Category Archives: Anime

Top 10 Naruto Characters

Hey everyone, it’s Kernook here… I’ve always loved the Naruto universe with its compelling cast and complex ninja world. However the cast is so large that narrowing down a top ten list isn’t easy. I love so many of the characters for an assortment of reasons, so this is my list. It might not be yours. There’s also a caveat that should be kept in mind.

None of the core cast of the rookie nine were included in this list. That would be unfair, because so many of them are beloved fan favorites for myself included. I had to prune this list massively, as I doubt a gigantic list of top 50 or top 70 Naruto characters would go over very well… plus it would be very long to write.

With that out of the way, let’s dive into the list.

#10. Jiraiya

The resident pervert sage ranks number ten in my list because he’s honestly one of the characters that really sticks out to me. All of the Naruto characters have some sort of fatal flaw, none of them are perfect. That’s the hallmark of good writing. The man is a pervert though, make no mistakes about it. His love for writing erotic books aside, he’s earnest and he’s kind.

Jiraiya is a complex man with simple pleasures in life, and he’s old enough to carry the perspective needed in a good mentor. As a sage, he’s probably not the best example of the discipline or demeanor. However, there’s no question that he is a wonderful mentor and friend to those that need his support.

He ranks number 10 because his death is literally one of the saddest in the series for me. It’s secondary only to Asuma Sarutobi. Quite frankly even after Jiraiya is gone, he plays such a paramount role in Naruto’s development that he just needs a spot on this list.

#9. Iruka Umino

I honestly believe that Iruka is one of the most earnest characters in the entire series. He’s devoted to his village, and to his place in the ninja world in a way few others are. He’s a middling villager in almost every way, and he’s just fine with his lot in life. Given his own sad past and how it reflects Naruto’s own, there’s something to be said for a guy like him.

We can only really appreciate the tragic stories of others by looking back on where they came from. A lot of prominent youths in the series come from broken homes, left as orphans to fend for themselves. Iruka is one such character who grew into a well-adjusted adult.

For all of the characters achieving greatness, showing off insane feats at every turn, it’s nice to see a regular guy. He’s just living out the average ninja lifestyle the best way he can, and really I’ve got to give him a lot of credit for that.

#8. Asuma Sarutobi

This guy has a story for the record books. A man does his job valiantly, only to leave behind a woman he loves, and his unborn child. His students surround him in his final moments, rain falling from the sky as he doles out his last words. Asuma has one of the most memorable deaths in the Naruto series…

Here’s the thing, when it comes to the wider universe, this series heavily focuses on legacy and the passing of the torch from one person onto another. Youth grow up, inheriting the responsibilities of their successors. Passing on those lessons becomes intrinsic to the “ninja way”, and there’s just a lot of heart and soul you can’t fit into a few simple paragraphs hoping to do it justice.

There is no greater example of this than Asuma’s bond with Shikamaru. To me, that is the absolute pinnacle of what the core themes of the series attempt to convey. Found family and honor clings heavily upon the young upstarts aging into their positions in the village…

Facing down the difficulties of childish dreams slowly taken away, and replaced by adult ambition. Asuma to me is one of the most tragic characters. Outcomes like his are what lead to so much suffering among the hidden villages. It’s also what breeds the war and continued suffering of countless others.

If Iruka is one of my favorites due to his earnest average-joe lifestyle, then Asuma is one of my favorites because he represents the average casualty among villages and just how deeply it impacts those closest to them. We see on screen exactly what that does to the people he inadvertently leaves behind.

#7. Karui (Later, Karui Akimichi) 

This was a difficult choice, because when it comes to Karui and Temari, it’s a toss up of what style of bad-assery you like better. Both of these women refuse to take crap from anyone, and both are self-assured. Ultimately, I settled on Karui because she’s not as charismatic, and she doesn’t even care what we think of her.

Beating Naruto bloody might have been a bridge too far, but that just goes to show how tenacious and ruthless she is. When she feels she has to act, she does. Temari is just a bit softer, and a tiny bit more timid, which is what made her lose the spot in the running.

You have to take Karui as she is. She won’t tolerate anyone doing otherwise. She won’t conform, she doesn’t want to. Her loyalty can’t be bought, and her ability to see the value in others comes from a very personal place. What I absolutely love about her character is that she eventually finds romance with Choji, and the romance is a mature thing from the get-go… neither of them act like profound idiots… beyond that, it gives all the proof we need that Karui has a gentle side.

So many stereotypes flip on their head when Karui is on screen. In a series like Naruto, that can be pretty hard to come by. So many of the core members within the series are taken up by women who can’t seem to figure themselves out… or when they do, it isn’t on firm ground.

Karui knows who she is and what she wants out of her future. She’s also one of the few women who shows romantic interest because it empowers her own personal sense of pride and self-worth. In a series where young, emotionally independent women can be somewhat hard to find, Karui is a breath of fresh air…

But, like I said, Temari isn’t too far removed from that, either. In that way, she’s certainly an honorable mention not soon to be left out or forgotten.

#6. Might Guy and Kakashi Hatake

Call this a cop-out if you want, but in my opinion you just can’t have one without the other on any character list. You also can’t place one of them above the other in my opinion. That diminishes the bond these two share. They’re rivals, but they’re also sincerely good friends. The connection of their male bond is so incredibly important for so many characters in the series. It gives us viewers context for so many key themes in the show.

Male bonds are a driving factor for so many things the young men in the series do. Separating these two is just impossible to me. It would be like having a Naruto anime without Sasuke… you just can’t freakin’ do it… and that’s why these two need to be on the list.

It’s the entire point of the show… the forged bonds that last the test of time. That’s what the series is about. That’s the core ethos.

These two characters showcase this bond when it’s in synergy. There’s a brotherhood here. When both of them are on the same wavelength, the two of them harbor the same sort of profound loyalty and companionship that Naruto has for Sasuke.

I just can’t overlook that, not for anything…

However, that’s why they’re not in the top five, that wouldn’t be fair either. As important to the series as these characters are, and as deeply compelling the friendship they keep is, it’s only fair I place them in the number 6 spot.

#5. Killer Bee

It’s funny to me that when it comes to Naruto’s long list of mentors Killer Bee stands out on top for me, but it’s true. I really do like Jiraiya, but there’s just something so unassuming about Killer Bee. He’s fun to watch, charismatic and goofy at times, but he knows when to get serious too.

Honestly, I love this character because what you see is what you get with this guy. Much like Karui, you’ve got to take him as he is, and if you don’t that’s not his problem… he doesn’t care.

He’s been through the ringer, there’s some real grit and trauma attached to him. He doesn’t let that history get the better of him. As a Jinchūriki, he’s the most emotionally well-rounded when we first see him on screen. He has such a fundamental role in the series, and also the one so easy to overlook. Yeah, it’s true, he’s always spouting off nonsense and driving everyone crazy… still, if he weren’t so well respected, he wouldn’t be where he is when he enters into the show.

Common sense does not always equate to wisdom, but Killer Bee has both. He knows what it takes to earn the respect of those around him, and exactly how to keep it. For a Jinchūriki that’s not an easy road. We’ve seen what happens to Naruto and Gaara when communities turn their back on one.

Killer Bee walked that path too, but he did it with a smile on his face and he continues to do so even when the chips are down. Killer Bee is just an uplifting guy all around.

What isn’t to like about that?

#4. Nagato (Pain)

Once again, we turn to the deeper ties that bind these characters together. Pain’s character accomplishes 2 things. Firstly, he brings the full ramification of the Akatsuki’s story to a boiling point. Secondly he forces viewers to ask themselves deeper questions about the series as a whole. There is, in a way a “circle-of-life” vibe from this true and iconic villain… even if it is the darker, grittier sort.

In a world where war tarnishes what characters love most, and rips innocence away from them, Nagato provides a rather insidious bone to chew. He’s as tragic a character as he is completely dangerous. Seeing his true form, a withered husk of a person really hits home in ways so few of Naruto’s villains do.

He trained under Jiraiya in his younger days, but sadly, that peaceful philosophy became warped and sent askew. Although Jiraiya had spent the time to teach many things, all of those lessons became corrupted entirely by years of atrocities… death, war, emotional hardship and the continued loss of community and innocence.

In a way, you might say this man became Jiraiya’s greatest failing, and in another way turned into what I believe to be Naruto’s greatest foil…

#3. Itachi Uchiha

You know what they say. Assumptions make asses out of people, and it made an ass out of Sasuke. First assumed as a villain, Itachi Uchiha was a guy that completely massacred the Uchiha clan, aside from his younger brother. However, that’s a slanted view… a child’s view of something much larger and far more complicated.

If growing up is part of the core ethos in this series, so is learning to see the truth for yourself. To gain a clearer insight, and forge one’s own opinions based on the facts presented. Sasuke later finds out that his brother is no sick and twisted murderer.

He did kill the rest of the clan, but that was only to protect the Hidden Leaf village, and it was something he did in service to it. Even the Hokage knew what had to be done, and Itachi did exactly that.

What makes these bonds of bloodline and vengeance so entirely heartbreaking is that Itachi had no intention to truly harm his little brother with his actions. Morally bankrupt or not, someone had to do it, and Itachi took up the task… in a way it ruined his spirit and forged him anew in ways he least wished for.

I will never forget Itachi’s last apology as he’s bleeding from the mouth and facing his own death. For countless episodes there are flashbacks, and promises of later. Sadly, later never comes for these two brothers. Instead, it’s only a final apology and a goodbye… a death and loss that holds no comfort or even vindication. All that Sasuke has left is an understanding that he didn’t know a single thing, blinded by his own grief and anger as he was, there was nothing he could have done.

Itachi is without question one of my most favorite characters that as a fan, I never had the chance to understand. Having viewed the entire event through Sasuke’s eyes, I never had the chance to really get to know Itachi until it was too late and he was gone…

The series played this one close to the chest right up until the end, and they did a damn good job of it. Itachi sits at number 3 because there is so much more to this character than I ever gave him credit for. That sticks with me to this day…

As long as i continue to be an anime fan, it probably always will.

#2. Zabuza Momochi and Haku

Yes, we’ve got another two-for-one deal here. Sorry, it just needs to happen, because you just can’t have one without the other. It just cannot work for me. What makes these two so interesting is the bond they have for each other and the true and imminent threat these two pose to the rookie members of Team Seven.

These two characters are the first real time that we’re shown what kind of actual danger these kids are in, and just what happens when adults cannot keep them safe or protected. There’s a cruelty and hardship laced down deep among many of these characters, Zabuza is one of them, Haku is another…

However, for many of us, these were some of the first characters to value their lives not based upon their own self-worth, but rather the worth of another found within them instead… and there was nothing heroic about the way either of these two characters chose to think.

Yet, in his dying breaths, Zabuza makes his way bodily over to Haku and spends his final moments reflecting upon everything that he ever was, and everything he tossed away. For the rookies, it’s their first real taste of this dark and gritty world that they live in. For us viewers, it’s the first time we’ve got to contend with the truth.

This moment did one thing. It promised that we were going to have to swallow down some pretty uncomfortable realities. We had to accept that no, this really wasn’t a kid’s show, and it wasn’t all fun and games.

In these moments nothing could be sanctimonious anymore. We were going to lose characters we enjoyed, and not all of them would be hard and grizzled adults going out in a bad-ass blaze of glory… no, sometimes it would be a death that could have damn-well been prevented, and in all honesty damn-well should have been.

After this battle, there’s a burial. Although it isn’t the hardest hitting one that we run into across this series, it is one of the first that really made us think about what the show was going to send at us next.

Mark my words; if Zabuza and Haku were not so wonderfully written and conceptualized as characters, the early establishment of so many themes would have entirely suffered for it.

This line-up is a start-studed one to be sure, but how do you beat these guys in my book and take the number one spot on this list? Good question…

#1. You Don’t! The Hidden Villages Take the Top Spot!

Hidden villages are their own character within the show, translucent and on the back-burner but no less dynamic. There’s an intuitive understanding among those that live within them, and that understanding forces so much of the good and the bad within this wider ninja world that we fans enjoy.

Hear me out here, the series wouldn’t be so good if we didn’t get to have a taste of the complex and diverse ideology found within these villages. Some of the best and beloved moments come from a cast of characters that come from far away places. Be it the battle Gaara has with Rock Lee during the Chunin Exams early on, or some of the saddest battles in the series later on, we get a taste of it all.

What makes these characters so prolific are the communities and cultures they hail from. These identities can’t only come down to the characters we follow on the screen, but the masses that we don’t see. Naruto and Gaara want to be Kage simply because of their villages and the ambitions they have… to belong among them.

I am always taken aback by the scenes that truly highlight the wider world, the changes it’s made for the better, the faults it still has… the world building in this series is absolutely a master craft in and of itself.

The countless peoples inhabiting this world are what breathes real life into the fights. When villages are on the verge of ruin and war takes so much away, the villages still persist and persevere.

So much about this series comes down to protecting what is valuable, and mourning what is lost. To fight for the things that matter, and to let go of the things that don’t. To love despite pain, and to trust despite war. These themes are only made so incredibly powerful, because we get to experience the realities of a village attacked so brutally.

We are forced to see the cold and hard realities for those that call themselves ninja. Neji says it best, when he says that Hinata is prepared to die for Naruto. That he holds more than his own life in his hands.

This, I believe is true of all ninja to a point. To choose to kill and cultivate more war is the end result. Years of bloodshed continue to harbor old grudges. So much if that could be avoided, and is shown to be mitigated once this new enlightened generation matures to take center stage.

From characters like Nagato and Jiraiya, to those like Neji and Itchai, those who are raised to become a ninja are at the mercy of the world they’re thrown into… and there is really little mercy to be found.

This scene would not be so powerful if it was only Neji that died. Many nameless characters lay dead and each one meant something to someone out there. That is implied, but Naruto knows it to be true. He is horrified to see these things around him, and these atrocities continue to occur in ways he just cannot abide.

The villages, the peoples, and the journeys all of the characters take really rely on where they came from, who impacted them the most. What lessons were passed down during their formative years are the ones that will forge either peace, or more bloodshed.

That is something only the villages do, for better and for worse, and that is why they take the top spot on this list.

From the little ramen shop that Naruto frequents, to the barbecue Choji enjoys, and the shogi matches Shikmaru spent his childhood playing, all of the characters we come to care for learn one thing.

You always protect the “king”, and that metaphor will never die, nor will it ever become weak or overstated.

Then again, this is my list. you may disagree. You’re free to do so. No matter what your opinion might be, the hidden villages, with their diverse cultures and complex mindsets take the number one spot for me.

This has been Kernook of The Demented Ferrets, where stupidity is at its finest and level grinds are par for the course. I’ll see you next time.

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Anime Review: A Certain Magical Index

Hey all, it’s Kernook here, I typically review anime that I like. That’s not the hallmark of a good reviewer though, so I’m starting to dive into anime I’m not particularly a fan of. A Certain Magical Index fits that bill.

I find it hard to talk about this anime without wanting to pull my hair out. It just isn’t that good. I’m not alone in this assessment, either… more on that in a moment.

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While many people do love this particular anime, and others find it to be a decent one to watch, there’s a decent number of people who dislike A Certain Magical Index. I’m among that number, and the reasons I dislike the series comes down to a slapped-together feel of the entire series.

Nefarious Reviews also pans the show… and the criticism in that review is heavily warranted. IF you want another poion, check there too.

Frankly, I just don’t see the value in this series, at least not on a personal level. The anime had a good premise, but it failed to follow through. It couldn’t execute on the ideas it tried to present. It’s a weird show, honestly speaking. While I do think A Certain Magical Index will cater to some anime fans, I’m often brought to wonder just who I can honestly suggest this series for.

That’s one of the reasons I hesitated to review it for so long. Just who would watch this series, and who might enjoy it? I honestly don’t know. If you did enjoy the series, please let me know why you liked it. I’d be interested to know.

To me, the themes just fall short, as do the influences of its setting. Futuristic or magical? Science fiction or fantasy? What themes best contextualize the show? Those questions aren’t simple to answer when A Certain Magical Index can’t even decide upon them itself as a series… let alone what I think of it.

Honestly, I expected better from a series adapted from light novels written in 2004 by Kazuma Kamachi and illustrated by Kiyotaka Haimura. The anime itself is produced by J.C. Staff.

While it certainly looks like an action based science fiction, it isn’t even close. The series distinctly lacks action. It doesn’t exactly hold the hallmarks of good science fiction either. Perhaps I’m simply being much too harsh. I’d say this anime falls distinctly into the “guilty pleasure” category for a great many viewers.

It isn’t the cream of the crop, but I have seen worse…

So, maybe it’ll fill a void for you as a viewer. I suppose if you enjoyed Strike the Blood, Guilty Crown, or Charlotte, you may in fact like this series too. For the rest of us, we’re out of luck. Bypass the series. There are better options out there.

Here’s the problem… or rather the list of problems.

To begin with, this is a somewhat long anime to get into. With several seasons under its belt and spin-offs galore it feels like an absolute slog to dive into. While the animation is decent enough and the soundtrack isn’t entirely awful, this is only a standard anime at best. It just isn’t worth the time investment to justify watching the series.

The story isn’t that good, either. This is a real shame too. On the surface, the idea of science and magic clashing against each other could be very interesting. Where A Certain Magical Index drops the ball is that it doesn’t give us a bone to chew here.

The series ultimately fails to offer a compelling narrative or one that even ties together its plot elements. Nothing feels meaningful.

To do this kind of plot justice, you need characters that have a firm ethos one way or the other. You also need a main protagonist that’s interesting in the first place. That’s the next issue. The characters are bland by nature.

They’re happy to pose theories upon their abilities more often than actually using them. It feels trite considering that these characters are also annoying and juvenile. I don’t expect them to be geniuses here, I just want characters to be a little self-aware as a cast.

They’re not… they’re idiots more often than anything else.

Beyond that, the dialogue drags and honestly, so do the fights. I’m all for deep and compelling character introspection. There’s just a time and a place for that. The series can’t figure out how to handle its pacing for the life of it. That’s my biggest issue.

I wouldn’t say you should avoid this anime like the plague, but there are better series worth your time out there.

This has been Kernook of The Demented Ferrets, where stupidity is at its finest and level grinds are par for the course. I’ll see you next time.

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My Hero Academia Season 2 Review

Hey everyone, it’s Kern here. I recently did a review for My Hero Academia Season 1. As promised, I’ll be slowly reviewing all of the seasons in order. Today I’m moving onto talking about season 2.

As a reminder, the first season of My Hero Academia, also known as Boku no Hīrō Akademia, features the next several steps of Deku and his hero’s journey. The introduction to this series was a strong one. Season 1 introduced us to a strong cast of compelling characters, gave us amazing fights, and deeply intertwined character struggles. There wasn’t much that you could complain about.

Aside from small nitpicks or just a general dislike of the genre itself, it would be difficult to just dislike the show. So, enter in season 2, another strong entry in the series and marked improvement to the My Hero Academia universe.

I personally find that season 2 was actually much better than season 1, raising the bar higher than I thought it would back in 2017. To look at why, we should probably begin with the surface level production.

Production Quality

The image above, even though it is completely mundane showcases the worst of the baseline standard. As you can see, it’s far from an insult.

Production-wise, My Hero Academia is a masterpiece of production and planning in season 2. Studio Bones comes back stronger than ever in this iteration. Fluid animation and mindful sound design holds up even at its weakest points. There’s nothing to complain about at its absolute worst.

However, at its best you’re going to get some amazing attention to detail. The series is packed with beautifully bombastic fights, and a fair amount of atmospheric drama. All of that is skillfully wrapped in a fresh coat of hero colored paint. This is a bright and airy series, right up until it isn’t.

The animation follows these dynamic shifts as it needs to, aiding and uplifting the key moments that makes the series stand strong. My Hero Academia lends itself to a certain level of emotional maturity, characters have to work hard and be assets to their society. The imagery and sound design adequately represents these struggles perhaps better than season 1 ever could.

Like its predecessor before it, the pacing in this season is noteworthy and very well done. While it is certainly action packed, it isn’t stifling or overbearing either. Important cast members receive fulfilling character development. The moments are wonderfully conceptualized for the screen, and continue to be entertaining even during a re-watch.

Story and Progression

Overall, the villains and plot moving forward has a steady pace, giving us an actual significant improvement to discuss…. characters, motivations, ego and trauma are the driving factors in this season.

The first half focuses upon the U.A. Sports Festival, which features some of the strongest characterization we’ve seen so far. This section is one of my favorites because it is so dynamically diverse. You’d expect this to be an all hero match-up, battle of the greatest… but nope… we don’t just get that… we get a taste of school life in this quirk filled universe.

The sports festival introduces several new U.A. High students. Many of these characters either couldn’t make it into the prestigious (also in a way pretentious) “Class 1-A”. Others just have different professional pursuits that “Class 1-A” wouldn’t have met the need for.

This is a world that relies heavily upon doing what a person is most suited for. Society in the series focuses heavily upon overall utility, rather than just pure ambition. What a person dreams to become isn’t always as important as they can reasonably accomplish… but here we see the serviceable balance between those two extremes.

Ambition becomes a spark to pure gasoline as characters strive to showcase their talents. What would typically be thought of as a dystopian world works so wonderfully here because the characters intuitively understand their places within it.

Even the weakest among them understand their skills have an intrinsic value to aid in that society… even if they’re still figuring out those limitations, that is a journey they’re willing to undertake.

Todoroki’s characterization and development in this season is probably even stronger than Deku’s overall. His backstory underpins the core ethos of the show. As the son of the #2 hero, he needs to make firm and definitive choices about his place in the wider world… and that means coming to terms with his trauma. He needs to learn to live beside his struggles, and to accept himself as he is.

Truly, that is the centralized ethos in this season, self acceptance, and the acceptance of others in the face of adversity.

This particular arc gives us a deep dive into the personal struggles that our favorite heroes-in-training face down on a daily basis. The Sports Festival arc also calls back to key issues briefly touched upon in the first season, and brings new ones to light.

The rest of season 2 is filled with internships, studying, and exams. It gives us a much deeper in-universe study of how professional heroes maintain a workspace and how they function with the wider society. The world building here is astronomical, and hard to find fault with… only, I wish there had been more.

The teachers are actually skilled in the series, and so are the professional heroes. That’s an important metric, and it’s one that many series often overlook. My Hero Academia takes the time to truly show us how inept these students really are, and just how much more they need to learn. The power and skill barrier isn’t lip service, it’s stone cold fact.

Deku and his buddies aren’t ready for the struggles of the real world just yet, and season 2 drives that point home unflinchingly.

As amazing as these characters seem to us… they’re just small fish in an ocean at the end of the day… it was nice to see all of them knocked down a few pegs. Since the series gave us a chance to see their betters in action in the workspace, we know what the wider world truly expect of them now… and it isn’t a simple thing.

Themes of personal identity, gumption and pride come blazing in, front and center from all around. These moments offer a different kind of conflict. We get deep and private introspection among several of the characters. It truly is a breath of fresh air.

Characters

This is ultimately Deku’s story and it focuses upon him. That said, this season “feels” like an ensemble story encompassing the wider classroom and Deku’s peers. In a way, I’d say it feels a little like Assassination Classroom. Some of the strongest spotlight moments come from other students, and it doesn’t feel out of place in the slightest. Actually, that’s what I think makes season 2 so much more enjoyable.

That isn’t to say Deku doesn’t get plenty of his own spotlight and personal growth. He receives a fair bit, to be honest. As Deku learns to handle the taxing ramifications of his “One For All” quirk, he also begins to conceptualize himself as a hero-in-training realistically. This isn’t always easy for him. However, it is interesting for viewers to watch.

Deku maintains a chord of shyness and humility that we saw encapsulated within season 1. He continues the trend in this season. Frequently, Deku puts his own welfare on the line, for better and for worse. These attempts are often selfless on the surface, but they’re also in a way self-serving to him.

Deku knows what it means to be a hero… and maintaining those key traits are important to him. His personal conscience is so enthralling when you consider just how easily it comes to him. Yet, we as viewers know these values must come easily, or he’ll be little more than a failed byproduct of what he truly wishes to aspire to.

There’s almost a hint of the fourth wall breaking between Deku and the attentive viewer to a point. In his attempt to help his friends work through their own struggles, he also must work through a few of his own. For a shounen series, we get some stunningly emotional and memorable moments both for Deku and a few of the others.

Todoroki, Iida and Uraraka stand out this season, and they’re not the only ones. I do have to give a call out to the episode “Shoto Todoroki: Origin” as I do think that’s perhaps one of my favorite ones in this particular season. As I mentioned above, his story so fully encapsulates the themes of this season in a way even Deku doesn’t quite reach, and I firmly believe that was entirely intentional.

New cast members give us a different bone to chew on as well. You’ve got a little bit of everything in this mixed bag, and each of them are nice additions. The non-hero students in the event are great for world building and context.

Then you have Gran Torino who is batty-as-hell. This old dude is All Might’s mentor. He offers comic relief as well as backstory into All Might and the quirk known as “One for All”. I loved every moment this senile old fart was on screen. Honestly, he’s a great addition to the cast.

On top of that, Hero Killer: Stain is the kind of big baddie we want out of a high stakes, action packed series. He’s ruthless and maliciously motivated towards violent crime. As his name suggests, he’s willing to kill for his beliefs. His implications are much more interesting than what he actually pulls off, but that’s kind of the point with this guy.

Fans know what to expect here. He’s going to be a mainstay, and this is early characterization for massive plot elements later. To that point, the big baddie of season 1, Shigaraki is still around. For season 1, he provided a reasonable threat and a good early start, but now we know what a real threat is. Honestly, Stain is the villain dial cranked to eleven, and no one pulls punches on this guy.

Final Thoughts

Personally, I have only praise for the second season of My Hero Academia. My complaints reduce down to what I wanted more of, and that wasn’t because anything was lacking. It was just that good. The slower moments never drag on too long, the faster ones don’t outstay their welcome.

Less is more in this particular instance.

Season 2 maintains a strong balance between its larger cast of characters, the wider story, and its core themes. There’s a lot to unpack, and to enjoy. I spoke briefly on Todoroki, because he is such a stand-out character this season. However, Iida and Uraraka stand out to me as well.

I just wanted more, plain and simple. When season 2 was over, I felt like I wasn’t done yet. The times the show feels lesser, it doesn’t feel as though I’ve been cheated out of something great.

This is a solid continuation of the series, no question about that. In some ways, it’s much better than before. No wonder why it was so popular, My Hero Academia easily earns its acclaim as one of the best shows of 2017 because it is so incredibly dynamic.

I just can’t think of how they could have done it better, at least not without sacrificing something else. There’s just too many great moments in this season to do that.

This has been Kernook of The Demented Ferrets, where stupidity is at its finest and level grinds are par for the course. I’ll see you next time.

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009 Re: Cyborg Review

Hey everyone, it’s Kern here! Who remembers this anime movie that released in 2012? I certainly do, and today I’m reviewing it. That’s right, it’s time for a complete and total mess of an anime. 009 Re: Cyborg is absolutely terrible in my eyes. Even in retrospect, there’s a lot of ways this anime movie fell flat.

It’s confusing at best, and takes itself too seriously at worst. For example, the series tries to feign intellect using religious metaphors. Even in the opening, it tries and fails to live up to its own pretentious ideology. It goes so far as to use skyscrapers as a statement for mankind and the hubris of reaching the heavens.

Some anime can pull this sort of deep and complex metaphor off, such as Monster or Ghost in the Shell (more on that rant later). 009 Re: Cyborg can’t use metaphors in a competent enough way to make any of them hit home.

There’s no subtlety here, it’s all much too overbearing. As far as clean narratives are concerned, that’s a problem. A fairly big one, truth be told.

That said the movie is entertaining to a point. You just have to understand what you’re getting into. I wasn’t able to do that because I went into the movie entirely blind, and to me it was a waste of my time.

Given just who was involved with this movie (this has to do with the Ghost in the shell rant), I expected more than what I got. My best advice is; set your expectations low going into it.

If you do that, you probably won’t hate it as much as I do. That said, I don’t personally like this movie.

There are moments where the animation dips fairly low. Honestly, I have to wonder what Production I.G and Sanzigen could have been thinking. There is some very questionable CGI in this story to be sure… but then again, there are moments when the animation isn’t entirely awful… you’ll get a mixed bag when it comes to visuals. For the era, we have come to expect that from anything involving CGI.

Take of that critique what you will…

A very long story short; 009 Re: Cyborg doesn’t quite know what it wants to be. That is my largest gripe with this movie, and my deepest annoyance over all. Moments of quiet contemplation mixes into the bombastic battle scenes, but neither of them act to uplift the other.

The movie itself feels torn between the two extremes. The pacing suffers a great deal. Hey, I’ll be honest, the movie attempts to have the mental fortitude required to take its deeper themes to the next level. You can tell the team tried to put their effort into fleshing out those moments, it just fell flat… or rather, it was rushed.

At the same time these quiet moments happen, the calls to action that drive the narrative forward often directly interrupt those thoughtful little sections. What results is a narrative that feels poorly timed and blotchy on principle.

This is the point where I need to be completely and totally fair to the wider series…. and yes there is somehow a wider series in this mess… this movie is an outlier even among factions of its fan base.

Maybe 009 Re: Cyborg just wasn’t for a person coming in for a cold watch of the movie… then again I doubt I’m being too harsh.

Many of the reviews on My Anime List and other such sites, claim the same things. The plot is often confusing even to direct fans of the series. A few people claim that the movie was disappointing to them. A few also claim the movie was illogical or lacking proper explanations where they would be needed.

I really do have to admit, that’s not an understatement.

009 Re: Cyborg is incredibly nonsensical in the best of times, completely and unquestioningly misogynistic at worst. Now, I know what you’re thinking. Many anime fall into these two categories.

Why is this one so freakishly bad?

Seriously, I wish I knew how it dropped the ball. The movie doesn’t really explain all that much in the first place. For example the voice… the god forsaken voice… “His voice”, whoever the hell “he” actually is…

Between the good guys and bad guys alike hearing voices calling to them (What anime movie does that sound like), there’s no hard and fast rules to how this voice works. Many characters claim to hear “His voice”.

The voice might as well be an enigma, truly. Almost as if the plot for Ghost in the Shell was poorly replicated, and everything went horribly wrong. Here’s the thing, I feel like that’s exactly what happened.

Kenji Kamiyama, well-known for Ghost In The Shell: Solid State Society was somehow involved in this mess. How did that happen? I don’t know. Why? I wish I knew. Was he trying to revive that same feeling offered to us in the original Ghost in the Shell movie?

Well… that’s certainly what it feels like….

This is why I hate the movie 009 Re: Cyborg. It feels like a cloned copy of an already great series. 009 Re: Cyborg couldn’t locate or keep its own identity in this process at all. That isn’t a good thing, because all you end up doing is comparing it to other amazing series. Ghost in the Shell is just the obvious one to point to, but I could say it feels a lot like Apple Seed as well.

I love Ghost in the Shell and I love Apple Seed, but I’ve already got those to watch. I don’t want some sort of poor imitation. I want something wholly unique. 009 Re: Cyborg doesn’t offer that. Other movies will ultimately do everything this one does, and they’ll do it better because they’re more focused upon the themes in the first place.

I have seen this anime movie twice now… and twice over I have no idea what the hell this mysterious voice is saying to these characters. I also have no idea who in the hell this god-like voice even is. Does the movie itself even know? I sometimes doubt it…

Lastly, let’s talk about that little romance problem the movie seems to have. We really could have done without that strange make-out scene. It falls short both in passion and a direct point…

Yet fan service panders… and that’s what this feels like. Fan service for the sake of it, little more and little less. The girl is in her underwear putting the moves on the guy. What’s not to like, right?

Wrong…

You’re only going to get a facsimile of emotion and the logic behind what romance is. However, it doesn’t feel organic… it just feels tacked on as an after thought. The relationship driven subplot feels more to me like an abundance of over-hyped teenage hormones without much else.

The movie doesn’t have the romantic focus you need to justify this kind of scene. The movie itself is about an hour and forty minutes long. That scene takes place a half an hour into the movie. Due to the timing, the wider themes, and the setting itself… well, I’m just not sold on it.

That’s my big problem with all of this movie.

At the end of the day 009 Re: Cyborg just can’t sell the world and themes that we viewers try to buy into. When we suspend our disbelief, we expect some sort of return for our investment.

I simply didn’t get it… If you did, that’s awesome… that’s just not how it panned out for me.

If you’re going to watch this movie for the first time, be reasonable. This isn’t a timeless classic. No matter the pedigree of the people involved with this series, don’t expect it to be an introspective juggernaut anime. It will pretend to be one, but it simply isn’t.

You need to know that detail going into it. Chances are good that it won’t be able to reach the greatness of predecessors before it… including the wider series itself, which has a strong and devout fan following even to this day.

I would even suggest not to go into the movie blind like I did, and start someplace else first. Wait until you’re ready to watch it with a few friends. Then, if you do hate it, at least you can all rant about it together.

For the average viewer that leads a busy life, you can bypass this one. It isn’t worth the lost time. There are much better movies out there, anime and otherwise.

This has been Kernook of The Demented Ferrets, where stupidity is at its finest and level grinds are par for the course. I’ll see you next time.

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My Hero Academia Season 1 Review

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Hey everyone, it’s Kernook here. Today I’m going to begin my review journey through the My Hero Academia series. Some of you may know this title as Boku no Hīrō Akademia.

I’ll be starting at season 1. Over time, I’ll slowly move my way through all of them. Super hero anime quite like this one are particularly hard to find. It’s worth the effort to re-watch the series and gather my thoughts accordingly.

When it first released I was dubious. I wondered if the series would be another sub-par shounen romp. Thankfully, it really isn’t. Like most anime fans out there, I’m always searching for new anime to watch. While I certainly prefer older anime from the early 2000’s and the 1990’s, I jumped on the bandwagon for My Hero Academia fairly quickly.

I must say, I enjoyed season 1 for all that it had to offer. This 13 episode masterpiece won’t leave you hanging for more. There are plenty of seasons to pick up after you finish this one.

I don’t think I have to tell you that this series is worth the watch for any fan of the hero’s journey, which Deku, our main protagonist displays in spades. Really, I think that’s the most compelling part of this anime; Deku himself and the wider world he faces down.

We can thank  Studio Bones for its high value production quality and intelligent fights. That certainly helps a lot too.

The Basic Story

The world is dominated by two main types of people. Those with powers named “Quirks” and those who don’t have that power. The series is fairly utilitarian. It boasts the concept that a person should do what they most excel at to benefit the wider community. It isn’t a dystopian world though, far from it.

Our main protagonist is a run-of-the-mill guy named Izuku Midoriya, nicknamed fairly early on as Deku. That’s what I’ll be calling him from here on out, by the way, Deku…

This middle school kid has a dream to become a hero. There’s just one problem, Deku doesn’t have a Quirk of his own. Within the series, this excuse happens to be handled this pretty believably too. We get a solid medical explanation in a flashback scene.

During a doctor’s appointment Deku is told he’s absolutely unable to develop a Quirk. The doctor, almost cruelly tells him that he could never become a hero. Those around Deku tell him this continually, believing he should find a new goal in life.

This headstrong boy refuses to believe he can’t become a hero. He absolutely won’t give up his dream for anything. Now I’ve discussed the powerful storytelling found in Deku as a character. If you’re interested in that, check it out here.

The majority of the first season is about challenging the preconceived notions you might have about “hero shows” like this one. Deku spends his time facing adversity, his own mental struggles, and the preparation he needs to take in the power “One For All”. That particular Quirk belongs to All Might. After Deku proves himself, All Might decides to pass it on to Deku.

Note: Not all quirks can be passed on, but “One For All” can be.

Deku dives into his efforts head first at nearly every opportunity. He’s so engrossed in the training it takes to become a hero. You truly do want to root for him. The bond he makes with All Might is really a special thing. It reminds me heavily of Kakashi’s bond with Team 7 of the Naruto series. His role is almost paternal. This bond between them deepens from mentor and protege into teacher and student once Deku is accepted into the “UA” high school.

What makes My Hero Academia  knows exactly what story it’s trying to tell. It doesn’t deviate from the core themes. The series carefully balances humor with emotion, but the story is also tight paced and full of action where it suits. Better yet, the character conflicts hold their own emotional weight.

One of the best characters to facilitate the emotional conflict for Deku is Bakugo. He might come off as your average bully, but there’s more going on under the hood with this character for sure. Even early on, you can see that in spades. While Bakugo’s rage at Deku certainly feels a bit misguided at times, the emotional warfare feels realistic to the universe.

Yet, what would an action series be without stellar fights?

Animation

The animation won’t do you wrong. The combat feels weighty, the animation itself is very slick during the fights. The characters don’t “float” where there shouldn’t be any floating to their movements. All of the Quirks suit the characters well, even if we don’t fully understand the complete magnitude of these powers. Bakugo’s explosions feel bombastic. Todoroki’s ice powers feel layered and amazing.

Combat choreography isn’t something a screen shot can adequately depict. This is a series you have to watch to fully appreciate. I should call it raw magnitude. Well and truly, the fights are raw magnitude for a lack of a better description.

The attention paid to the tiny details really shows how much care the animators put into this series.

Final Thoughts

Honestly, this is a solid first season to a pretty good shounen anime over all. In my opinion, it’s also one of the best seasons because of how clean and concise it is.

There are so many anime in this genre that feel clunky or overdone. I promise you, My Hero Academia comes out of the gate strong. It doesn’t feel clunky in the slightest. Shounen anime often feel like a dime a dozen, but My Hero Academia feels like more than that.

The first season is only 13 episodes long, you could binge watch the first season in a single weekend with time to spare. The ending is wonderful too, paving the way for more great seasons down the line.

With the strong introduction of the main cast, and a few decent villains like Shigaraki, there’s a lot to like here. I often return to this first season for the tight writing, punchy characterizations, and compelling storytelling. If you haven’t seen this series, you probably should.

This has been Kernook of The Demented Ferrets, where stupidity is at its finest and level grinds are par for the course. I’ll see you next time.

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Anime Review: A Little Snow Fairy Sugar

Hey all, this is Kernook here. Today we’re going to talk about a series that’s gentle and easy to watch. However, it’s not all sunshine and rainbows either. Sometimes this anime is a little bitter-sweet and contemplative above all else. While it touches on the subject of loss, you’ll find the themes to be easily digestible and never too dark.

Today I’m talking about A Little Snow Fairy Sugar. Please don’t forget to follow this blog and out social media for more content.

Before I dive into the series, let’s talk about the usual technicalities. As of right now the series can be hard to find. You can rent or buy it digitally on Amazon Prime. I’m not sure if you can locate it anywhere else. I still have my old DVD copies so that’s how I watch the show.

Speaking of that, the series was originally released on DVD in North America by Geneon Entertainment.  Sentai Filmworks partook the license later on. The animation was done by J.C. Staff, for better and for worse. For the time it was pretty decent, average at the very least. That said, it hasn’t aged well.

Thankfully, the character designs by Koge-Donbo save this problem. The characters are wonderful. Let’s dive into the meat of the show properly.

This is a short 24 episode series, centering around the main protagonist, Saga. She’s an interesting girl. She likes to have everything organized to perfection. To some degree her this nearly obsessive character flaw stems from hardship, but I’ll get to that later. Saga lives with her grandmother in Muhlenberg, Germany.

Side note: As far as I can tell, this is a fictional place. It isn’t real. Although interestingly enough, there was actually a man by the name of Frederick Muhlenberg. If what the urban legend says is true, then that is the guy who prevented German from becoming an official language of the United States. This is the sort of thing you find while researching for blog posts, I swear. Tangential learning, everyone! Anyway, I digress.

At the time the series begins, Saga is 11 years old. She goes to school and keeps a part-time job at the “Little Me” coffee shop. As a hobby she visits the local music store to practice playing her late mother’s piano.

As you can see, Saga’s life is entirely ordinary with nothing out of place. One day during a rain storm, Saga encounters Sugar, an apprentice Season Fairy. As you can guess, everything neat and orderly in Saga’s life goes completely askew as soon as she meets Sugar.

The seasons and weather such as snow, wind, rain and the sun are controlled by these little creatures. Also as expected, we find out that these little buggers are entirely invisible to humans. Saga can see Sugar. That is the crux of the show. The next thing Saga knows, she’s befriended the adorable little pain-in-the-butt. The general story goes like this…

In order for Sugar to become a full-fledged Season Fairy, as an apprentice she must first journey to the human world. These little fairies have a lot to learn during training. Naturally this causes problems for Saga as she tries to keep the little snow fairy out of trouble. 

A Little Snow Fairy Sugar is full of simple everyday adventures, nothing more, nothing less. All in all, this show is light and airy. It’s a breath of fresh air, really… however there’s a few sad little elements too. Beneath the overtones of gentleness and spunky characters, the series has a very clear and honest tone.

You see, ultimately this is a story about life and loss. Growing up can be awkward and painful. This show speaks to that in a very real way. Really, the themes are about letting go of the past. The sincere friends and beloved family that we inevitably and tragically lose can’t put our lives at a standstill. We don’t get the time back after those emotional ties are gone, but we have to move on.

In this way, you might say A Little Snow Fairy Sugar is very similar to Sweetness and Lightning.

Although the series never beats you over the head with this concept, it is a pervasive theme. A Little Snow Fairy Sugar heavily and constantly implies that Saga can see Sugar because of her own childhood traumas. This is concept lampshades further due to the memory of Saga’s deceased mother.

Saga’s constant recollections of the woman speaks volumes. In some facets this is her journey of personal catharsis after grief.

Saga needs to learn to move on with her life. The show makes it clear. Every week, she visits her mother’s old piano. To her, this is the replacement for a gravestone. As I said above, she is an obsessive type character. Her routine visits are deeply tied to her emotionally.

There comes a time when Sugar finally discovers what she needs to know. That’s it, her training is done. She can go back home, if she only wanted to. She doesn’t want to return to the fairy realm. If she did that, it would mean leaving Saga behind forever.

This is a wonderful series, and it certainly is worth your time. The series is certainly aimed at a slightly younger audience. Adults may not get the same sort of benefit or enjoyment from the series. A middling or younger teenager would likely benefit best. That being said, the series is kid friendly and that makes for wonderful family viewing.

If you’re an adult anime fan that requires anime appropriate for small children around, this is reasonable viewing. Honestly, if you like these kinds of stories, the series will probably be a solid choice for you regardless of age.

Importantly though, it won’t offend the sensibilities of small children and it won’t be so absolutely annoying that older kids flat out hate it. It’s certainly aimed at girls more than boys. That being said, I know a lot of boys who do like it, so don’t let that stop you.

This has been Kernook of The Demented Ferrets, where stupidity is at its finest and level grinds are par for the course. I’ll see you next time.

With your contributions, you make our efforts possible. Thank you for supporting our content. Patreon supporters receive access into our official Discord server, and a few other perks depending on the tier. If you don’t care for Patreon, and don’t care about perks, you can always support us through PayPal too… links below.

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5 Great Anime from the 90’s

Hey everyone, it’s Kernook here, from The Demented Ferrets, and I’m here to bring you another anime post. I’d hesitate to call this a “top list”. Frankly, I think that does a grave disservice to all of the amazing anime that you can find from this particular decade.

Don’t forget to follow this blog and our social media for anime and game content.

 There should be more to the medium of anime than top lists of series that dominated the billboard charts. Honestly, a “top ten” list is difficult to make because the 90’s were a treasure trove of anime to discover and love. Therefore, these are merely the suggestions of a humble anime fan.

Those of you who happen to be older anime fans like myself have likely heard of most of these. For those who haven’t, or for those who missed out on that decade entirely, I hope this list finds you well. 

Very Honorable Mention: Cowboy Bebop

So, you may be wondering; why isn’t this number 1 on the list. You’d be right for asking about that. This list isn’t in any particular order. The genres involved are so varied you can’t force them to compete. If we were discussing the space opera genre particularly, this would top that list.

Frankly put, it would smash out the other contenders by such a wide and far margin it would be astronomical. Let’s be real honest with ourselves here. It wouldn’t even be fair to the other candidates in the list. This series is that good, and no, that’s not hyperbole.

Here is the thing, I should not have to tell you to go watch Cowboy Bebop. If you don’t know that you need to watch this series, I can’t help you. The only reason this isn’t taking the number 1 spot is because I want to save that one. There are plenty of anime that may be lesser known to someone. This anime will never have need to fear getting buried by time. It’s a classic and always will be.

For the rest of you connoisseurs out there, if you just spit your drinks at the screen, I’ve done my job and gotten your attention. While I have that attention, make sure to follow me here or on medium for more content.

5. Master Keaton

This amazing anime was adapted from its manga counterpart by studio Madhouse, so you know you’re going to get wonderful animation quality here. The anime has a sub and a dub. It can also be a little hard to find these days, but it is worth your time.

Truth be told, I really do enjoy watching Master Keaton every now and then. It doesn’t feel too dated. There’s a real charm to this compelling series. It isn’t so centrally focused Keaton, but rather he feels as though he belongs in this wider world of character focused narratives.

Moreover, this is an intelligent series, and prides itself on showing off Keaton’s many skill sets. You’ll get a little taste of everything in this show, a little romance, a tiny sense of adventure, and a feeling that will leave you satisfied after the show concludes.

4. Martian Successor Nadesico

Now this one is a true sci-fi classic. Like many anime of this genre, you’re going to get strong characters and an awesome setting. Any anime fan of the 90’s will truly want to have this on their shelves.

To simplify the plot in the best way that I can, in the year 2196 it seems that planet Earth is in the middle of waging war with a race of aliens. These notorious invaders are called “Jovian Lizards” and the people of Earth see them as a well and true threat to mankind.

A company called Nergal gets the bright idea to design a space battleship, lovingly called the ND-001 Nadesico. This ship is built for war, and it is a powerhouse. There’s just one problem. The crew consists of the top civilian experts in their fields, these characters are total screw-balls. There’s some humor to find in that. 

It isn’t all fun and games though. These characters will have to face down a decent level of hardship. Like most mecha out there, you’re going to get decent battles and compelling sci-fi action. You’re also going to get some drama too.

3. Serial Experiments Lain

Okay, so now it’s time for something darker, edgier, and profoundly more confusing. Serial Experiments Lain isn’t exactly for the average popcorn anime viewer. It isn’t mindless in the slightest and it will expect a fair bit from you, the viewer.

This series is packed with subversive symbolism and darker themes about how technology can directly and indirectly impact society. Like its name suggests, it feels like a largely experimental show, rife with physiological horror elements that are sure to leave you unsettled. 

I wouldn’t say that the show is for everyone, far from it. This is for the sort of viewer that enjoys physiologically bent series, and the study of unsound minds. 

2. Initial D

Okay, this one is kind of a sleeper. We all knew that it would end up on this list, because you just can’t talk about 90’s anime as an adult without bringing it up. It’s a bit clunky by today’s standards too, and I wouldn’t fault you for asking me why I would put this series on this list. I’ll be honest, the CGI is absolutely awful by today’s standards. 

That being said, Initial D is all about street racing and the underground counter-culture that you find within that particular community. It’s bombastic at times, very slow paced and thoughtful during others.

Car fanatics will love this series for one distinct reason; the show gives accurate explanations about how cars need to be handled. There’s a real technical element here that makes me want to place the series on the list. It hasn’t aged the most gracefully, no…

However, it still stands out to me as an iconic 90’s anime that is worth your time to watch. This is particularly true if you like faced paced drag-racing.

1. Yu Yu Hakusho

Okay, shounen fans listen up, this one is for you. I don’t think I’m overstating the matter when I say point blank; this is one of the best shounen anime from its time… and dare I say it, all time. You’ll be hard pressed to find one that’s better. On par perhaps, more innovate surely, but not done better. 

Even if you watch nothing else from this show, at the very least sit through enough of the series to complete Season 2’s black tournament arc. Trust me, you’ll be glad that you did. This holds especially true if you’re a Naruto fan who praises the chunin exam arc in that series. 

Do not bypass Yu Yu Hakusho, just don’t it… it’s too fundamental of a series for any hard core shounen fan to ignore.

This has been Kernook of The Demented Ferrets, where stupidity is at its finest and level grinds are par for the course. I’ll see you next time.

With your contributions, you make our efforts possible. Thank you for supporting our content. Patreon supporters receive access into our official Discord server, and a few other perks depending on the tier. If you don’t care for Patreon, and don’t care about perks, you can always support us through PayPal too… links below.

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Anime Review: A Place Further than the Universe

Hey everyone, it’s Kernook here with another anime review. Today I’ll be discussing A Place Further than the Universe.

Looking back, the year of 2018 was a very strong year for anime. We had amazing contenders in the anime line-up every season, with plenty of content to choose from. From series like Sword Art Online Alternative: Gun Gale Online to Cells at Work! and My Hero Academia Season 3, it was difficult to pick and choose what anime to watch that year. There were just so many solid choices to pick from that it was hard to go wrong.

One of the most notable anime of that year is A Place Further than the Universe. It’s also known in Japan as Sora yori mo Tōi Basho. The series was released in January of 2018 and finished around March of that same year. Written by Jukki Hanada the series started off on a strong foot for that alone.

For those of you who may not know,  Jukki Hanada also did the writing for such anime as Kashimashi: Girl Meets Girl and the 2011 Steins;Gate series.

A Place Further than the Universe was directed by Atsuko Ishizuka, who is also known for his work on the design production and storyboard for Monster. That’s another anime I’ve reviewed on this blog, and find it to be one of the best classics that anime has to offer. As far as his directing skill is concerned, you may also know him from such anime as The Pet Girl of Sakurasou and No Game No Life.

I’m hesitant to say that A Place Further than the Universe ticked all the boxes for me. I deeply enjoyed it, but it would never make a top ten list for me. I’ll explain why near the end of the post. For now what you need to know is that the series is certainly noteworthy and you shouldn’t bypass it. If you like cute girls and slice-of-life series and you haven’t seen this anime, go watch it.

To me, this anime is required viewing, because it sets the baseline of what a serviceable anime really needs to be across the board. I think I just don’t hold the series to quite the same level of prestige because 2018 was such a strong year to begin with. It was an amazing year of anime, hands down.

If you doubt that, you were either under a rock that year, or you missed out on some really solid series someplace. Alright then, with that out of the way, onto the meat of this review.

The plot is simple enough, I suppose. Four girls, one big journey with a slice-of-life feel and a coat of cut girl paint. You have a character named Mari Tamaki. She’s a second-year high school student who wants to make the most out of her youth. The thing is, she’s a bit of a coward and she’s usually too afraid to step out of her shell. 

One day, she meets Shirase Kobuchizawa, someone much more brave and with big ambitions. She’s been saving up to travel to Antarctica. It isn’t just a pipe dream. It’s a goal with emotions attached, since mother disappeared three years ago. These two characters are eventually joined by two other girls, Hinata Miyake and Yuzuki Shiraishi. These four eventually make their way to the Antarctic.

It’s a simple series, with simple elements. The plot itself isn’t contrived, thankfully. It isn’t bombastic and it isn’t flat out stupid. What is very nice about the show is that it has 13 episodes. That’s just long enough to tell this story in a fulfilling way. The series doesn’t overstay its welcome and it doesn’t draw out nonsense plot elements to the extreme.

Honestly, I’d say the series could have used a few more episodes, even if just one or two. It is a packed series from start to finish. That’s a good thing, a very good thing. You’ll probably be left wanting for more after the series concludes and I think another episode or two would have given it just a little more room to breathe. Honestly, even without extra content, this series stands as a hallmark of a great anime.

When you get the benefits of a fulfilling ending and you still crave more, that’s when you know the series goes on a top ten list someplace.It might not be in my top ten list for anything particularly, but to say this anime is anything less than steadfast is a direct injustice. I’ve watched a lot of series across many genres, and every single thing this series does, it does very well.

The pacing is where it should be for a series like this. It’s the sort that slowly builds, but it is also tightly packed with key character moments. That’s the main draw of this show after all. It isn’t about the adventure itself, but rather our four main protagonists and what it means to them. They need to work hard to get to the Antarctic.

This isn’t an adventure where they sit around on their hands doing nothing but giggling their way through the show. Although I would say it is about cute girls, they’re not always doing cute things. Sometimes they’re put to real work, and the trip is occasionally far from glamorous. There are scenes where they even acknowledge that the cramped spaces they’re shoved into could be problematic for them.

These girls are multi-layered and very compatible on screen together, but they know they can sometimes clash in ideology too. It isn’t heavy handed, but there’s a real down-to-earth mentality used in this show. Unlike a lot of the other slice-of-life series you may come across, there’s not a lot of mindless or useless fluff. The character moments always feel as though it has been planned to enrich the story. These girls are all very likable and that helps too.

As a general rule, the series wants the girls to be fun-loving and adventurous. We see this most of all. They’re not dimwitted, and they’re not trying to do something entirely idiotic. Honestly, I just can’t praise A place Further than the Universe enough for this aspect alone. The series really hit it out of the park with these characters.

We get the same compelling banter between them that you’d expect from high school girls, but you also get some real heart and soul out of them too. The series hones in upon their dreams, fears, aspirations and insecurities. Frankly it does a phenomenal job of letting viewers get to know each of the four girls. At the same time, the series isn’t interested in cramming contrived emotional stupidity in front of our faces… when there is an emotional outburst, it means something valuable and important to the wider story.

We never lose out on that wider narrative either, nor the unpredictability of the adventure they’ve embarked upon. There are obviously a few small layers of drama, but it’s perfectly fitted for the story at hand. The series focuses deeply upon forged friendship, and facing tragedy.

As I said above, Shirase’s mother went missing three years prior to when the series actually starts. That’s a plot point that adds a layer of emotional gravity and uneasy tension to the journey. Also, the fact that they’ve got some measure of adult oversight and supervision means that the story is believable for these four high school students.

They travel with the Civilian Antarctic Observation Team, so as an adult watching this series, you’re not going to be raising an eyebrow. There’s no need to sit there wondering how in the hell these four girls are going to pull this trip off without suspending disbelief. It is a very believable story with a very steadfast component of grounded and logical plot elements.

You’re going to get an ending to this short series that’s about as complete as you could hope to expect for a 13 episode runtime. The plot ties up nicely, what isn’t addressed doesn’t need to be, and there’s a satisfaction to the ending. That entire final episode leaves you feeling justified for having enjoyed the show. There’s no need to point at the manga and say “finish the story there” although, there is a manga too and it is worth the read as well.

I’ve not said one single bad thing about this series, because there’s nothing bad to say about it. The visuals are solid, the soundtrack works well, the story leaves you fulfilled. So, you may be wondering if I’ve lost my mind. You may be wondering why, in spite of the fact I praise so highly, that it wouldn’t sit on my own personal top lists for anime?

It’s not groundbreaking, that’s why. I wouldn’t have it on my list, because it didn’t knock me out of my seat the way others in the genre have. I was thoroughly entertained, but I can’t say that I was surprised or taken aback by this anime in any meaningful way. I’ve seen a lot of shows like this, or similar to it. I’ve seen the basic idea of a journey like this one a billion times over.

While the characters are a home run out of the park, you’ve still seen these archetypes before a billion times over too. Honestly, I expect anime like this one to have strong characters, because if it didn’t, it would be a failure of a series. The characters are what matter, they’re what make the story being told amazing. If you watch animated series like this enough of the time, you come to hold a baseline expectation of what that sort of anime should be.

Let me be absolutely clear; A place Further than the Universe is everything an anime like this should be. It ticks all of the boxes in a way that any anime fan should demand of a high quality slice-of-life series. That’s exactly what this series promises.

It promises high quality animation and sound design. It promises to be exactly what it advertises its story to be. It upholds that standard throughout its runtime, and never once do you feel stolen from as far as a quality experience is concerned. However, although it holds the high quality standard, I personally don’t feel it surpasses the standard.

Maybe I’m just a jerk, but I expect a high standard of grounded, down to earth slice-of-life series. This one touches upon and continues to uphold that high standard baseline of quality anime. You’re just not going to find anything new here or something that challenges your notions of what a series like this one should be like. To me, it’s not a revolutionary series, if you’d think of it that way… and my top ten lists, those ones have to rip me right out of my seat and knock me down.

To me a top ten list is the best of the best. A Place Further than the Universe doesn’t quite match that. However, it would likely sit someplace on a top twenty which is far from an insult. Trust me, watch as many anime as I have, and so long as the anime makes the top fifty it’s a damn good show… two decades of anime watching does that to a person, honestly speaking.

So, there you have it. Watch this show if you haven’t already. A Place Further than the Universe sets the baseline of what we should all be expecting from our slice-of-life anime series. Quality characters, interesting visuals, a great story and one that wraps up nicely at that.

If you want to see another review of this series, from someone other than myself, perhaps check this one out written by NEFARIOUS REVIEWS. I thought it was a good review of the anime, maybe you will too.

This has been Kernook of The Demented Ferrets, where stupidity is at its finest and level grinds are par for the course. I’ll see you next time.

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Let’s Talk Anime: A Lull in the Sea

Hey everyone it’s Kernook here. Today I’m going to be talking about an amazing 26 episode anime, and one of my all time favorites: A Lull in the Sea.

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A Lull in the Sea, also known in Japan as Nagi no Asukara is a twenty-six episode anime that depicts two very separate sets of people. The ones that live on land, and the ones that live below it, deep in the sea. Released in October of 2013, this series is nearly pushing a decade old now. in spite of the age of the series, the show has a lot of charm.

Before younger anime fans crinkle their noses at me, trust me, this is an anime that can stand the test of time. Even by today’s standards, the anime looks and sounds wonderful. At least for a slice-of-life anime, it remains in my memory as perhaps one of the most compelling shows of its time. I return to it often enough because of the solid characters and the universe the story is set in.

That’s odd for me, considering that it is a slice-of-life series typically aren’t the types of anime that I settle into to re-watch often. Deep down at its core, this is a compelling series worth your time.

This anime boasts stunning visuals, and it can be praised for its somewhat curious plot. Neither of these elements falter even in the slightest. In a world where humanity once lived under the sea before adapting to live on land, the series follows four students that still live underwater. These days, they need to adapt to their new school on land, and that’s something they don’t always do well with.

Navigating these elements are central to the plot of these two communities coming together. The basic setup allows these characters to face emotional and cultural conflicts that surround their new scholastic environment. Some issues are large, some are small, but they’re all interesting to ponder.

For example, being too dry can agitate the skin of the characters that live under water. They need to take time to get themselves wet in saltwater to keep that agitation from happening. They’re looked down on for this, and those that live on land aren’t quite sure what to do about the sea dwelling people. The conflicts are brief, but very well done.

There’s a distinct emphasis on climate change too, and this shakes things up quite a bit later in the series. You’d think that might be a bit of a narrative problem, but it’s far from that. The climate change angle is neither preachy or ham-fisted, suiting the overall plot and character dynamics rather nicely over all.

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The main focus is clearly on the character relationships, just like many slice-of-life series. Honestly, that’s where things take a turn for the strange and somewhat melodramatic. Unrequited love is a core theme of the series, for interesting better and for annoying worst.

It’s hard to root for some of the couples on occasion, but thankfully it does tend to be rare. There are moments that after a while it all begins to feel a bit dragged out. That being said, generally these romantically inclined and tension filled scenes don’t often overstay their welcome. Even when they do, I’d say this is a minor nitpick at best for me.

I tend to find that A Lull in the Sea plays to other strengths, and more than makes up for any romantic goofiness that might fall flat. It will ask interesting questions about the passage of time, and what it means to disrespect the ways of nature. It’s neither too heavy for a slice-of-life, nor too dull as some of these types of shows can be.

With the story itself being cleanly and very concisely split into two distinct arcs, A Lull in the Sea adequately fills a weekend of binge watching without an issue at all. If you enjoy the slice-of-life genre, this is one I’d say you should try to watch just once and see if you like it too.

If you want to watch the series, you can do it for free over on Crunchyroll at the time of this post. If you want a proper in-depth review, particularly of the first 13 episodes, you can check out this post written by Lesley Aeschliman

This has been Kernook of The Demented Ferrets, where stupidity is at its finest and level grinds are par for the course. I’ll see you next time.

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Let’s Talk Anime: A Centaur’s Life

Hey all, it’s Kern here, and it’s time to talk some more about anime. This one is a bit of an odd one, A Centaur’s Life.

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A Centaur’s Life, is also known as Centaur’s Worries or Sentōru no Nayami. The manga came out for this series back in 2011 and it is still ongoing in 2022. The twelve episode anime was released back in July of 2017 and finished in September of that same year.

Now, to be quite honest with you, this anime is a bit strange. The manga it’s based on is a bit strange too. During the time it was all the rage, releasing with other series of its type; monster/animal girls became a somewhat common trope. The series acted as a curiosity of sorts, earning viewers because of it’s rather odd nature.

That being said, the series is primarily focused upon slice-of-life elements. Set in a world where all people are hybrids of various sorts of fictional creatures such as centaurs, it follows the everyday life of Hime, a… well you guessed it, a centaur. She’s a high school student and the series follows her and the lives of her classmates. In general the general themes of the show covers problems and challenges that Hime and people of other hybrid races like her might face day-to-day.

A Centaur’s Life also contains mildly placed hints at a possible romance between the main character and one of her female friends. Personally, I could take or leave that aspect, it’s cute I guess… but it’s not something I was invested in.

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The other major component of the plot revolves around the political reality of this world, and I’m not sure how I feel about it. Now, you might think that the political intrigue will heavily influence the main character’s life in some sort of darker way, but from what we get in the anime that just isn’t the case.

The series boasts a few rather totalitarian themes about forced equality between various mythical races. There’s a tone of extremely harsh penalties of for any discrimination… and while the series isn’t too heavily focused upon it, it does come up enough to be jarring. Even what seems to be children’s books have a weird political bent to them. As though something like democracy is little more than a fairy-tale.

Add onto this that in the twelve episodes, the pacing continues to be slow and unhurried, and the tone feels off somehow. In a way, it’s almost as if the series forgot that it was supposed to be a slice-of-life… but I digress.

In general, the show pieces together a school life story that jumps the shark. A Centaur’s Life is riddled with cases of extreme propaganda, hard pressed security details, and a world that almost seems dystopian despite the slice-of-life tone the series works so hard to convey. It truly gives viewers an unsettling feeling that something very nasty is going on under the surface that the show refuses to truly address deeply.

That being said, A Centaur’s Life isn’t awful… it just don’t know what it seems to want to be as a series. Perhaps the manga is better, but I haven’t read it and I really don’t plan to. The show itself has a few elements I wish had been explored further, and I’m not entirely sure that it would ever make a top ten list of mine, or anyone that I know. It’s not among the worst I’ve seen, but certainly cannot stand as one of the best.

The last episode especially fell flat upon its face, containing absolutely no substance to speak of. To say it was unsatisfying is an understatement, but let’s be honest a lot of anime have that problem. This is certainly one where they want you to go and read the manga, and anime like that become a pet peeve of mine.

A Centaur’s Life had a lot of original and bold ideas, but I’d say that’s the largest problem it had. There were just too many to focus on one aspect, and therefore it all became wasted potential.

Is it worth a watch? Yeah, actually it’s worth streaming it at least once. The experience is worthwhile, because the series does display a few interesting qualities. Does it belong on your prized anime shelf? Probably not, and truth be told if it hasn’t been forgotten about by the masses already it will be in a few more years. It just can’t live up to the test of time.

This has been Kernook of The Demented Ferrets, where stupidity is at its finest and level grinds are par for the course. I’ll see you next time.

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