below. You can also find more information about supporting us at the bottom of this post.

Movie Review: The Shawshank Redemption

Kern’s Warning: This movie is rated R in America for mature content; such a violence, foul language, references to non-consensual sex, and a man that ends his own life. The Shawshank Redemption is not for children and therefore this review isn’t intended to be read by them either.

While the movie is critically acclaimed, there’s no question that some of the content will not be suitable for all viewers. The same goes for this review, it will not be suitable for anyone particularly sensitive to the topics mentioned above.

While I don’t dive deep into the topics, the fact that they are present in the movie can’t be entirely ignored. Please be aware of your own personal limitations and comfort level. If any of the above is triggering for you, please avoid this review. Thank you for your time…

– Kernook.

Hey everyone, it’s Kern here. Today I’ll be talking about a movie that might as well be a classic, cult or otherwise. The Shawshank Redemption has been a touchstone for years when it comes to film and media, and it deserves to be reviewed despite its age… If you skipped the warning above, please actually read it.

I don’t put warnings on reviews without a good reason to actually do so.

Before I begin, I want to say that the movie is timeless, but it’s also a tough movie to watch for some people. Themes are hard hitting and they demand a certain level of emotional maturity from the viewer.

As mentioned in the warning, there’s a decent bit of violence, both verbally and physically. The setting is a prison, after all. From this point on, you’re reading the review at your own discretion. Also from this point on, there are spoilers.

Just bear in mind, for as wonderful as the movie is, there are a few moments that could leave a somewhat foul taste in your mouth. With that out of the way, let’s dive into the movie properly.

Be sure to follow the blog or subscribe for more content like this.

On the surface, The Shawshank Redemption might come off as your typical spurned-lover prison drama. I really wouldn’t blame you for believing that it is. Upon first glance, it seems to have all of the trappings of a stereotypical prison movie, complete with your cookie cutter inmates and corrupt legal system.

Swearing and verbal threats permeate the dialogue. Murder and corruption stands at the forefront vile intention. Content that both directly references or implies sexual violence and assault are not easy scenes to watch, even if they don’t show the act itself. Atop this, one man fails to escape his institutionalized ways after receiving his freedom from prison, hanging himself when he feels he has no other option.

This is a story where redemption is actually very few and far between for these characters. Yet, the above paragraph alone would have you believe the movie is sinister, and it is far from the sort.

Much like the cursive in the image below that bookend the core themes, there’s an elegance ensconced within the deeper narrative. For all of the mud and muck, there’s a shackled sort of humanity to be discovered here. It isn’t just because of the prison system.

Some of that gruesome mentality is self-imposed. The characters are a looking glass into these mindsets.

The Shawshank Redemption a drama wrapped in tragic outcomes, and a search for the silver lining. New beginnings are possible, for those willing to believe in them. Amidst the nastiness surrounding their lives, hope alone is a prevailing theme.

The movie does at least provide a happy ending that doesn’t feel forced. While there is an uplifting story here, there’s also a story of humanity, greed and emotional strife.

This isn’t a story where happiness is handed to these characters on a silver platter. An innocent man is convicted, and the system is as corrupt as they come. Redemption only comes for him when he reclaims by force.

Even then, there’s so little about crawling your way through a sewer and living under a fake identity that’s redeeming at all. To reach redemption, the main character has to do some pretty underhanded things to reach it.

The Shawshank Redemption is as much about prisons as it is the human condition. For as beautiful and thought provoking as the movie is, there’s some real grime caked on top of it. It’ll give you a taste of what goes on in the minds of these characters, but it won’t hold your hand or coddle you. You’ll have to deal with the facts as they hand them to you, for better and for much worse.

The movie came out in 1994 and some would say that it was a box-office flop at the time. That makes perfect sense to me, because this movie is best enjoyed like a fine wine that ages correctly.

It should be watched and savored slowly, pondered about with careful consideration. While it is certainly a classic, and it has many accolades afforded to it, the movie is something of an acquired taste. Will it be for you? That depends on how much you want to dip your toes into thoughtful commentary and emotional maturity.

As the credits roll and you’re left to stew in what you’ve just witnessed, that’s when you’re going to get the most out of it.

The Shawshank Redemption follows imprisoned banker Andy Dufresne (played by Tim Robbins), a man sentenced with two entire lifetimes in prison. He’ll spend almost 20 years hatching an escape plan from the Shawshank State Penitentiary. During this time, be beaten down, abused, and left to wonder if he’ll even survive the system long enough to escape.

He’ll also befriend a fellow inmate Ellis ‘Red’ Redding (played by Morgan Freeman). Ellis acts as the film’s narrator, who provides Andy with tools needed to escape the prison… he’s also the only character that receives a true and honestly earned redemption story. After countless attempts at parole, he finally receives his… but that comes at the price of 40 years he’ll never get to have back.

To me, he’s also the most compelling character in the movie. Although he’s the narrator, the movie never explains the details about why Ellis is imprisoned. For that, you’re going to need the original source material, which is actually based upon a book.

Even this movie suffers from the bog-standard “go-read-the-book” fate, but I digress. Yep, that’s right! The movie was adapted from the 1982 Stephen King novella Rita Hayworth and Shawshank Redemption.

Actually, that’s a really good read, and I’d suggest that you pick it up. If you like the movie, the book is your next stop… back to the movie though. A few questions come to mind as I write this review.

Why does the film stand the test of time? Why is it more popular now, than when it was released back in 1994? Well, I’d say that’s because the movie is a slow-burn. At almost two and a half hours in length, it’s not a short romp. Plenty of movies grip onto superficial emotions during intense moments, and we viewers like to buy into that.

The Shawshank Redemption refuses to give us mindless pretense… rather, the movie takes its time, slows down and allows itself to breathe.

The narrator is as calm and he is insightful. As we tour the community housed behind bars, we viewers don’t have to suspend much in the way of disbelief. The movie is raw at times; cunningly diving deeper than most films dare to go.

The passage of time is a cruel mistress, and that theme holds true as well.

Even when friendship and hope are held so closely in hand, time does not heal all wounds here. In this move, time helps to make them. This film touches upon that. Character introspection stands at the forefront of every minor detail.

The film is gritty, but it’s also poetic. A mix of hard hitting cinematography and acting leave behind a good bone to chew on. The references to the harsh realities of prison life won’t pull back on the punches to the gut, either.

I would wholeheartedly suspect the film resonates so keenly among viewers these days, because it demands a level of forbearance so few films manage to pull off. The cold and often cruel reality of a man finding redemption is in a way, a hero’s journey… although, these characters are lacking in the redeeming qualities we’d like to see within them.

This juxtaposition is what makes the movie so powerful.

It all comes down to the name, I’d say. The Shawshank Redemption is exactly that. Films about “redemption”, particularly those regarding a convict, should be met with a skeptical lens. Subverting that is going to be a struggle.

Frank Darabont wrote and directed the film, and I’m sure he understood the massive undertaking it would be to even do so. The cinematography offered to us by Roger Deakins had to be done masterfully, and honestly I’ve got to say it’s effective. The music composed by Thomas Newman adds to the experience in a way that doesn’t overshadow the film itself.

These three well-rounded elements provide an immersive atmosphere you won’t soon forget. For all of the violence and volatile themes that try to tarnish the string of hope among the characters, there are some truly heartfelt moments mixed among them.

There is an underlying core ethos and beauty in this movie that can’t be understated. For as much as you might grimace in the face of a few select moments, you’ll also be left with gentle satisfaction of a journey brought to its reasonable conclusion.

It’s a bitter journey, with a happy ending that isn’t too sickly sweet. Rather, one might call it a new beginning rather than an ending at all, and really that’s what it should be.

If you can stomach the worst of it, you’ll get a gem of a story for your trouble. Although, much like the characters, we’re not all going to come out of the movie the same way went into it. If we allow it to mean something, it’s going to leave you with a full mind.

This movie has something to say. Good or bad is left to your interpretation. What you get out of the movie boils down to one thing; what you ultimately take from it.

Mark my words, anything less, and the film would have been too far up its own ass to be considered any good at all. The Shawshank Redemption is a near perfect synergy of creative minds and amazing source material melding together… no more, no less.

That doesn’t mean that I’m going to tell you to watch it, though…

If you haven’t seen it, I can’t exactly suggest it. It’s not because I don’t want to… but because I can’t in good conscience tell you to watch this movie. There’s a few scenes that make me very decidedly uncomfortable every time I watch it. When a movie does that to me, it makes it difficult to gauge how other viewers might internalize something.

Instead I’ll say this. The Shawshank Redemption is not a redeeming movie… but it is a movie that will ask you to think about what you’re seeing. If you like a good philosophical and moral bone to chew on, you’ll have one, if you decide to watch it.

If you don’t want to stomach the discomfort of what you’ll ultimately see… well, the movie just isn’t for you and that’s fine too.

This has been Kernook of The Demented Ferrets, where stupidity is at its finest and level grinds are par for the course. I’ll see you next time.

Click to Donate

You can help support us through PayPal or Patreon.

Meanwhile, check out some of our other great content below. You can also find more information about supporting us at the bottom of this post.