We’re back, with more Subjecting Kresh to RWBY where we’ve started Volume 1, survived through the first episode’s set-up and made it to Beacon Academy. In this next episode, The Shining Beacon Part 1, our four main girls hit the campus with sparks flying (and a little bit of red dust to go along with it).
Ruby crashes into Weiss by accident, Blake acts a little catty, and Yang’s enjoying the campus life to her fullest as she buggers off with her signal buddies. This really is just a set-up episode more than anything, giving the main cast moments to play off of each other.
This episode, much like the last, really comes down to needing to start “somewhere” and this episode is quite short in comparison to the last one. That’s probably the main issue with Volume 1 in general is that the episode lengths fluctuate wildly. While some are almost 12+ mins in length, others barely break the 5 min mark.
All in all, Kresh found it enjoyable, even though Weiss comes out of the gate fairly snootily, and Blake’s really no better. It’ll be like that through Volume 1, for better and much, much worse. Personally, I think Ruby makes the strongest showing in this episode, where as Blake and Weiss have fairly unclear motivations and personality traits this early on.
Honestly, if you took them at face value, you wouldn’t see much of what they’re about… long time fans know better than to take either of these two at face value because often emotions get away from them early on.
Jaune makes his first real appearance, and it’s a strong one if you ask me. He’s genuinely likable here where he isn’t always so later on as the series continues onward. Jaune has moments of true insufferably, but that in middling Volume 1 plot lines.
Like the last episode, I do happen to have a few fan songs regarding the events in this episode.
Well, that’s about all from me for now. Watch the reaction video for yourself to hear our simplified opinions and to see how Kresh feels about it all. There’s not too much to discuss in this one, so we’ll see you next time.
This has been Kern of The Demented Ferrets, where stupidity is at its finest, and level grinds are par for the course. See you next time! Meanwhile if you like what we do, consider supporting us on Patreon, and check out some other content below.
FAIL: Fallen Angels in Limelight – rock, glam rock, hard rock. City of Shadows Album 1 – A musical story about two cities joining together as one deep in the desert. A literal tyrant has come to lay claim to the city, and an uprising occurs. City of Shadows Album 2 – The exciting continuation of City of Shadows. Time to set out and travel the world! This story is ongoing, with song releases every Wednesday and Friday. Roll for Glory Album – An album dedicated to the wonderful world of DnD, and the fictional band in “Thunderous Power Kicks” (T.P.K) led by their fearless leader and Bard. RWBY Fan Songs – Fan made songs for the RWBY series encompassing several musical styles. (Kern’s on going project). Video Game Fan Songs – Fan made songs about video games spanning a wide variety of gaming genres and song styles (Kresh and Kern’s ongoing project). Ferret’s Synthwave – Songs with a Synthwave vibe.
This is a Raven fan song, obviously and it’s about Yang. It’s been posted for a while now over on YouTube, but I only just got around to posting it here as well.
Step into the chaos of Raccoon City with First Night, Last Chance; an original Resident Evil 2 fan song told from Leon Kennedy’s perspective. A haunting blend of emotion, duty, and survival, capturing the terror and tragedy of his first night on the force.
I’m coming at you with a game review of Final Fantasy. Yep! We need to go back to where it all started. These days the game is kind of messy and doesn’t hold up the way slightly later titles do, but let’s not judge it too harshly… it did after all save Square Soft’s butt…
Hey everyone, it’s Kern here! I’m coming at you with a RWBY fan song for the Freezer burn pair (Weiss and Yang). These two are amazing, even if they aren’t a canon ship. I hope you enjoy it!
Hey everyone, it’s Kern here, coming at you with the first actual episode of RWBY Volume 1, and Kresh’s reaction to it. In this episode, Kresh gets to see my favorite male villain, and my all time favorite character in the entire series (Glynda Goodwitch).
So, let’s enjoy a good dust shop heist, and Glynda laying down the law about Ruby’s vigilante justice. Also, Roman’s cigar, because that poor thing gets squished terribly… what a waste of fine tobacco, am I right?
The whole point of this episode is to establish the main character motivations for Ruby and set her up to go to Beacon Academy two years early. Due to basically being in the wrong place, at the wrong time (namely the dust shop that Roman robs), Ruby shows off her combat skill. This gets her noticed by the headmaster of Beacon Academy and Professor Glynda Goodwitch.
Although Ruby’s two years too early to be attending Beacon, and if Glynda had her way Ruby would be sent home “with a pat on the back, and a slap on the wrist”, Ozpin has the final say. When Ruby admits that she wants to go to Beacon Academy “more than anything”, her fate is basically sealed.
As far as RWBY Volume 1 is concerned, this is an establishing episode for the series and only really functions to be that… nothing more. The airship battle is pretty much the highlight moment. As far as even the Volume 1 fights or the trailers preceding them are concerned, this is a pretty weak fight over all. Still, it does what it sets out to do, and it provides a mostly solid start to the series.
Personally I really like this episode, but I knew to expect it’s relative weakness because I’ve seen the series so many times. I wasn’t sure that Kresh would like it, but I was pleasantly surprised… then again, as Kresh says, they had to start somewhere. That’s kind of the theme for the first few episodes of the show, and it’s a good thing that her expectations weren’t too high because Volume 1 doesn’t really start getting good until Emerald Forest related plots, and the eventual “The Stray” and “Black and White” story lines that really make Volume 1 what it becomes.
I’ve actually made a lot of fan songs for the characters and events that play out here in the episode. You can find them here in event order:
Hopefully you enjoyed our reactions to this episode, and you’ll stick around for next time when we finally get to the Beacon Academy campus. Until next time everyone! This had been Kern, of The Demented Ferrets, where stupidity is at it’s finest and level grinds are par for the course.
FAIL: Fallen Angels in Limelight – rock, glam rock, hard rock. City of Shadows Album 1 – A musical story about two cities joining together as one deep in the desert. A literal tyrant has come to lay claim to the city, and an uprising occurs. City of Shadows Album 2 – The exciting continuation of City of Shadows. Time to set out and travel the world! This story is ongoing, with song releases every Wednesday and Friday. Roll for Glory Album – An album dedicated to the wonderful world of DnD, and the fictional band in “Thunderous Power Kicks” (T.P.K) led by their fearless leader and Bard. RWBY Fan Songs – Fan made songs for the RWBY series encompassing several musical styles. (Kern’s on going project). Video Game Fan Songs – Fan made songs about video games spanning a wide variety of gaming genres and song styles (Kresh and Kern’s ongoing project). Ferret’s Synthwave – Songs with a Synthwave vibe.
Ruby crashes into Weiss by accident, Blake acts a little catty, and Yang’s enjoying the campus life to her fullest as she buggers off with her signal buddies.
Hey everyone, it’s Kern here, coming at you with the first actual episode of RWBY Volume 1, and Kresh’s reaction to it. In this episode, Kresh gets to see my favorite male villain, and my all time favorite character in the entire series (Glynda Goodwitch). So, let’s enjoy a good dust shop heist, and Glynda…
A haunting fan song anthology revisiting The Dark Pictures Anthology. Striving to capture the chilling atmosphere of Man of Medan through The Devil in Me. Join us on this journey.
It began with a question: What if James Sunderland sang the truth? So, yeah… “Deeper Still” is a dark alternative rock fan song told from James’s point of view, inspired by the tragic In Water ending of Silent Hill 2.
Today, Kresh dives knee deep into the RWBY Yellow Trailer. Yang’s a brawler, so I firmly believed Kresh would enjoy this one the most, let’s see if my prediction was correct!
Hey all coming at you with another song from the mastermind of Kresh. Using our FAIL band, she made this song for me during a very dark time in my life.
Hey all, it’s Kern here, coming at you with another RWBY related fan song. This one is called Autograph, and the reason I made it was because I was inspired by Volume 1 of the series where Ruby comes into contact with Glynda for the first time.
Ruby was mildly in awe that a huntress was beside her, up to and including asking for Glynda’s autograph. You would think a girl raised by huntsmen in her own right wouldn’t be so starry-eyed over just seeing a huntress fighting beside her, but Ruby was. I mean, Qrow’s no slouch, and though we don’t know much about Tai, we do know he at least graduated Beacon Academy and teaches at Signal.
I then concluded that one of the reasons Ruby is actually in awe isn’t because Glynda is a huntress, but rather because Glynda represents the “huntress ideal” insofar as Ruby’s seeing her actions at the time.
The moment of fighting together besides Glynda I think reflects a long-held if not impossible desire, as Summer Rose was also a huntress too. Her mother died when Ruby was too young to be doing any kind of real combat. Due to that, and her claims about how bad of a student she used to be until Qrow began personally training her bespeaks a certain lack of validation from the kind of hunters she’s inspired to be… and I’m not saying Ruby doesn’t adore her uncle, she most certainly does. Yet, there is that fact alone, he is her uncle. He’s not just a random professional in the trade acknowledging her.
Glynda is a professional though, and though she covers Ruby a fair bit in the battle, she doesn’t outright stop Ruby from adding bullets into the mix. It feels like Ruby experienced real combat without being by the side of a relative, teacher, or classmate. It probably is simply because it was a huntress that chose to offer that very basic level of acknowledgement that Ruby is overjoyed by the experience.
Perhaps in a way, purely because Glynda is a woman to begin with, there’s a higher bar there. She better reflects the sort of hunter Ruby aspires to be. She doesn’t fawn over Ozpin in quite the same way she fawns over Glynda, and I believe that’s partially because Ruby can look at Glynda and see her own “dreamlike” future in a small way.
Female, skirt wearing, unafraid to get into a fight. It was a villain Ruby was after, and Glynda’s aid in the matter reflects the sort of ethos Ruby has in the start of the series. She wanted to be a huntress to “help people”, and here Glynda is, doing that.
Anyway, in that scene after the airship escapes the scene, Ruby asks for Glynda’s autograph. This song is about the themes above and Ruby’s personal ambitions at the time. I truly hope you enjoy it because a lot of thought went into this song and it’s over all themes.
Lyrics: [Verse 1] I chased ’em up high, through the smoke and the rain, Boots on the rooftops, heart off the chain. Then I saw her standin’, crop crackin’ loud, She whipped up a storm and she owned that cloud! [Pre-Chorus] My cloak was flappin’, my hands were shakin’, I couldn’t believe the scene I was takin’… [Chorus] Can I get your autograph? Right here on my hood, on my dreams, on my map! You’re the storm I wanna ride, you’re the fire in my spark, You’re the hero I’ve chased in my heart! So before you fly off, before you fade so fast — Please, oh please… can I get your autograph? [Verse 2] Sirens below and the clouds up high, You cracked that crop and lit up the sky. Blond hair flying, green eyes like a flame, I swear in that moment, I knew your name! [Pre-Chorus] My scythe felt heavy, but my soul felt light, Standin’ there dreamin’ in the neon night… [Chorus] Can I get your autograph? On my dreams, on my sleeve, on my dusty old map! You’re the thunder I heard when I dared to believe, You’re the magic I wear on my sleeve! So before you ride off, before you vanish fast — Please, oh please… can I get your autograph? [Bridge] One day, I’ll stand tall, wear that badge too, But right now, all I wanna do… Is hold this moment in my hand, A scythe, a dream, and a brand-new plan… [Final Chorus] Can I get your autograph? On my hopes, on my heart, on this crazy path! You’re the reason I’m reaching, you’re the reason I fight, You’re the reason I’m chasing the light! So before you ride off, before you blaze past — Please, oh please… can I get your autograph? Yeah, please, oh please… just one little autograph!
Well, there you go, I hope you enjoyed the fan song, and if you did, don’t forget to click like and subscribe over on our YouTube page. We play games over on Twitch too, if you want to check that out!
Until next time, this has been Kern of The Demented Ferrets, where stupidity is at its finest and level grinds are par for the course.
Hey everyone, it’s Kern here, coming at you with a Weiss Schnee related fan song, and a letter she might have written to Winter early in volume 1. This is just head canon, but the song resonates well, I’d say. When I wrote this song, I wanted to paint Winter as the trusted role model that Weiss knows her to be, while equally banking on busted ego Weiss seems to have in the very early segments of RWBY Volume 1.
I wanted to do a Weiss fan song that’s more “fan fiction” than realty, although these themes are present in the show for sure. We set the stage with Weiss sending a letter to sister because we get no Winter Schnee in V1… so, yeah… this would take place in the ensuing days after the initiation, before she fully acclimates to Peter’s advice.
Hope you like the song!
Lyrics: [Verse 1] Dearest Winter, I write from this madhouse they call a school, Where chaos reigns and no one minds the rules. You told me to be strong, to lead, to stand with pride… But by Dust, I swear this place is testing every ounce of me inside.
[Verse 2] Ruby, my own team leader — younger by two years, Still acts like a child with no sense of her peers. She doodles in class while we study the Grimm, And skips through the halls on a juvenile whim. Yang, her sister, slams through halls with fists and flair, She calls it ‘training’ when she throws me through the air. Horseplay, roughhousing, shouting without shame… And somehow I’m the one always taking the blame.
[Chorus] Oh Winter, what happened to order and grace? It’s just hall brawls and pillow wars taking place. I try to speak sense, try to bring a little class… But I may as well talk to broken glass. You told me I’d grow, you’d help me rise, But this is madness — not training — in disguise.
[Verse 3] And Blake, mysterious, quiet, and bold, She stares like I’ve done something wicked and cold. She speaks my name with bitter disdain, As if I forged the contracts, as if I caused the pain. I barely know her, but she acts so severe… Judging our family, as if I brought us here.
[Bridge] But Pyrrha… she’s different, a light, sincere, A champion’s heart, and the only one near Who listens, who cares, who gets this facade, The struggle to lead when they treat rules as fraud. With her, I’m not lost in this swirling parade, She sees the girl, not the name or the blade.
[Chorus] Oh Winter, I miss your quiet tone, The echo of your boots on marble stone. I miss your voice, your steadiness, your stare, Here, I’m adrift — and most don’t seem to care. They laugh, they shout, they dance in fire… While I sit here, drained, barely inspired.
[Outro] So, I write you this letter, while I’m away, And you’re serving Atlas in your own way. But if you can spare a moment to write, Please remind me that I’m not right. That the world still holds reason, logic and purpose dear, Because without that thought, I may not last here. Your sister, striving to stay composed… Weiss Schnee… …… An official student of Beacon Academy….
That’s all for now. This has been Kern of The Demented Ferrets, where stupidity is at its finest and level grinds are par for the course. Don’t forget to check us out on Twitch and subscribe to our YouTube!
YouTube Playlists of Interest: FAIL: Fallen Angels in Limelight – rock, glam rock, hard rock. City of Shadows Album 1 – A musical story about two cities joining together as one deep in the desert. A literal tyrant has come to lay claim to the city, and an uprising occurs. Roll for Glory Album – An album dedicated to the wonderful world of DnD, and the fictional band in “Thunderous Power Kicks” (T.P.K) led by their fearless leader and Bard. RWBY Fan Songs – Fan made songs for the RWBY series encompassing several musical styles. (Kern’s on going project). Video Game Fan Songs – Fan made songs about video games spanning a wide variety of gaming genres and song styles (Kresh and Kern’s ongoing project). Ferret’s Synthwave – Songs with a Synthwave vibe.
Kern’s Note: Sorry that this thing was so late in coming out. We were having a few difficulties and had a lot of things to do in order to fix the issues. Now that it is here we are super proud of it. Audio issues were sorted out too, so that makes it even more awesome!
Please don’t forget to follow the blog. You can check out our platforms for great content too! If you like what we do, please consider supporting uson Patreon.Supporters will get access to our Discord server.
If you haven’t seen the RWBY White Trailer, yeah, you might want to go do that. It’s on the Rooster Teeth website, and it’s free. As always, please support the official release of the series.
Last week I kicked off my retrospective series with the RWBY Red Trailer. For a brief recap, I mentioned that the four character trailers that kicked off the series had three goals in mind. They were as follows:
To introduce the main four girls.
To teach the viewer how to enjoy the combat in the series.
And to give viewers a taste of the world through the eyes of these characters.
When the RWBY Red Trailer first released, I wasn’t exactly a huge fan of what I saw.
As I said last time, hindsight for the series is 20/20. Retrospection matters. My love of the RWBY series didn’t come until I saw the release of the RWBY White Trailer and the introduction of Weiss Schnee.
If Ruby’s trailer is all about sentimentality and holding the things you cherish the most close to your heart. Then, the trailer for Weiss is all about the rejection of emotional sentiment. Of leaving behind childish whimsy, and losing one’s own identity in the process.
Don’t believe me? Let’s take a look. The trailer opens slowly, a quote flashes across the screen. This quote reads like this:
Then a spotlight shows overhead, the garbled mutterings of an announcer calls her name. The audience cheers as a white haired woman takes the stage. Her face is elegant, but there’s a slender scar blemishing her skin over one eye.
She’s dressed in white, with a splash of red, and a hint of black. Her expression stays serious in front of the crowd. The soft fluttering of of a piano begins to play as the crowd cheers.
By this point in the trailer, less than 30 seconds into it, I had already found myself captivated by Weiss Schnee as a character. Where the RWBY Red Trailer failed to instantly grab my attention, the RWBY White Trailer had captured me from the very beginning.
Weiss looks out to the crowd, takes a breath and closes her eyes. Then the song begins in earnest. Unlike Ruby’s song that was merely playing as a music backdrop and only had a few lyrics, this time Weiss is performing her personal story for the world to see.
Her song, known as “Mirror Mirror” is a testament that Jeff Williams and Casey Lee Williams really know how to make a soundtrack shine.
This song is probably one of the saddest in the original soundtrack for the first RWBYVolume. As the song plays, Weiss is shown to be singing it, although, her actual voice actress didn’t do the vocals. The woman singing is Casey Lee Williams.
This trailer turns into a flashback as Weiss continues to sing, her eyes still closed. The camera pans lower and the stage fades to black. A reflection of Weiss glows from the dark abyss as she stands atop it, a perfect reflection.
If you haven’t noticed by now, this is a far deeper, far more introspective sort of trailer on it’s face. This make sense. Weiss is the most reserved of the main four girls. She’s cold, almost needlessly cruel in the first volume of the series. However, that’s well and truly a facade at best.
Without this trailer for character context, which I will get to in a moment, Weiss would be little more than a complete and total ass during Volume 1. Episodes like “The Stray” and notably the episode “Black and White” which is the Volume 1 finale, rely on this trailer. It explains everything about Weiss and her eventual blind acceptance of Blake.
The reason is because Weiss isn’t actually an ass, and she’s doesn’t really carry the hyperbolic thoughts and feelings that she’s expected to have. She spouts them, but they’re not real. This trailer is a looking glass into all of it, literally. It gives us all of her key struggles, and allows us to see this girl behind the Schnee family mask.
Anyway, at this point her eyes are closed. It is now implied that anything beyond this point is a flashback of a memory. When her eyes open, kneeling in front of her is a gigantic armored knight. It bows to her in reverence, as if she were its queen.
Then, it stands to its full height, grasping its sword as the tempo of the music changes.
No longer just a soft piano melody with gentle singing, string instruments and percussion are added into the mix. The soft classical music begins taking on new urgency as Weiss faces down her opponent. Swords clash as Weiss faces down this armored giant, deftly avoiding his blade.
Her combat is almost like a dancer’s grace as she continues flitting around the arena floor like a ballerina. She uses her sword with frontal swings and forward jabs just like a fencer. Weiss relies on a complicated mix of pure skill, dust, and her semblance to gain the upper hand.
As I said before, the trailers build upon each other. In Ruby’s trailer, combat was the thing breaking the fourth wall.
For Weiss it’s the lyrics of her song, breaking the forth wall instead. This is her personal story. She’s telling us who she really is as a person, and she’s not going to wait for us to figure it out.
Just like how she treats Ruby in Volume 1, she’s not going to dumb herself down for our sake. The lyrics are poetic and layered in symbolism. I will speak about that in the analysis of this trailer, which is a separate post. For now let’s just focus on the poetic storytelling at play.
Viewers need to stand on Weiss’s level emotionally, and understand what she’s telling us. We viewers, are the mirror she’s talking to. It’s not just that she’s talking to herself. She wants to be heard, she has asked us if we can hear her in the song directly. She’s asked us if she needs us, because we are that mirror.
She’s not sure if her own merits are good enough. She wants to be taken seriously. She feels that she isn’t. That she is somehow inferior.
Now, this is exactly what Ruby’s trailer referenced in regards to the color “white”.
While those lyrics were a factual assessment, Weiss attempts to explain those facts in poetic and lyrical way, using ambiguity.
Ruby’s trailer is self-assured and confidant. She knows she wants to be a huntress, and she’s ready to show off what she can accomplish.
Weiss is far less sure of herself. She wants the validation of others, but she’s afraid to ask for it. So, she’s asking us, the proverbial mirror.
Her faster and far more ruthless combat is an undertone to this as well. While Ruby shows us a fight that’s fun, Weiss shows us one that’s necessity. Weiss needs to fight this battle. It isn’t a choice. It’s an obligation, like so many other things in her life.
Unfortunately for Weiss, she’s still just a teenager trying to pretend she’s an adult. The adult world of Remnant will bring her down a few pegs, and so does the knight she’s fighting. She cannot stand on the world’s stage alone and hope to succeed that way. She needs others, she needs a place to belong.
In spite of her skill, this isn’t enough to stop the knight from countering every attack she lands on him. Finally he swats her aside like a paper doll.
She lands on the ground looking disheartened, defeated and bleeding…
Then the scene faces to black and Weiss is on stage again. Slowly she opens her eyes. Haunting operatic vocals fill the air as the moon overhead appears from behind dark clouds.
Weiss is still young, and just like Ruby, she’s a dreamer of bigger and better things. It’s just that those dreams don’t align with the world as she currently understands it. Her memories and expectations hold her down.
She’s asking us, the viewers, if she can really stand a chance to reach for her dreams. If she’s even worthy of those dreams at all.
Her eyes close again, and her memory continues. The flashback of how she got the scar in the first place is fresh in her mind.
The knight is still ready for more, and Weiss lifts herself up from the ground. There’s blood on her face, and determination in her eyes. Weiss won’t let herself be put down from a little thing like a head injury.
Instead she prepares herself for another clashing of blades. She’s smarter this time, going on the defensive and waiting for the right moment to take him down.
The song changes tempo again. This time, it’s not haunting, it’s empowering. She prepares her weapon, adjusting her stance, and strikes. A flurry of dust shimmers with every attack. A wave of ice spiking up from the ground as she returns the armored knight’s attack tenfold, effectively disarming him.
Then it’s time for her final attack. She readies her glyphs and the dust inside her sword. Trapping the the knight, she sends herself flying into the air, slicing a pinpoint attack into the knight. This turns him into a powder-like snow.
Sparkles of this now defeated knight fall onto the stage as she finishes her song. The blood on her face fades away. She opens her eyes and looks around as if trying to remember where she is. The crowd cheers for her.
When you saw this trailer for the first time, you probably cheered a little too, even if it was just to yourself quietly. I know that I did.
That’s because in the context of the series, Weiss is person worth cheering for. She’s worth her dreams and her ambitions. She wants to hear that cheering, she wants us, the mirror to tell her that she’s worth it. That’s what makes her so relatable even as early as the trailer itself.
Everyone wants to be told they’re worth something. That they’ve done a good job. Everyone wants just that one moment of satisfaction. That one thing that nobody can take away from them, because they earned that success themselves. That they are worthy of standing upon the worlds stage, accepted based on their own achievements.
In that way, Weiss resonates with that small part of humanity. We are the mirror she’s talking to, and we give her just that tiniest glimmer of hope.
Weiss looks out toward the audience and she offers her final bow. Her reflection is still there, a perfect mirror image upon the floor. Only she can see it truly clearly. The curtains close, and the trailer ends.
It’s as if through the eyes of the viewer, she’s finally seeing her true self. The person she really wants to be. The person she can become.
The RWBY White Trailer is a showcase of characterization at its finest. A lot of fans claim that Weiss is one of the most interesting characters in the series, at least, on her own merits. I wholeheartedly agree.
In this trailer we’re given far more depth to her character than we ever saw in the RWBY Red Trailer. This trailer built upon everything we were told previously, and extrapolated upon them.
The thing is, Ruby’s trailer focuses more on factual information. For Weiss, her trailer is almost entirely emotional. The fight was in her point of view, and the song lyrics reflect that as well.
The song stands in a league of it’s own, the animation is absolutely fitting, and the fight is captivating from start to finish.
All in all, this trailer is my absolute favorite one in the early volumes. I love this thing.
However objectively, I wouldn’t actually say it’s the best trailer we received. No, in my opinion, that credit goes to the RWBY Black Trailer, featuring Blake Belladonna. It is the textbook definition of what a trailer should be. Join me next time as I cover Blake’s trailer. You don’t want to miss it.
“Where stupidity is at its finest and level grinds are par for the course…”
The Demented Ferrets…
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